Craft Specialization at Shahdad: Pottery Production during the Third Millennium BC (original) (raw)
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Zeh-Kalout is located at western Jazmouriyan in Roudbar, Kerman Province. Due to several reasons such as suitable environmental condition appropriate climate, and rich water supplies this area has been a favorable location for human settlement from prehistoric times through contemporary period. Recorded items from Zeh-Kalout depict its strategic commercial and economic significance in various periods. The potteries are one of the most important cultural materials that have been found in the following research. Comparing this pottery with similar items reveals the relationships between this area and the surrounding Cultures including Boushehr, Fars, Sistan, and the eastern satrapies of Pakistan, Afghanistan, Persian Gulf, and Oman. The Present research describes, classifies, and morphologies the historical Potteries of Zeh-Kalout based on the cultural discoveries(Pottery), and archeological document historical Pottery work of Zeh-Kalout are generally plain and without patterns. They are made from a mineral combination of sand. They are divided into three groups: bowls, urns, and jars and has a long relationship with adjacent cultures.
International Journal of Archaeology, 2015
Zeh-Kalout is located at western Jazmouriyan in Roudbar, Kerman Province. Due to several reasons such as suitable environmental condition appropriate climate, and rich water supplies this area has been a favorable location for human settlement from prehistoric times through contemporary period. Recorded items from Zeh-Kalout depict its strategic commercial and economic significance in various periods. The potteries are one of the most important cultural materials that have been found in the following research. Comparing this pottery with similar items reveals the relationships between this area and the surrounding Cultures including Boushehr, Fars, Sistan, and the eastern satrapies of Pakistan, Afghanistan, Persian Gulf, and Oman. The Present research describes, classifies, and morphologies the historical Potteries of Zeh-Kalout based on the cultural discoveries(Pottery), and archeological document historical Pottery work of Zeh-Kalout are generally plain and without patterns. They are made from a mineral combination of sand. They are divided into three groups: bowls, urns, and jars and has a long relationship with adjacent cultures.
2004
The objective of this thesis is to research the invention and innovation of pottery technology in the Pre-Pottery Neolithic B, in particular the Late and Final Pre-Pottery Neolithic B and Early Pottery Neolithic in the Near East. My approach will involve examining the various factors that are involved with the origins of clay vessel manufacture including: 1) the context of this event like the Pre-Pottery Neolithic B and Early Pottei7 Neolithic Societies; 2) the history of clay vessel manufacture such as the sporadic invention of pottery before its widespread adoption; 3) preceding technology; 4) circulation of goods and cultural and technological change; 5) settlement pattern change and movements of people; 6) domestication of animals and emergence of pastoralism; 7) ethno-archaeological comparisons; 8) ecological conditions; 9) social choice. The origins of pottery technology on a large scale are interrelated to all of these factors, and would not have emerged without all of these circumstances in place.
Pottery is one of the most prominent aspects of Islamic crafts which flourished in both production and decoration. According to the archaeological pieces of evidence the Kūbāchi wares have been spread from Khorasan to Tabriz and it ever-known centers of production were Isfahan, Kerman, Neyshabur, Mashhad and Tabriz. The book of "The Pottery Known as Kūbāchi" is the newest and the possibility most prominent written source about this subject, which argues the archaeological aspects of these wares. This paper aims to introduce the book and review its structure and contents. The first step of review had been started with structural aspects and the process of the narration, and then the content. One of the strengths of this book is the concentration on the various archaeological aspects of this type of pottery. Besides, it can be mentioned that the book could be more attractive to the audience if the
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Journal of the Asiatic Society of Mumbai, 2023
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Iranian Journal of Archaeological Studies (IJAS), 2022
The Islamic Middle Ages represented the flourishing period of various arts, including pottery, during which the increased artistic freedom gave rise to ingenious artistic and literary creations. Geographical and political situation in Kashan caused its local pottery to develop into a trans-regional industry. Despite the similarity between the themes used by the local workshops, differences are also evident. For precise identification of styles used in individual workshops, it is necessary to identify the styles specific to individual workshops and potters. Abu Zayd is the most common signature found on the Kashan pottery style. His aspiration to perpetuate his name on his works suggests that he was the leading figure in the advent and later advance of the style. The findings of this research show that a large number of works produced during and after Abu Zayd’s lifetime closely resemble his own creations. He worked in the Kashan style, and his techniques were retained in other workshops after his demise. Potters have bequeathed valuable works that were modeled after Abu Zayd’s style. The study of Abu Zayd’s works reveals that while they share wide similarities with those of his fellows, a part from his signature he had employed his own peculiar designs and motifs. There are cases of single designs in which the main patterns were worked by Abu Zayd and the details were left for other hand(s). Such collaboration as well as mentoring were the main reasons behind the dissemination of his style.
“The Islamic Age” (Islamic pottery from Hesban)
Pp. 507-594 in J.A. Sauer and L.G. Herr (eds.), Ceramic Finds: Typological and Technological Studies of the Pottery Remains from Tell Hesban and Vicinity. Hesban 11. Berrien Springs, MI: Andrews University Press, 2012., 2012