Considering the Art History of El Mundo Maya: Some Issues Regarding the Inquiry Process (original) (raw)

Representing the Maya: When is it Appropriate to call ‘Appropriations’ Art?

Mary Katherine Scott

Crafting Maya Identity: Contemporary Wood Sculptures from the Puuc Region of Yucatán, Mexico. exh. cat. Jeff Karl Kowalski (ed.): 174-190. DeKalb, IL: Northern Illinois University Press., 2009

View PDFchevron_right

Between the past and the present : the Ixil Maya and the discovery of rare mural paintings in Guatemala. Estudios Latinoamericanos 2015 no. 33/34, pp. 169-185, 2015

Katarzyna Radnicka-Dominiak, Jarosław Źrałka

View PDFchevron_right

Hatsutsil Uchben: Maya Art Inspires a New Generation in the Yucatan

Geoffrey Aronson

View PDFchevron_right

Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala

Megan O'Neil

Ethnohistory, 2013

View PDFchevron_right

Spencer, Kaylee (2015) Locating Palenque's Captive Portraits: Space, Identity, and Spectatorship in Classic Maya Art

Kaylee Spencer

View PDFchevron_right

El patrimonio maya es la tierra ('Maya heritage is the earth'): the work of contemporary Yucatec Maya artist Luis May Ku

Jessica Christie

World Art, 2022

View PDFchevron_right

Review of Visual Culture and Indigenous Agency in the Early Americas by Maya Stanfield-Mazzi

Alessia Frassani

Inquiries into Art, History and the Visual, 2023

View PDFchevron_right

Mediating the Maya: Hieroglyphic Imaging and Objectivity

Matthew Watson

The Journal of Social Archaeology, 2013

View PDFchevron_right

Megan E. O'Neil,Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala

Wei-Cheng Lin

Art Bulletin, 2014

View PDFchevron_right

Review of Recent Scholarship on Maya Art

Khristaan D. Villela

The Art Bulletin , 2013

View PDFchevron_right

CANONS OF MAYA PAINTING

Jennifer A Loughmiller-Cardinal

Ancient Mesoamerica, 2008

View PDFchevron_right

Maya: Creating power and identity trought art

Merkel Paul

View PDFchevron_right

Between the past and the present: the Ixil Maya and the discovery of rare mural paintings in Guatemala

Katarzyna Radnicka-Dominiak

Estudios Latinoamericanos

View PDFchevron_right

Tate, Review of Reading Maya Art Stone & Zender.pdf

Carolyn E Tate

CAA.reviews, 2013

View PDFchevron_right

Writing as a Visual Art: the Maya Script, por Sanja Savkic Sebek y Erik Velásquez García, 2021.

Erik Velásquez García

Marzia Faietti y Gerhard Wolf (eds.), Motion: Transformation. 35th Congress of the International Committee of the History of Arts, Florence, 1-6 September 2019. Congress Proceedings, 2021

View PDFchevron_right

Envisioning Artifacts: a Classic Maya View of the Archaeological Record

Sarah E. Jackson

View PDFchevron_right

Making the Carvings Speak Iconography, Aesthetics, and a Museum Logic in Yucatec Maya Tourist Art

Fernando Armstrong-Fumero

2001

View PDFchevron_right

Reading Maya Art: A Hieroglyphic Guide to Ancient Maya Painting and Sculpture (with Andrea Stone)

Marc Zender

2011

View PDFchevron_right

Composition and Artistry in a Classical Yucatecan Maya Creation Myth: Prehispanic Ritual Narratives and Their Colonial Transmission

Timothy W Knowlton

View PDFchevron_right

Personal and Cultural Narrative as Inspiration: A Painting and Pedagogical Collaboration with Mayan Artists

Kryssi Staikidis

View PDFchevron_right

Review: Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, by Megan E. O’Neil

Wei-Cheng Lin

The Art Bulletin, 2014

View PDFchevron_right

Crafting Credit: Authorship among Classic Maya Painters and Sculptors

Stephen Houston

View PDFchevron_right

A study of Classic Maya sculpture by Tatiana Proskouriakoff

Karina Gonzalez

1950

View PDFchevron_right

Art-writing in the modern Maya art world of Chichen Itza: Transcultural ethnography and experimental fieldwork

Quetzil E Castaneda

American Ethnologist, 2004

View PDFchevron_right

Can an Iconological Analysis of a Classic Period Vase (K1485) Further our Understanding of Ancient Maya Skyscapes? Dissertation submitted in partial fulfillment of the

Chris Layser

View PDFchevron_right

Toward a Poetics of Maya Art and Writing

Michael Carrasco

Cambridge Archaeological Journal, 2024

View PDFchevron_right

Monumental Discourse and Social Distinction: A Contextual Approach to Classic Maya Sculpture

Verónica A Vázquez López, Felix Kupprat

Tiempo detenido, tiempo suficiente: Ensayos y narraciones mesoamericanistas en homenaje a Alfonso Lacadena García-Gallo, edited by Harri Kettunen, Verónica Amellali Vázquez López, Felix Kupprat, Cristina Vidal Lorenzo, Gaspar Muñoz Cosme and María Josefa Iglesias Ponce de León, 2018

View PDFchevron_right

Maya Paintings as Teachers of Justice: Art Making the Impossible Possible

Kryssi Staikidis

2007

View PDFchevron_right

Contextualizing a Maya Collection from Alta Verapaz, Guatemala, at the University of Ghent, Belgium

Julia Montoya

2020

View PDFchevron_right

The Meaning of Art as a Foundation to Understanding Art Anthropology and Visual Concepts in Non-Western Art: exemplified by looking at Contemporary Guatemalan Art (first part; original)

Gabriela Jurosz-Landa

Anthropos Journal, 2014

View PDFchevron_right

Visual dimensions of Maya hieroglyphic writing: meanings beyond the surface

Christian M. Prager

The Social and Cultural Contexts of Historic Writing Practices, 2021

View PDFchevron_right

Antiquity Through seeing stones: Maya epigraphy as a mature discipline

Stephen Houston, Simon Martin

View PDFchevron_right

New Ideas about the Wahyis Spirits Painted on Maya Vessels: Sorcery, Maladies, and Dream Feast in Prehispanic Art, por Erik Velásquez García, 2020.

Erik Velásquez García

The PARI Journal, vol. XX, núm. 4, 2020

View PDFchevron_right

Seeing Power: Masterpieces of Early Classic Maya "High Culture

Rosemary Joyce

AJA, 2006

View PDFchevron_right

Filloy Nadal, L.“The Importance of Visage, Facial Treatment, and Idiosyncratic Traits in Maya Royal Portraiture during the Reign of K’inich Janaab’ Pakal of Palenque, 615–683 CE”, en Vera Tiesler y María Cecilia Lozada, Social Skins of the Head, University of New Mexico Press, 2018, pp. 109-128.

Laura Filloy Nadal

“The Importance of Visage, Facial Treatment, and Idiosyncratic Traits in Maya Royal Portraiture during the Reign of K’inich Janaab’ Pakal of Palenque, 615–683 CE”, 2018

View PDFchevron_right