Luigi Guglielmi, Eve After the Fall, in "A Taste for Sculpture. IV. Marble, bronze, terracotta and wood (16th to 19th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2017, pp. 146-151, n. 19, pp. 188-190 (testo in italiano) (original) (raw)

Giovanni Maria Benzoni, Winter, in "A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018, pp. 140-145, n. 20, pp. 231-232 (testo in italiano)

A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018

Luigi Bienaimè, Our Lady of Sorrows, in "A Taste for Sculpture. VI. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2019, pp. 110-125, n. 12, pp. 202-209 (testo in italiano)

A Taste for Sculpture. VI. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2019

Vincenzo Vitagliano, Pompea Paolina, in "A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2015, pp. 56-63, n. 9, pp. 150-151 (testo in italiano)

A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2015

Pietro Tenerani, Psyche abandoned, in "A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2015, pp. 68-75, n. 11, pp. 154-157 (testo in italiano)

A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2015

Laurent Delvaux, Bust of Lucius Verus, in "A Taste for Sculpture. IV. Marble, bronze, terracotta and wood (16th to 19th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2017, pp. 76-87, n. 11, pp. 168-171 (testo in italiano)

A Taste for Sculpture. IV. Marble, bronze, terracotta and wood (16th to 19th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2017

Francesco Bertos, Sleep, in "A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018, pp. 84-87, n. 13, pp. 216-217 (testo in italiano)

A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018

Giuseppe Mazzuoli, Two Angels, in "A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2015, pp. 40-49, nn. 5-6, pp. 145-148 (testo in italiano)

A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2015

Raimondo Trentanove, Male Bust, in "A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018, pp. 112-117, n. 17, pp. 223-225 (testo in italiano)

A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018

Melchiorre Cafà, Giovanni Giacomo III Omodei, Agostino III Omodei, in "A Taste for Sculpture. Marble, terracotta and ivory (16th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2014, pp. 30-39, nn. 5-6, pp. 117-122 (testo in italiano)

A Taste for Sculpture. Marble, terracotta and ivory (16th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2014

Charles Van der Stappen, The Archangel Michael Defeating the Dragon, in "A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018, pp. 174-181, n. 24, pp. 239-241 (testo in italiano)

A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018

Rome, first half of the 18th century, Group with a Pietà on the Tomb, in "A Taste for Sculpture. VI. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2019, pp. 46-52, n. 4, pp. 186-187 (testo in italiano)

A Taste for Sculpture. VI. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2019

Jean François Legendre-Héral, Drunken Silenus, in "A Taste for Sculpture. Marble, terracotta and ivory (16th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2014, pp. 88-93, n. 16, pp. 137-139 (testo in italiano)

A Taste for Sculpture. Marble, terracotta and ivory (16th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2014

Roman sculptor, ca. 1830, Portrait of Cardinal Giuseppe Andrea Albani, in "A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2015, pp. 82-85, n. 13, pp. 159-160 (testo in italiano)

A Taste for Sculpture. II. Marble, terracotta, wood and bronze (15th to 20th centuries), edited by Andrea Bacchi, London, Brun Fine Art, 2015

Giacomo (1731-1785) or Giovanni (ca. 1745 -1805) Zoffoli, Marcus Aurelius, in "A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018, pp. 106-111, n. 16, pp. 222-223 (testo in italiano)

A Taste for Sculpture. V. Marble, bronze, terracotta, ivory and wood (15th to 20th centuries)", edited by Andrea Bacchi, London, Brun Fine Art, 2018

M. Scansani, Giovanni de Fondulis a Padova, in A nostra immagine. Scultura in terracotta del Rinascimento da Donatello a Riccio, catalogo della mostra (Padova, Museo Diocesano, 15 febbraio-27 settembre 2020) a cura di A. Nante, C. Cavalli, A. Galli, Padova 2020, pp. 79- 89.

A nostra immagine, 2020

L. Barelli, M. Morbidelli, «Ad imitatione, e somiglianza di quello che v’era anticamente»..., in Arnolfo di Cambio e la sua epoca. Costruire, scolpire, dipingere, decorare, Atti del Convegno, Firenze - Colle di Val d’Elsa, 7-10 marzo 2006, a cura di V. Franchetti Pardo, Roma 2006, pp. 197-208.

>da Matteo Civitali, Ecce Homo [...], New York, collezione Michael Hall<, in «Matteo Civitali e il suo tempo. Pittori, scultori e orafi a Lucca nel tardo Quattrocento», cat. mostra (Lucca, Museo Nazionale di Villa Guinigi, 3.4-11.7.2004), Silvana Editoriale, Cinisello Balsamo 2004, p. 387 n. 3.16

>Donatello e la terracotta<, in «A nostra immagine. Scultura in terracotta del Rinascimento, da Donatello a Riccio», catalogo della mostra (Padova, Museo Diocesano, 15.2-2.6.2020), a cura di A. Nante, C. Cavalli e A. Galli, Museo Diocesano di Padova - Scripta Edizioni, Padova-Verona 2020, pp. 34-65

2020

Mario Restelli, Rabbit, in "Novecento. II. Italian twentieth-century sculpture and decorative arts", edited by Andrea Bacchi, London, Brun Fine Art, 2017, pp. 88-93, n. 15, pp. 123-125 (testo in italiano)

Novecento. II. Italian twentieth-century sculpture and decorative arts, edited by Andrea Bacchi, London, Brun Fine Art, 2017

>Gregorio di Lorenzo [...], Ecce Homo [...], Douai [...]<, in «Matteo Civitali e il suo tempo. Pittori, scultori e orafi a Lucca nel tardo Quattrocento», catalogo della mostra (Lucca, Museo Nazionale di Villa Guinigi, 3.4-11.7.2004), Silvana Editoriale, Cinisello Balsamo 2004, pp. 390-391 n. 3.18

>Matteo Civitali, Tabernacolo eucaristico [...], Benabbio (Lucca) […]<, in «Matteo Civitali e il suo tempo. Pittori, scultori e orafi a Lucca nel tardo Quattrocento», cat. mostra (Lucca, Museo Nazionale di Villa Guinigi, 3.4-11.7.2004), Silvana Editoriale, Cinisello Balsamo 2004, pp. 416-417 n. 4.6