John Carr of York and hidden architectural histories (original) (raw)
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This article illuminates the changes in English seventeenth-century architectural practice when members of the gentry educated themselves as architectural professionals and as a result several became noted practitioners. The author analyses the rarely examined notes and library of Sir Roger Pratt to explore how a seventeenth-century gentleman both studied and practised architecture literally as both gentleman and architect. Also she considers Pratt's notes chronologically, rather than according to their previous thematic reorganisation by R. T. Gunther (1928)
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This thesis examines the emergence of the professional architect in the provinces of eighteenth-century Britain, drawing upon new research into the career of William Newton (1730-1798) of Newcastle upon Tyne. Section I assesses the growth of professionalism, identifying the criteria that distinguished professions from other occupations and their presence in architectural practitioners. It contrasts historians' emphasis upon innovative designs by artist-architects, such as Sir John Vanbrugh and Robert Adam, with their absence from the realisation of their designs. Clients had to iii ACKNOWLEDGEMENTS This thesis could not have been written without the generous support of the many owners of eighteenth-century buildings who have allowed me to examine their homes, workplaces, and places of worship, patiently answered my questions, provided access to sources in their archives, and allowed me to take photographs.
Female architectural patronage in Eighteenth Century France
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Though the presence of women on the architectural scene has been recognized, it remains poorly understood in all its facets. Yet from queen—or king’s mistress—to actress, noblewoman to petit bourgeois, women have played a key role in both architectural patronage and the evolution of tastes and ways of life. In France, female patronage provides a means not only of understanding the role played by women under the Ancien Régime, but also of examining the various criteria that determined how dwellings were laid out. Yet, to this day art historians have not yet studied the importance and influence of women in the modern world of domestic architecture.
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Denise Scott Brown In Other Eyes: Portraits of an Architect, 2022
Contribution to a book edited by Frida Grahn. The work of Venturi Scott Brown and Associates and its antecedents celebrates a modern sense of mannerism that has often been explored in relation to Venturi’s training and early experience. This essay will locate these claims in terms of Denise Lakofsky’s education in London and its legacies—at once historicizing and operational. It will consider what a student in 1950s London might have known of mannerism, and how, drawing in the teaching and writing of Pevsner, Summerson, Blunt, and others. It will place recollections of this moment by Scott Brown into conversation with archival records and published accounts of this moment. About the book: From the bustle of Johannesburg to the neon of Las Vegas, Denise Scott Brown’s advocacy for “messy vitality” has transformed the way we look at the urban landscape. Unconventional, eloquent, and with a profound sociopolitical message, Scott Brown is one of our era’s most influential thinkers on architecture and urbanism. The anthology Denise Scott Brown In Other Eyes – marking the 50th anniversary of the seminal Learning from Las Vegas – paints a portrait of Scott Brown as seen through the eyes of leading architectural historians and practitioners. It features new scholarship on her education on three continents, her multi- disciplinary teaching, and her use of urban patterns and forces as tools for architectural design – a practice documented in a new comment by Scott Brown, noting that sometimes “1+1>2.” With contributions by Craig Lee, Mary McLeod, Robin Middleton, Andrew Leach, Denise Costanzo, Carolina Vaccaro, Marianna Charitonidou, James Yellin, Lee Ann Custer, Sarah Moses, Sylvia Lavin, Joan Ockman, Valéry Didelon, Katherine Smith, Inès Lamunière, Frida Grahn, Jacques Herzog, Stanislaus von Moos, Christopher Long, Hilary Sample, Aron Vinegar, Françoise Blanc, Denise Scott Brown, and Jeremy Eric Tenenbaum.