Book Review, 'Reading Dante with Images: A Visual Lectura Dantis,' Matthew Collins, ed. Turnhout: Harvey Miller Publishers, 2021.
Joseph Kopta
Bibliotheca Dantesca, 2022
View PDFchevron_right
The Oxford Handbook of Dante, ed. by Manuele Gragnolati, Elena Lombardi and Francesca Southerden (Oxford: Oxford University Press, 2021)
Manuele Gragnolati
View PDFchevron_right
'Occhi Fissi': Fixing the Gaze in Dante's Commedia, 'Italian Studies', 78.1 (2023): 1-18
Rebecca Bowen
Italian Studies, 78:1, 1-18, 2023
View PDFchevron_right
A World to See the Comedy by: Tom Phillips's Transmediations of Dante
Mattia Petricola
Bibliotheca Dantesca, 2022
View PDFchevron_right
'Fame and Glory in Dante's Commedia : Problematizing Purgatorio XI', MHRA Working Papers in the Humanities 8 (2013), 19-29.
Julia Caterina Hartley
View PDFchevron_right
Introduzione: Dante e il fumetto
Manuela Roccia
Itinera, 2023
View PDFchevron_right
1. “Title, Genre, and Metaliterary Aspects of Dante’s Commedia,” Cambridge Companion to Dante’s Commedia, edited by Zygmunt G. Baranski and Simon Gilson, Cambridge UP, 2018, pp. 80-94.
Theodore Cachey
View PDFchevron_right
Dantean reverberations: four readers of Dante in the Twentieth century: a study on the Dantes of Primo Levi, Edoardo Sanguineti, Samuel Beckett, and Seamus Heaney
Renata Sperandio
2010
View PDFchevron_right
Review of V. Montemaggi "Reading Dante’s Commedia as Theology. Divinity Realized in Human Encounter ed in Human Encounter." New York: Oxford University Press, 2016, in "Dantesca: Journal of Dante Bibliotheca Dantesca", 2, 2019
Lorenzo Dell’Oso
View PDFchevron_right
Dante's Life of Dante, the Divine Comedy as autobiography
linlin Chen
1998
View PDFchevron_right
From Auctor to Author: Dante before the Commedia
Albert Russell Ascoli
View PDFchevron_right
A BEAUTY THAT TRANSFORMS: THE MARIAN AESTHETICS OF DANTE’S COMMEDIA
Brian K. Reynolds
View PDFchevron_right
(1995) Jacoff, Rachel, ed. The Cambridge Companion to Dante. Cambridge: Cambridge UP, 1993. 270 pp. [Hispanófila 113 (1995): 81-82.]
Frank A Dominguez
View PDFchevron_right
Literal art? A new look at Doré's illustrations for Dante's Inferno / Word & Image A Journal of Verbal/Visual Enquiry
William Cole
View PDFchevron_right
Two Dantes or One? An Essay in Transcendence and Theatricality
John Took
Conversations with Kenelm, 2013
View PDFchevron_right
Review of: Federica Coluzzi, 'Dante Beyond Influence. Rethinking Reception in Victorian Literary Culture.' Manchester: Manchester University Press, 2021, in "Bibliotheca Dantesca: Journal of Dante Studies" Vol. 5 (2022): 376-379
Natale Vacalebre
View PDFchevron_right
Dante's Poets: Textuality and Truth in the Comedy
Teodolinda Barolini
1984
View PDFchevron_right
Review of: Simon Gilson. 'Reading Dante in Renaissance Italy. Florence, Venice and the ‘Divine Poet’.' Cambridge: CUP, 2018; 'Leggere Dante a Firenze. Da Boccaccio a Cristoforo Landino (1350-1481).' Rome: Carocci, 2019, in "Bibliotheca Dantesca. Journal of Dante Studies" 3 (2020): 180-182
Natale Vacalebre
Bibliotheca Dantesca: Journal of Dante Studies, 2020
View PDFchevron_right
International Seminar on Critical Approaches to Dante. Struttura/Poesia and Figura. October 16-16, 2015
Simone Invernizzi, Elisa Brilli
View PDFchevron_right
The Scriba and the Sculptor. Art and Theology of Work in Dante's Commedia
Susanna Barsella
View PDFchevron_right
Textual Physiognomy: A New Theory and Brief History of Dantean Portraiture
Joshua Reid
View PDFchevron_right
"'Improper' and 'Proper' Poetics in Dante" (October 1, Catholic Imagination Conference, University of Dallas)
Anthony Nussmeier
View PDFchevron_right
Dante turns 750: His Medieval Masterpiece and our Modern Search for Meaning
John Kinder
View PDFchevron_right
Dante's Performance: Music, Dance, and Drama in the "Commedia"
Francesco Ciabattoni
Dante's Performance: Music, Dance, and Drama in the "Commedia", 2024
View PDFchevron_right
The Undivine Comedy: Detheologizing Dante
Teodolinda Barolini
The Undivine Comedy: Detheologizing Dante. Princeton UP., 1992
View PDFchevron_right
'Dante’s Cavalcantian Relapse: The “Pargoletta” Sequence and the Commedia', in New Voices in Dante Criticism, ed. by J. Luzzi. Special issue of Dante Studies, 131 (2013), 73-97
Tristan Kay
View PDFchevron_right
E. Brilli (ed.), Forum Dante and Biography, with M. Gragnolati, G. Inglese, E. Lombardi, G. Milani, P. Pellegrini, M. Tavoni, J.-Cl. Schmitt, D. Wallace, in: Dante Studies 136 (2018), 133-231.
Manuele Gragnolati, Mirko Tavoni, Giorgio Inglese, David Wallace, Paolo Pellegrini, Elisa Brilli
Dante Studies, 2018
View PDFchevron_right
Dante's Masterplot and Alternative Narratives in the 'Commedia' (Oxford: OUP, 2022)
Nicolò Crisafi
2022
View PDFchevron_right
From Revelation to Dilation in Dante's Studio
Stanley (Toby) Levers
View PDFchevron_right
"Review of Dante Studies 2016", in The Year's Work in Modern Language Studies, pp. 249-257, May 2018
Anthony Nussmeier
View PDFchevron_right
The Universe as Book: Dante's Commedia as an Image of the Divine Mind
David Orsbon
View PDFchevron_right
Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries Eds Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. Wien/Berlin: Turia+Kant, 2011
Manuele Gragnolati, Fabio Camilletti
View PDFchevron_right
"Dante in the nineteenth century: visual arts and national identity" in Dante in France (Goulbourne, Honess, Treherne, eds; La Parola del Testo, vol. XVII)
Aida Audeh
View PDFchevron_right
Notes on Nature and Art in the Earthly Paradise, in Nature and Art in Dante, edited by Daragh O'Connell and Jennifer Petrie, Dublin: Four Courts Press, 2013, pp. 77-94.
Paolo De Ventura
View PDFchevron_right
Dante and the Friars Minor: Aesthetics of the Apocalypse
Davide Bolognesi
2012
View PDFchevron_right