Music Bands in the Old Kingdom (original) (raw)
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Music, dance and instruments in Ancient Egypt (English Translation)
The study starts clarifying where and why people learned music. It will then deal with chant that precede any other human instruments, and dance, a body language for music that was performed by professionals sought by broad social categories. After having covered various aspects of the repertory and clothing, we will discuss the function of music. We will see then the first attempt of polyphony, although it cannot be considered as such, as it does not fit the harmonic requisites nowadays. Additionally, the notation assumes a progress we had no idea about, as the chironomes -people speaking about music through body gestures- have not had been studied enough. Finally, we shall identify the main instruments of the Old Kingdom according to their families and will refer to their manufacture and importance.
Music was of great importance in ancient Egypt, playing a significant role in ritual contexts, but also at court festivities and in private households. In the following, it will be discussed what is known about music in ancient Egypt, which instruments were used, who the musicians were, how and where the performances took place, and some technical aspects. Apart from the ancient textual, archaeological, and iconographic sources, one part of the article will focus on the possibilities and limits of elucidating ancient Egyptian music on the basis of the lyrics of the songs and the instruments that are preserved, as well as modern practical experiments with replicas of ancient Egyptian instruments.
Music and Political Space in Ancient Egypt
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In Ancient Egypt, music was an important element of the public space, structuring military parades, royal festivals and religious processions. At the same time, all these settings can be understood as political space, inasmuch as they always served political communication as well. The present paper investigates how music and musical instruments were employed to this effect and how political realities and their changes are reflected in the choices involved.
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Iconographic, textual, and archaeological sources show that music played an essential role withinancient Egyptian civilization throughout all periods. Music was of utmost importance in ritualsand festivals. Different forms of music with multiple functions existed for public or privaterepresentations, profane or sacred, interpreted by male or female musicians acting as professionalsor amateurs. Consequently, from religious celebrations to entertainment, the range of types of musicand musicians was very large.
Musical Performance in Ancient Israel
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Archaeological and textual data demonstrate that ancient cultures shared many distinct similarities and differences. Architecture, pottery, and figurines help define elements of these enigmatic groups. Scholars work diligently with fragmented, complex puzzle pieces to understand subtle and overt intricacies in these areas. Music is also one of those fascinating, yet challenging realms. Although the precise sounds of music from the past are lost to us, archaeological and textual data show that ancient Near Eastern cultures possessed distinct characteristics and differences in musical instruments and performance. This paper offers unique questions to the available data in an effort to further our understanding of musical practices in antiquity among these complex groups/cultures/societies. 1) Did musicians perform melodies but interject them with regional or cultural flavor? 2) Did musicians
Musical Performers of an Ancient Egyptian Harem?
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The institution pr-hnr was translated as a harem in traditional Egyptological literature. From the 1980s, the interpretation as a Group of Performers is used, especially for the period of Old and Middle Kingdoms. The objective of this paper is to show continuity in the functioning of the studied institution and to demonstrate how the original translation was incorporated into the Egyptological studies.
http://acost.revues.org/609 REPRESENTATIONS OF MUSICIANS IN THE COROPLASTIC ART OF THE ANCIENT WORLD: ICONOGRAPHY, RITUAL CONTEXTS AND FUNCTIONS organized by ANGELA BELLIA and CLEMENTE MARCONI Institute of Fine Arts, New York University March 7, 2015 CALL FOR PAPERS Terracottas figurines with representations of musicians are a privileged field of investigation in understanding the importance of music in both its production and performative contexts. Figurines of male and female musicians are emblematic of the close link between musical practice and the sacred and ritual spheres. They contribute not only to the reconstruction of what music and the production of music meant for ancient societies, but also provide information concerning the relationship of performance to the deities, and about which musical instruments were best suited to the particulars of diverse ritual occasions, including sacred and funerary contexts. The analysis of terracotta figurines will take into account the presence and characteristics of different musical instruments, gestures, positions, and the clothing of both male and female musicians. The goal is to understand the status of the musicians and to interpret their musical and symbolic significance. Additionally, the terracottas will be analyzed in relation to the development of musical culture and their wider historical and social context. These topics will be addressed through contributions by scholars working in various fields: archaeology, art history, musicology, history of religion, and anthropology.