Uses of the term NIMBY in the Italian press, 1992–2008 (original) (raw)
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Review of European Studies, 2010
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The increased political influence of the Five Stars Movement in Italy and its founder Beppe Grillo have been analysed by several scholars and researchers in the last few years. The main theoretical approaches applied to the phenomenon are mainly based on a sociological and political communication grounds. The present paper investigates the discursive practices of the blog of Beppe Grillo regarding the NO TAV issue in its Battles section. It also evaluates the types and the frequency of citizen journalism practices within the entries of the blog in relation to the chosen topic. The analysis has been based on the perspective of Critical Discourse Analysis and framing analysis. The purpose of this work is to add a journalistic perspective of analysis to the study of Grillo and the Five Stars Movement. A historical, social and political background is provided in accordance to the Critical Discourse Analysis approach and a linguistic analysis has been discussed at the end of the study.
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I 1 1.1. Research subject: empty spaces/contended spaces 1 1.1.1. A definition of centri sociali occupati 1.1.2. Historical roots and the current social composition 1.1.3. Organisational principles 1.2. A heterogeneous political identity 1.2.1. The theoretical framework 1.2.2. Repertoires ofprotest 1.2.3. Aims 1.3. Structure of the thesis 1.4. Aims of the thesis Conclusion: research questions 2. Theorising on social movements futroduction 2.1. Traditional approaches 2.2. Resource and organisational structure as conditions of social movements 2.3. Social movements and the political environment 2.4. The New Social Movements' cultural turn 2.5. The performative role of culture 2.6. Toward a definition of social movement 2.6.1. The network organisational structure 2.6.2. A common identity 2.6.3. Systemic conflicts 2.6.4. An analytical definition of social movement Conclusion 3. Researching social movements futroduction 3.1. Research methodologies on Italian social movements 3.2. Some premises and methodological problems related to this research project 3.3. Methodology and sources of the research 3.3.1. Interviews 3.3.2. Participant observation 54 3.3.3. Documents and texts 55 Conclusion 56 4. Turning Italy upside down: the long mutiny of a generation futroduction 4.1. Fordism in Italy 4.2. Signals of revolt 4.3. The student year 4.4. The red biennium 4.5. Movements and society 4.6. Women in revolt 4.7. The youth movement Conclusion 58 58 59 61 64 68 71 72 75 80 5. From resistance to a new identity 83 Introduction 83 5.1. Politics without reform 84 5.2. The Antagonist movement political campaigns of the early eighties 86 5.3. The twilight of the centri sociali occupati 90 504. When enough is enough: from the ruins of Leoncavallo 94 5.5. 'The Panther is us' 99 5.6. Life Style and Independent Cultural Production 5.7. Phantoms in the city 5.8. Women in revolt? Conclusion 6. The Rivolta and the making of a political actor 9.4.3. Genoa July 2001: the end of civil disobedience 9.4.4. The no global-war campaign Conclusion 10. Conclusion Appendix 1
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International Communication Gazette, 2013
This article deals with the media-related practices enacted by social actors during urban conflict. Its theoretical objective is to stress the need for audience studies to focus on social actors’ concrete practices and, consequently, to switch from essentialist notions of ‘audiences’ to ‘audiencing’ as a practice. This makes it necessary to build theoretical and methodological bridges between audience and urban studies. Focusing on a conflict between Chinese migrants and Italian residents in an area of Milan, the article employs the concept of ‘media territories’ to account for the heterogeneous assemblages of media platforms, contents and devices mobilised by social actors to make sense of the conflict and to impose their own representations of the self, of competitors and of urban space. Within these assemblages, audiencing forms an important ‘secondary’ activity, whose sense can be understood only in relation to the other practices involved. The exploration of these assemblages is necessary for coming to grips with social actors’ conflictual media practices, and to understand the dynamics of urban conflict in media-saturated contexts.
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International Journal of Communication
Using the case of the Rome-based media group ZaLab, this article examines the articulations that shape and define the multiple dynamics of connected activism in contemporary societies. The first section engages the existing literature on convergence, commodity activism, and connectivity as theoretical frameworks of my analysis of ZaLab. The second section provides some context on the Italian mainstream and activist mediascapes, both of which shape ZaLab’s media practices. The last section examines a few specific examples of ZaLab’s productions and the activist campaign created to promote them. I conclude with some reflections on the nature of contemporary media practices as part of what I call “matrix activism.”