Malformation of Woman Image in D.H. Lawrence's Selected Poems (original) (raw)
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An Analysis Of Feminine Problems In D.H. Lawrence Novels
2019
D.H. Lawrence seems to be intent with the mission of presenting disputes and clashes that the modern human being faces in various periods of life. He try to explain these struggles as clearly as possible in order to represent different shades of modern human life, noticeable with an acute awareness of loneliness, lack of self-confidence and hopelessness. Lawrencium women and men are generally found struggling for meaningful life and its related aspects. This aspect continually brings them with different problems that are around to them. It is a typical artistic concept that a true artist is expected to raise only questions instead of putting forward any final conclusion. Here one can find out he or she speak directly to the reader and let they do the job of a judge. As an artist Lawrence follows these types of thoughts in his works. He is also a creative person who takes it as his duty to pave the way for the betterment of human life. In this way he generally leaves his reader to judge regarding the moral capability of his mind. Lawrence come forward to support women, whenever there is a genuine cause for women suffering especially by man dominated society.This paper aims to analyze the different forms of suffering of women because of her never-ending subordination of man in the much-advertised domain of life such as Education, Love, Marriage, Family, Industry etc. presented by Lawrence in his novels.
Criticism of D. H. Lawrence by Simone De Beauvoir and Kate Millett
This paper is going to focus on how D. H. Lawrence is criticized, for his imposition of patriarchy on the characters of his writings, by Simone de Beauvoir in her “Second Sex” and by Kate Millett in her “Sexual Politics”. It will try to find out the reasons of their criticism as well. Women are always considered as the subordinate to men. Since the beginning of human civilization women are suppressed and oppressed by the men. They are considered as the weaker sex in terms of their physical features. They are seen as the ‘opposite’ of men. That means their identity is termed on the basis of how they are, rather on the basis of how they differ from the men. Thus patriarchy has politicized the male-female relationship where all the glory is attributed to men. The ale writers had also been the part of this patriarchy. They, through their writings, create a hegemony that successfully misrepresents women in a way that helps the men to control them both physically and mentally. Several writers are criticized for doing so. The female characters of such writings are portrayed with extreme femininity- passive, silent, dominated etc. Feminist critics criticize these kinds of portrayal by the writers. This can be compared to the tactics of the colonizers which they used to adopt to colonize and rule a territory. D. H Lawrence, who himself is a literary critic, has been criticized for imposing patriarchy on his female characters. He has been criticized by so many feminist critics. Among them Simon de Beauvoir and Kate Millett are two who have criticized Lawrence in very extreme ways. Patrick McHugh, a teacher from Drake University, writes about the criticism of Beauvoir and Millett in his essay “Metaphysics and Sexual Politics in Lawrence’s Novels”. He writes, ‘For Beauvoir, then, Lawrence exemplifies patriarchal thought and practice in his claim that masculinity is by its nature active, creative, intellectual, and hence primary, while femininity by its nature is complementarily passive, earthy, emotional, and hence decidedly secondary.’(McHugh, 84) ‘She(Millett) sees Lawrence's work as motivated primarily by the desire to prevent women from entering man's world of intellect and action, relentlessly portraying any development of a woman's independent ego- intellectual, artistic, professional, or political- as unnatural.’(McHugh, 84) According to Patrick their understanding of Lawrence’s novels in this way is because of their ‘sensitivity to and analysis of the dramatic conflict in his novels’.
A Critical Study of the Form and Structure of D.H. Lawrence’s Novel Women in Love
The present study aims to examine David Herbert Lawrence's novel Women in Love in terms of form and structure. Lawrence was quite impatient of the conventional demands of a rigid and coherent plot construction made of a novelist. The novel bears witness of Lawrence as a narrator and as a sturcturalist, and Women in Love aren't without a form. In his later novels, Lawrence perfected the form that bears his distinct mark. The form, which he has evolved by combining myths, allegories and symbols, has been perfected in his second phase of writing, and Women in Love is one of them. He was attempting in his fiction what others before him had never been done. The analytical approach will be adopted throughout the paper. The novel discussed in this paper bears enough evidence to justify the hypothesis that although themes were what Lawrence was interested in, form and structure were his important concerns.
A Comparative Study on Women Characters in the Works of D. H. Lawrence and Joseph Conrad
International Journal Of Social Sciences & Interdisciplinary Research, 2013
Introduction This paper aims to show how the women characters in the selected novels, struggled to obtain their emancipation from the male domination that was going on in their own societies. It reviews and analyzes women characters as depicted in D. H. Lawrence’s Women in Love and Joseph Conrad’s Almayer’s Folly. During this analysis it is found that the voice of these women characters is the same as the voice of feminists. Feminists view the world as being unequal in treatment and this is the same issue we encounter in relation with female characters in Lawrence’s novel. Ursulla and Gudrun in Women in Love are aware of the inequality prevailing in their own society and they have a desire for freedom –longing to come out of it. They are opposed to male domination and inevitably they reject the male superiority.
PORTRAYAL OF MALE CHARACTERS IN SELECT NOVELS OF D.H.LAWRENCE: A BRIEF ANALYSIS
This paper aims at projecting D.H. Lawrence as a prolific writer who excelled in many fields and a versatile genius, a great poet, a great critic of remarkable insight and penetration, who has created such memorable characters as Lady Chatter ley, Miriam, Paul, Ursula as living creatures of blood and flesh to bring home the point that the individuals that are ultimately doomed are ‘life deniers’ and is neatly shown that restless search for some transcendent meeting between man and woman, search for a satisfying relationship between struggles of human pairs in hate-love relationship are touched upon rather beautifully in his novels. Key words: versatile genius, great insight, penetration, delineator,
Poetic Language as a Means of Challenging Patriarchal Constructs: A Comparative Study of the Selected Poems of Sylvia Plath and Kamala Das, 2020
Sylvia Plath and Kamala Das are two poets who belong to countries miles apart and still have stylistic and thematic concerns which are similar. Confessional Mode of Poetry has been looked down upon because of its betrayal towards conventional style of writings. It uses personal voice which is utilised in the areas that are forbidden or seen as Taboo. The present paper attempts a critical investigation of the poetic concerns from a feminist perspective with the purpose of identifying and comparing the poetesses' strategies of response to the forces of oppression that exist in a gendered society, paying additional attention to the language and its use. This comparison will bring out the poetical similarities and dissimilarities in their works. The task of a poet is to find a linguistic structure and a frame of reference to communicate what he or she sees, hears or is aware of. This paper hence supports the notion of Free Verse as a method to freely communicate within oneself and with others. This paper argues that a close examination of the poetry of Sylvia Plath and Kamala Das, who wrote primarily in 1950’s, tried to deviate from the acceptable poetical styles deliberately. This paper aims to analyze the various techniques and strategies used by them in order to express the repressed feminine voice. The patriarchal appropriation of the language of the poetry is the reason behind this trapped voice and this paper tries proving that Sylvia Plath and Kamala Das, through the use of Free Verse and Confessional Mode of Poetry help in the Freeing of Linguistic Standards. The research is divided into three chapters. The three chapters in together attempts to analyze all the methods by which these poets succeed to bring out the caged feminine voice. This voice isn’t only trapped because of the meaning but it has been kept in that state for a long time because of the rules that has been given by the architects of English Poetry. These rules, most importantly include the participation of women literary personalities in Poetic Diction which has been closely analyzed in this paper. This paper analyses selected poems of Sylvia Plath and Kamala Das from feminist perspectives by using feminist theories by Helene Cixous, Virginia Woolf , Dale Spender, and attempts to study their use of gendered language.
Journal of History Culture and Art Research
The article analyzes the peculiarities of women-artists' portrayal in the texts Women in Love by D. H. Lawrence and Valse Mélancolique by O. Kobylianska in the light of feminism and intermediality. Its relevance is conditioned by a new wave of interest in feminist interpretation, the comparative study of the relationship between visual art-literature and the opportunity to expand the line of the research of English-Ukrainian literary cross-cultural relationships. The purpose of this article is to determine the similarities and differences in the images of women artists. In order to achieve this objective, we used feminist approaches, elements of intermedial and contextual analyzes, as well as biographical and typological methods. The research showed that the correspondences in the images of women-artists are obvious at different levels: the importance of art in the life of the protagonists, criticism of patriarchal society with all its conventions towards women, focus on strong personalities of womenartists, elements of visual art incorporated in the literary works. Despite the different socio-cultural situation in Britain and Ukraine at the turn of the 19 th-20 th century, the prose works of D. H. Lawrence and O. Kobylianska proved the authors' common interpretation of women-artists images, which correlate with the modernist principles of a free choice and self-expression.
Restructuring the Lawrence image : dismissing misogyny and accepting feminism
1995
There have been various attacks upon Lawrence's literary reputation. Lawrence's representation of women is perhaps the most criticised aspect of his work, with formal criticism beginning as early as 1953 with Simone de Beauvoir's The Second Sex. Some critics even recognize John Middleton Murry's disparaging comments about Lawrence and women in Son of Woman as early feminist criticism (Balbert,4). However, the point of integration between feminist criticism and the Lawrence text is not nearly so important as the intense debate that has arisen concerning Lawrence and feminism. Lawrence criticism up until the 1980's has generally represented him as a misogynist writer. Only within the last few years has there been a resurgence of Lawrence philosophy through complimentary readings of Lawrence texts. I believe that some of the critics mentioned in this study--Blanchard, Simpson, MacLeod, Paglia--fall into this category, which is one of compassion and respect. Blanchar...