Traditional Ecological Knowledge and Land Use Changes on the Puszta Agricultural Estates in the Works of Two Hungarian Writers: Gyula Illyés and Ervin Lázár (original) (raw)

2021, Portraying Countryside in Central European Literature

n order to provide a solution to the environmental problems, it is increasingly clear that an understanding of the intimate relationship between the environment and society and the involvement and empowerment of local communities in rensearch activities and nature conservation measures is of fundamental importance (Roué-Molnár 2017). The lack of a living memory or existing practices make the learning of the former and current situation, problems, and values of the landscape more difficult (Biró et al. 2014). In this paper, I introduce the traditional ecological knowledge and land use history of an abandoned area based on literature sources. This region is situated in Central Hungary, Transdanubia, where the Mezőföld and the Tolna hills meet, on the borderland of the Sió and Sárvíz river valleys with Völgység. Land use in this region was typically and historically organised around the manorial headquarters of large manorial estates-puszta (pusta)-starting from the 17 th and 18 th centuries (Demeter-Lukács 1980, p. 15). The authors Gyula Illyés (1902-1983) and Ervin Lázár (1936-2006) spent their childhood on two pustas at a mere distance of 3 kilometres from one other-Felsőrácegres and Alsórácegres (Komáromi 2011, p. 27). In addition to the inspiration from the motherland and landscape, their oeuvres are also connected also by the fact that they grew up on the pusta. The preservation of the memory of it bears an important role in their writings (Vadas 1984, p. 3; Komáromi 2011, p. 7; Emőd 2012). Consequently, these writings easily lend themselves to be used as contemporary historical sources.

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Die Tagung wurde gefördert durch: Satz: Andrea Fleckenstein, Frankfurt; Claudia Nickel (RGZM) Gesamtredaktion: Stefanie Wefers (RGZM) Endredaktion: Stefanie Wefers, Claudia Nickel (RGZM) Umschlagbild: Michael Ober (RGZM) Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Das Werk ist urheberrechtlich geschützt. Die dadurch begründeten Rechte, insbesondere die der Übersetzung, des Nachdrucks, der Entnahme von Abbildungen, der Funk-und Fernsehsendung, der Wiedergabe auf fotomechanischem (Fotokopie, Mikrokopie) oder ähnlichem Wege und der Speicherung in Datenverarbeitungsanlagen, Ton-und Bildträgern bleiben, auch bei nur auszugsweiser Verwertung, vorbehalten. Die Vergütungsansprüche des §54, Abs. 2, UrhG. werden durch die Verwertungsgesellschaft Wort wahrgenommen. Herstellung: Druck-und Verlagsservice Volz, Budenheim

The Phenomena of Cultural Memory and Time in the Composition "Under the Fir Tree: Reflections in the Bosom of Deserted Nature" by Ghevond Alishan

Herald of Social Sciences, 2021

In the context of cultural memory and its transfer, the essay of Ghevond Alishan "Under the fir tree. Reflections in the bosom of a deserted nature" can be interpreted on the basis of considering the text as a cultural memory extended in time. In the space o time, Alishan creates his vision (image) of memory. Alishan connects cultural memory with the present, which is an endless cosmic time. Meantime, he notes the ontological precondition of memory, since it is its carrier. In that present, the time, which encompasses and accumulates the space-time dimensions of the past and future, is revealed. In this particular essay (of Ghevond Alishan), memory as a phenomenon is also considered in the context of intertextual and post-structuralism theories. Such interpenetration of memory plays a very constructive role in terms of further research on the time-text-memory triad. Therefore, the proposition that cultural memory is a non-passive creative reserve turns the information obta...

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