Unfolding the act of photography (original) (raw)

This thesis discusses the multifaceted status of the photograph, as a contribution to understanding the mechanics of the production of meaning within the photograph. In order to get a better view of how photographs function, I both revisit discourses that have dealt with medium specificity issues and use my own practice, designing an apprehension model which can assist in the achievement of a more rigorous conception of the photograph. An integrative literature review, based on Photography discourses and debates shaped by both theorists and practitioners, provides the tools needed for defining the medium’s unique and shared properties. Ontological synecdoches of the photograph, issues of representation, time, automatism, agency, the twofold nature –trace and picture- as well as depiction theories of the medium are put into scrutiny towards formulating an apprehension scheme. This body or knowledge, along with my visual practice’s research outcomes, informs the construction of an app...