Gendered Diasporas. Considerations on Some English-Language Novels by Women Writers of South-Asian Origin (original) (raw)

Multiculturalism and Feminist Concerns in South Asian Diaspora Novels

2014

The importance of multiculturalism within the parameters of feministic theory has become a new element for South Asian diaspora writers. They are keenly interested in debating the issues of cultural conflicts, differences, identity, assimilation, integration, negation, oppression, sex discrimination and gender inequality in their works. This paper with a focus on Monica Ali’s Brick Lane, Nadeem Aslam’s Maps for Lost Lovers brings out the features of female oppression that lead to their fragmentation on emotional, social, cultural and physical levels. Thus the focus of this paper is to analytically perceive how some prominent writers have shown feminist concerns about these situations.

Women's voices: the presentation of women in the contemporary fiction of south Asian women

2002

This thesis contains a detailed study of the geme of contemporary South Asian women's writings in English. It is still a relatively young literary subculture, and thus the majority of the works here discussed are those produced from the 1980s onwards. The study takes into account the postcolonial legacy of a culturally, racially and religiously diverse South Asia as well as the current social changes and upheavals in the region. The study encompasses the works of those writing both from within and without South Asia, noting the different social patterns emerging as a result of the geographical locations of the authors. Ph .D. Thesis-Li sa Lau Ee Ji a Declaration I declare that this thesis, which I submit for the degree of Doctor of Philosophy at the University of Durham, UK, is my own work and is not substantially the same as any which has previously been submitted for a degree at this or at any other university.

Gender Interlinked with Migration Issues in South Asian Literature and Film

This paper argues the urgent need to address the issue of Gender, and Migration. We have got the same perspectives in South Asian Literature and Movies that we need to come out from the stereotype idea. Migration does have the diversified phases but the question is, do the literature and movies speak a lot to showcase or portray those issues beyond dark sides? Especially in terms of gender the focus is very much biased and stereotyped with some exceptions, so this paper seeks to show the different phases of migration which does represent gender interlinked with migration in South Asian Literature and film.

Cultural Construct and Identity in the Selected Works of Three Female Diasporic Authors

PEOPLE: International Journal of Social Sciences, 2022

The primary concern of this paper is to engage in a critical inquiry on the issue of identity in the literature of the diaspora by three selected writers Chitra Banerjee Divakaruni, Jhumpa Lahiri, and Bharati Mukherjee. An identity crisis is not a product of any singular circumstance or reason. There can be multiple factors contributing to the crisis of identity in an individual. It is important to note here that not only the source but also the manifestation of the crisis is varied, in the sense that individuals differ in their ways of internalizing, as also, externalizing, the emotions attached to his/her identity-as a man/woman; as a citizen; as a professional; as a part of the system of beings, etc. My concern, however, is with the loss of identity as a consequence of the loss of culture. I propose that settlements in foreign lands (away from one's birthplace/ native land) are bound to breed a sense of identity loss since there has been, willy-nilly, a loss of cultural identity while trying to fit in into a new land/social surrounding-and the culture thereof.

Diaspora’s Feminine Subjectivities on Geopolitical Platform- A Critical Study of the Novels - The Namesake, The Swinging Bridge and Cry the Peacock

With their spatial paradigms the novelists Jumpa Lahiri, Anita Desai and Ramabai Espinet go beyond past and present by way of imaginary construction of memory, nostalgia and myth in order to dispossess the past, remove otherness against western standardization and native cultural tradition. They want to repossess the worth of valorizing their margin status and as immigrant they desire to forget history/past and hope to look at future with hope by including new practice in the geopolitical order in the complicated network of historical histrionics. We find the division of emotions due to conflict in the value system of the east and the west. Thus the issue of geopolitics is dealt through emotions. The Female writers of Diaspora express their expatriate, immigrant, migratory, dislocated, disoriented, displaced subjectivities and experiences through continuous flow of ideas, feelings and thoughts in a stream of consciousness. Their conscious experiences, observations, impressions reoccur from their subconscious mind, memory, desire, menace or apprehensions. The authors articulate their sentiments to project the contemporary circumstance, but basically they demystify the reality of their subconscious mind. That not only suggests the inner anguish of the author, besides it, the author universalizes the problem through his/her artistic dialogic perception and creative urge. He/she also establishes syllogism between the readers and himself/herself through the art of characterization in the story. The novels of the women authors in this paper are the “unhomely, fictions of the world literature”(Babha, H., 12)