Automating and Simplifying Multiparty Workflows (original) (raw)

The secret to automating multi-party asset workflows

2016

Siloed archives are easy to build and inexpensive to maintain, but their commercial value and long-term viability are limited by their isolated nature. Very few end-to-end media workflows stay within a single domain. The vast majority involve multiple parties with data and process hand-offs at each interface point, some of which are automated, but far too many of which require some level of manual intervention. Increased automation and correspondingly decreased manual labor are the keys to long-term profitability, so manual touch-points must be eliminated where possible and relegated to exception handling where not. The key to all of this for media archives and the workflows they support is shared identification. There are many possible identifiers, each of which have their place, but the ideal solution for multi-party, commercial workflows is curated identification such as is provided by the Entertainment Identifier Registry (EIDR). Use of EIDR IDs by media archives and their partn...

A multimedia content interchange framework for TV producers

Automated Production of …, 2006

When content producers are forced to generate and manage content day after day (and, most of the times, in a hurry), like in the case of TV broadcasters, they have different priorities and requirements than other kind of content providers. However, the requirement for content interchange through optimum content search is always there. The paper presents how the issue of interoperability of metadata and digital rights information is solved in a specific project, the XAC (Xarxa IP Audiovisual de Catalunya, Audiovisual IP Network of Catalonia), where TV programs producers are the main involved content owners. After an analysis of how these content providers manage metadata and rights information, a specific proposal fulfilling providers’ requirements and International Standards, the XAC Metadata Set (XAC-MS), is described. This is the basis for implementing a system for multimedia content interchange that could be extended to other kinds of multimedia publishing.

Services Between Video Producers and Broadcasters: Do We Need a Standard?

2011 IEEE International Conference on Advanced Information Networking and Applications, 2011

The need to create a standard which unifies data transfer between producing companies and broadcasters of live programs will be discussed in the article, as well as examples of services which may be implemented, and the contribution of all parties involved in the processes for carrying out that standard. In this work, a study is conducted on added services which producers may provide to the broadcasters about content; a system is proposed by which additional communication expenses are not made and a model of information transfer is offered which allows low cost developments to supply new media platforms.

A Support Framework for Automated Video and Multimedia Workflows for Production and Archive

Lecture Notes in Computer Science, 2013

The management of the massive amount of data in video-and multimedia workflows is a hard and expensive work that requires much personnel and technical resources. Our flexible and scalable open source middleware framework offers solution approaches for the automated handling of the ingest and the workflow by an automated acquisition of all available information. By using an XML format to describe the processes, we provide an easy, fast and well-priced solution without the need for specific human skills.

Pushing Metadata Capture Upstream into the Content Production Process: Preliminary Studies of Public Television

This paper examines the issue of metadata lifecycle management, highlighting the need for conscious metadata creation to become part of the digital media production workflow in order to facilitate effective digital curation. Based on a study of public television workflow conducted in 2006, it reports on ways metadata might be captured from existing resources within the television production process, and ingested into a preservation repository. The authors identify areas in the workflow where small changes may yield significant improvements for preservation and curation of assets. This report also proposes methods by which producers and custodians of cultural content can work together to ensure the longevity of digital information, and outlines further studies that might turn these preliminary studies into standard practice. It encourages digital curators in all disciplines to begin looking back up the content production process for sources of rich metadata, rather than relying primarily on that created at the archival end.

Metadata and Rights Interoperability for Content Interchange between Producers of TV Programmes

elpub.scix.net

When content producers are forced to generate and manage content day after day (and, most of the time, in a hurry), as in the case of TV broadcasters, they have different priorities and requirements than other kinds of content providers. However, the requirement for content interchange through optimum content search is always there. The paper presents how the issue of interoperability of metadata and digital rights information is solved in a specific project, the XAC (Xarxa IP Audiovisual de Catalunya, Audiovisual IP Network of Catalonia), where producers of TV programmes are the main involved content owners. After an analysis of how these content providers manage metadata and rights information, a specific proposal fulfilling providers’ requirements and International Standards, the XAC Metadata Set (XAC-MS), is described. This is the basis for implementing a system for multimedia content interchange that could be extended to other kinds of multimedia publishing.

An architecture of automating production of cross media content for multi-channel distribution

2005

The digital-content market is urging better pricing and value-for-money for industry products and services. This is clearly evident in the recent price policies of majors. Production costs must be drastically reduced without affecting product quality. Content providers, aggregators and distributors constantly need to adopt innovative means of increasing efficiency in order to reduce cost. Possible solutions to this challenge could be found by automating, accelerating and restructuring production processes. AXMEDIS architecture and tools aim at reaching those results by: (i) reducing costs for content production with artificial intelligence algorithms for content composition, formatting, protection and workflow management, (ii) reducing distribution and integration costs, increasing accessibility, with a P2P platform at B2B level integrating content management systems and workflows, (iii) providing algorithms and tools for innovative and flexible Digital Rights Management, exploiting MPEG-21 and overcoming its limits, supporting several business and transactions models. AXMEDIS is a large IST FP6 Integrated Project on Research and Development.

Metadata and Rights Interoperability for Content Interchange between TV Programs Producers

2006

When content producers are forced to generate and manage content day after day (and, most of the time, in a hurry), as in the case of TV broadcasters, they have different priorities and requirements than other kinds of content providers. However, the requirement for content interchange through optimum content search is always there. The paper presents how the issue of interoperability of metadata and digital rights information is solved in a specific project, the XAC (Xarxa IP Audiovisual de Catalunya, Audiovisual IP Network of Catalonia), where producers of TV programmes are the main involved content owners. After an analysis of how these content providers manage metadata and rights information, a specific proposal fulfilling providers' requirements and International Standards, the XAC Metadata Set (XAC-MS), is described. This is the basis for implementing a system for multimedia content interchange that could be extended to other kinds of multimedia publishing.

Efficient Workflows for Automated Rich Metadata Production

2015

Rich metadata has become an essential component in media distribution, primarily to improve discovery and navigation for the consumer across an increasing number of platforms and services. Metadata production costs need to be reduced to maintain reach across these new platforms and create an efficient bridge between broadcast and digital services. Raw materials are drawn from many sources, which often use their own formats and proprietary identifiers, making interoperability error prone, expensive, and difficult to scale. This paper covers new approaches to automated matching of metadata based on three features of the EIDR unique identifier: resolvability, explicit support for identifiers from other systems, and the availability of a web-based API. It does this in the context of the day-to-day practical experience of delivering multi-lingual rich metadata for many of the leading broadcasters and digital platforms in Europe such as the BBC, ITV, UPC, TV4, and BBC iPlayer and the work...