The Beauty of Holiness (original) (raw)
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Studies in the Psalms, 1911
JOSEPH BRYANT ROTHERHAM - STUDIES IN THE PSALMS, TRANSLATOR OF " THE EMPHASISED BIBLE." LONDON : H. R. ALLENSON, Ltd., Racquet Court, Fleet Street, E.C. J. GEORGE ROTHERHAM, 29, Ardoch Road, Catford, S.E. 1911.
This is the original ms of the abbreviated version of the essay that appeared as “The Poetry of the Psalms” in The Oxford Handbook on the Psalms (ed. W. P. Brown; Oxford: Oxford University, 2014), 79-98. Ms dates from 2012.
The Delight of Beauty and Song 4:1-7
Beauty has not figured prominently in contemporary notions of human flourishing. This essay seeks to reclaim a notion of beauty that the Church and the academy can find valuable again. The question is engaged here specifically from the perspective of a biblical scholar using a biblical text-the poem in Song 4:1-7-to focus and source the discussion.
View of the Select Divine Imagery in Psalms
International journal of health sciences
The concept of God by the Hebrew mind is not projected in pompous psychological, philosophical, and theological complex terms. It was not a great deal of the learned mind but empirical knowledge of shepherds, warriors, battles, temple services, etc. characterized the world of imagery full of freshness and significance. The imagery in the book of Psalms is based upon conceptual relationships and divine principles which are integrated appropriately from the traditional and conceptual metaphorical analysis. Among the varied divine images, the image of God as a Refuge is a predominant one that makes room for many other protective images. It signifies the existing relationship between Yahweh and Israel, Christ and the Church. The imagery asserts a spiritual need of man to be in the right relationship and intimate prayer fellowship with God to defend oneself from the destructive powers of the enemy. Metaphorical images underline the allegorical interpretation as well as typological relati...
Journal of the Adventist Theological Society, 2014
The book of Psalms is saturated with sanctuary imagery.1 However, a brief look at the scattered examples gives the impression that the sanctuary references in the Psalms have no specifi c intentional arrangement. This may be related to the notion that the Psalter itself is a relatively haphazard collection with little or no discernible organization.2 Scholars, nevertheless, continue to look for signs of intentional internal structuring. A number of settings for the Psalms have been surveyed by various scholars throughout the history of psalmic interpretation, ranging from the historical setting of ancient Israel to its existential and cultic settings.3