From Bern with Love. The Spy with a Taste for the Exquisite in Early Modern Istanbul (original) (raw)

A Multitude of Actors in Early Modern Diplomacy

Journal of early modern history, 2019

This special issue has been motivated by the drive to contextualize the role of individuals of various backgrounds in early modern foreign relations. All contributions cover a broad geographic scope and stress the impact of non-European practices and stages for the study of early modern foreign relations. Four thematic articles follow diverse diplomatic actors, ranging from non-elite envoys to chartered companies, Catholic friars and ministers on ships, to foreign courts, and behind their desks. They provide insights into these individual actors' functions and achievements and raise questions about social belonging and knowledge channels. The introduction below portrays the development of an actor-oriented research angle in the field of New Diplomatic History over the past decades and addresses blurring concepts and over-generalizations. It attempts to redefine the heterogeneous group of early modern diplomatic actors as products of their involvement in political and material struggles, both at home and abroad.

The Captive Self: The Art of Intrigue and the Holy Roman Emperor's Resident Ambassador at the Ottoman Court in the Sixteenth Century

Journal of Early Modern History, 2018

In 1580-1581, the Austrian Habsburg ambassador to the Ottoman court shared news of a remarkable letter and self-portrait that had arrived from an Ottoman subject in Habsburg captivity. Tracing the scramble for details on the matter and its import for Habsburg-Ottoman diplomacy reveals the structure, contours, and challenges of the Habsburg mission in Constantinople. The article argues that the image and the accompanying letter may be a forgery seeking to place the ambassador and the peace he was to uphold in jeopardy. Instead, the ambassador himself was captive to the factions, rivalries, and shifting loyalties in the borderlands that played out in the diplomatic culture of Ottoman Constantinople. This reveals the possibilities, limits, and ranges of control that early modern resident ambassadors had of their missions.

Constantinople Confidential: News and Information in the Diary of Jean-Louis Rigo (c.1686-1756), Secretary of the Dutch Embassy in Istanbul

Lias, 2014

Over the last decades, the focus of diplomatic history has shifted from political relations to the cultural and social history of diplomacy. New Diplomatic History looks at topics such as rituals, borders, networks and families of diplomats. For this kind of research, Ottoman-European diplomacy has been at the centre of attention. This essay aims to bring to light a unique source, which has never been studied extensively. Jean-Louis Rigo, secretary of the Dutch embassy, kept for a period of nearly thirty years (1727-1744 and 1747-1756) a diary about life and diplomacy in Istanbul. The value of the diary lies in the description of the author’s dealings with news and information. In this essay, I will argue that instead of relying on standard sources for diplomacy such as foreign correspondence, nouvelles and newspapers, the Dutch embassy depended mainly on the local Levantine community and Rigo’s extended patronage networks for diplomatic news.

Diplomats and Patrons in the Early Modern World

2018

, 2010), for the most recent and largest collection of essays on the possessions and patronage of mainly Italian cardinals. See also the biographies of individual cardinals referenced in essays in this collection.

Representation and Self-Consciousness in 16th Century Habsburg Diplomacy in the Ottoman Empire

Akten des internationalen Kongresses zum 150-jährigen Bestehen des Instituts für Österreichische Geschichtsforschung, Wien, 22.-25. September 2004, 2005

This paper focuses on one particular aspect of political and cultural contacts between the Ottoman and Habsburg Empires that has received little attention, namely the representation of 16th century Habsburg embassies during their stay abroad. This element is closely linked with the way in which the Habsburg rulers saw themselves and vigorously tried to create an image of their monarchy. The first impression of a prince, as Machiavelli pointed out in his 'De principatibus', is determined by the impression one gets from the men in his environment. At least in the 16th century, this adage was incessantly applied by Habsburg rulers in maintaining diplomatic contacts with other monarchs. Not only did they instruct their envoys to pay a great deal of attention to this aspect of their mission, but also the envoys exerted themselves to maintain their ruler's 'réputation', both visually and verbally. Recent research has shown that a cultural interpretation of diplomacy can shed light on the way in which two radically different cultures interacted. Christian Windler has successfully applied this model of interpretation to the 18th century relations between France and Algiers. Diplomacy is here seen as an element of representation of the State, of its values, its monarch and its culture and the diplomats as the more important actors in this process. The great value attached to reputation and physical appearance by both the Ottomans and the Habsburgs must be understood within the context of a slowly evolving modus vivendi of diplomatic relations wherein, in this century, no rules or protocol had been set and wherein both parties tried to enforce new regulations and modes of conduct. The paper reflects upon the cultural relevance of representation, using examples from 16th century Habsburg embassies in the Ottoman Empire. Aspects which are discussed are the material equipment of Habsburg envoys (clothing, horses, gifts, etc), the verbal communication (the envoy's oratio for example), conflicts over formal hierarchy with both Ottoman dignitaries and Christian colleagues and, finally, iconographic material. All these aspects were equally important for rulers and diplomats to create an image of the embassy in particular and the relations between the Emperor and the Sultan in general. By interpreting its place in Early Modern culture, the lecture also tries to show the historical relevance of the discussed themes and offer a broader view on the subject, together with outlining some possible thoughts for future research.

Fictions of Embassy: Literature and Diplomacy in Early Modern Europe

2009

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