Oil Lamp Ballet (original) (raw)

Stage lighting through the ages -Theatre to Classical Dance

2019

The widespread use of electrical energy coupled with the rapid progress in innovation and manufacturing of specialized lighting and sound equipments brought about a revolutionary change in the use of sound and lighting equipments in all forms of performing arts in the 20 th century.During the same period performances and presentation styles of music, dance and drama too underwent a metamorphosis in line with the modern times and artistic sensibilities of the audience. The history of stage lightings for theatrical productions in India is less than a century old, more so in case of classical dance productions. While technology is playing a crucial role in 21st century, Stage lighting has come a long way from the journey of necessity to an allied art in the present day.

Dispelling the Darkness: Types of Candles and the Appropriateness of Each for the MID-19 TH Century

2008

Today, with the variety and ease of artificial lighting, one often takes for granted an abundance of light, whenever or wherever it is desired. During the 1860s, light did not occur with the flip of a switch. People were accustomed to a much lower level of illumination; pockets of light within an area were utilized and shared among several people, rather than the entire room being brightly lit. The amount of light that one flame can produce is surprising when one’s eyes adjust to a lower level of illumination. There were a number of lighting devices used in the mid-nineteenth century but candles were probably the most prevalent. From reading various household accounts, approximately one hundred pounds of candles per year were used by an average, middle-class household. Lamps, such as whale oil, camphene (burning fluid), coal oil, and kerosene, were used to some extent but there were a greater number of references, in primary sources, to candles. With candles, one did not have to be ...

Lighting Dance

2020

Lighting Dance pioneers the discussion of the ability of lighting design to foreground shadow in dance performances. Through a series of experiments integrating light, shadow, and improvised dance movement, it highlights and analyses what it advances as an innovative expression of shadow in dance as an alternative to more conventional approaches to lighting design. Different art forms, such as painting, film, and dance pieces from Loie Fuller, the Russell Maliphant Dance Company, Elevenplay, Pilobolus, and the Tao Dance Theater served to inspire and contextualize the study. From lighting to psychology, from reviews to academic books, shadows are examined as a symbolic and manipulative entity. The book also presents the dance solo Sombreiro, which was created to echo the experiments with light, shadow, and movement aligned with an interpretation of cultural shadow (

Oil lamp production at ancient Shikhin

STRATA, 2018

Preliminary report on the oil-lamp production at ancient Shikhin, a Jewish village in Lower Galilee. The first discovery of an oil-lamp productiion center in Northern Israel

Griffith, A and Campbell, M L. (2013) Greek and Roman Oil Lamps in the Canterbury Museum: Casting a Light on Ancient Life. Records of the Canterbury Museum 27:19-45

This paper reports the results of a project concerning the 76 Greek and Roman oil lamps in Canterbury Museum, all of which were identified according to established typologies. The lamps range in date from the fifth century BCE to the fourth century CE and represent common Greek, Etruscan and Roman lamp types, as well as provincial types from Judaea, Cyprus, Egypt, North Africa and Britain. The collection includes 73 terracotta and three bronze lamps, of which four (two terracotta and two bronze) are modern reproductions. The first part of the paper puts these lamps into context by describing the diverse functions of lamps in the ancient Mediterranean world, such as provision of light in domestic and commercial contexts, use in religious ceremonies and tombs, and use as votive objects and funerary offerings. The second part describes the formation of the collection, and the final part traces the development of lamps and lamp-making in Graeco-Roman antiquity with reference to examples from the collection. A brief catalogue of previously unpublished lamps is also provided.

The Oil Lamps from BeT She'an (Youth Hostel)

Atiqot 77, 2014

The large assemblage of artifacts recovered from the excavation at the Bet She'an Youth Hostel included oil lamps, which were discovered in all excavated levels/