original ) (raw )New Modernity, Transnational Women, and Spanish Cinema
Maria Van Liew
2010
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Mujeres detrás de la cámara: Entrevistas con cineastas españolas, 1990-2004
María Camí
2005
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Women in Spanish cinema: Raiders of the missing mother?
María José Gámez Fuentes
Cineaste 29(1):38-43, 2003
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1-1-2012 Female Solidarity in the Films of María Novaro : Aquí
Traci Roberts-Camps
2019
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Camera Solidaria [on solidarity cinema, female friendship films, feminist cinema, Jeanine Meerapfel and Lita Stantic, Argentine and European co-productions]
Catherine Grant
SCREEN, 38:4, 1997
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Women, engagement and censorship in the Spanish Cinema. 1939-1959
Salvador Gómez García
Revista Latina de Comunicación Social, 2010
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Feminismand Film Transition Spain
ALEJANDRA VAL CUBERO
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Women in Spanish Minor Cinemas
Xose Prieto Souto
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Homegirls, Cholas, and Pachucas in Cinema: Taking over the Public Sphere
rosa-linda fregoso
California History, 1995
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Witching and Bitching: Gender Representation in Contemporary Spanish Cinema
Irene Baena-Cuder
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When Thesis Films Don't Work— Representational Strategies and Immigrants in Contemporary Spanish Film.
Luis Guadano
2010
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Tecnologías de la edad: La intersección entre teoría fílmica feminista y estudios etarios
Revista Investigaciones Feministas
Investigaciones Feministas, 2020
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Contemporary Spanish cinema and genre
Vicente Rodríguez Ortega
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A Puerto Rican Cinema Produced by a Foreign Lens: Female Roles in Maruja and El otro Camino
Consuelo Martinez-Reyes
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Not your mother's Latinas : film representations for a new millennium
Jeannie Patrick
2009
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Women and violence in contemporary Spanish cinema: La vida secreta de las palabras (2005), Mataharis (2007) and Elisa K. (2010)
María José Gámez Fuentes
International Journal of Iberian Studies, 2015
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Cocina de imágenes, Primera Muestra de Cine y Video Realizado por Mujeres Latinas y Caribeñas (1987): A pioneer event for tasting the recipes of Latin American women's filmmaking during the 1970s and 1980s
Elena Oroz
Jump Cut. A Review of Contemporary Media, 2022
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Zecchi, Barbara (2006): «Women filming the male body: Subversions, inversions and identifications» Intellect, Studies in Hispanic Cinemas 3.3
Barbara Zecchi
Studies in Hispanic Cinemas, 2006
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REVIEW, Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film, ed. Stephanie Dennison. Revista de Estudios Hispánicos XLVIII.3
Sarah Thomas
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“Questioning Cultural Hybridity in Spain: Perceptions of Latin American Immigration in Contemporary Cinema.”
Ana Corbalán
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Hispanic Lusophone Women Filmmakers: Theory, Practice and Difference ed. by Parvati Nair, and Julián Daniel Gutiérrez-Albilla
deborah shaw
Revista de Estudios Hispánicos, 2015
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Amaya, Hector and Laura Senio-Blair, Laura. “Bridges Between the Divide: The Female Body in Y tu Mamá También and Machuca.” Studies in Hispanic Cinema 4, no. 1 (Winter 2007): 47-62.
Hector Amaya
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Filmspanism A Critical Companion to the Study of Spanish Cinema
Juan Egea
2021
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Encountering Difference: Images of Otherness in Contemporary Spanish Film
Andrea M Smith
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Domestic Violations in Spanish Cinema: Reframing Gendered Violence Onscreen
Noelia Saenz
2009
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Contemporary Spanish Cinema
Fernando Canet
Hispanic Research Journal, 2014
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(Trans)National Images and Cinematic Spaces: the cases of Alfonso Cuarón’s Y tu mamá también (2001) and Carlos Reygadas’ Japón (2002), In Iberoamericana, no. 44, año ix, 117-140. (2011)
deborah shaw
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I am a Mother First" : Mexican women filmmakers of the 1980s and 1990s and the representation of motherhood
Isabel Arredondo
2009
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Adapting Gender: Mexican Feminisms From Literature to Film by Ilana Dann Luna
Dolores Tierney
Revista de Estudios Hispánicos, 2019
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En La Sombra: Cinema Culture and Modern Women in Mexico City, 1917-1931
Courtney Sanchez
2019
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Latin American Women Filmmakers: Production, Politics, Poetics
Miren Manias-Muñoz
Historical Journal of Film, Radio and Television
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Homoheresy on Film: Subversive Gay Cinema in Spain in the 70s and 80s
Geoffroy Huard
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Sex, texts and money, funding and Latin American queer cinema: the cases of Martel’s La niña santa and Puenzo’s XXY in Transnational Cinemas, 4.2, 165-184
deborah shaw
Transnational Cinemas 4.2 2013
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CFP "Documents for a feminist history of Latin American cinema"
Isabel Seguí , Elizabeth Ramírez-Soto , Marina Tedesco
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2017 - ‘Intimacy and Distance: Domestic Servants in Latin American Women’s Cinema: La mujer sin cabeza/The Headless Woman (Martel, 2008) and El niño pez/The Fish Child (Puenzo, 2009) published in Martin and Shaw (2017)
deborah shaw
Latin American Women Filmmakers: Production, Politics, Poetics, co-edited with Deborah Martin for the World Cinema Series at I.B.Tauris, 2017
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