The Atonement Debate: Papers from the London Symposium on the Theology of Atonement - Edited by Derek Tidball, David Hilborn, and Justin Thacker (original) (raw)

Although there are several gateways into Balthasar’s theology, this essay seeks to explicate what I think to be one of the primary entry points, namely, what is meant by the dazzling darkness of God’s triune love. Balthasar’s theology is not systematic in the traditional sense where one can turn to a particular section and read his definitive take on a particular doctrine or issue (e.g., the Trinity, atonement, etc.). Rather, his theology is more symphonic in that he weaves together a variety of themes in order to demonstrate the interconnectedness of theology that results not simply in the mere contemplation of theology’s object, namely, the triune God, but the actions required by those who properly perceive him in faith. The motifs covered in this essay resonate throughout his trilogy and even into many of his works beyond it, striking a prominent chord within the concerto of Balthasar’s theology. The article provides a brief narrative context of Balthasar's life that alludes to the impetus for much of his work, allowing us to frame the subsequent discussion on the dazzling darkness of God’s triune love. The next section explicates Balthasar’s notion of the dazzling darkness of God’s triune love through what I call “divine eternal kenosis” that serves as the basis for all other kenotic movements, including Christ’s decent into hell. Finally, we conclude by suggesting relevant points where evangelicals should critically yet charitably engage Balthasar’s theology while offering resources in a postscript, both primary and secondary works, for further exploration.