expresivity to theatrality , Schönberg , Kurtag and others (original) (raw)

This text is a reflection on some aspects related to the aesthetic process of vocal music, which were changing their parameters over the different historic periods in art, such as Barroque, Classic, Romantic and particularly the Twentieth Century, based on the aesthetic view of some composers. This, by revising some representative works of that century, which have, at the same time, served as a parameter for recent generations of our century, and which through the years, have evolved changing the paradigms of tradition and some of their aspects. As an example of this, the reinterpretation of the exacerbated expression, in a technical projection, which nourished from the gesture or has profited of it in order to surpass its borders, that is, intending to fusion music and theater, since their linkings have always been evidenced, one next to the other, but not linked as it is possible now, in a same discourse beyond the musicality of poetry or the own immanence of word rhythm.