Plasmaglyphs Part 1 (original) (raw)
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The author presents an exciting new hypothesis for megafauna extinction based upon historical, mythical, geological, astronomic, and atmospheric evidence. While not conclusive, it is highly compelling and demands further investigation. Examples of cross cultural motifs in the form of glyphs, mounds, and earthworks are provided with mythic comparisons and contrasts. Counter arguments are provided throughout as well as strong debunking of prior archaeological biases rooted in Victorian, antiquated pseudoscience. Assumptions in the two models presented for plasma-arc-discharge mechanism are clearly listed, as well as known facts. Citations enable cross reference while the work focuses not on diffusion anthropology, but realistic atmospheric/astronomical plasmoid petroglyph formations recorded in rock.
Comparing ratios of the Turkey Foot asymmetrical glyph and Eagle and Alligator mounds; a story of purposefully done "bad art." As written above and demonstrated previously, cross-correspondence makes it clear that our mainstream understanding of glyphs, earthworks, and even artifacts are clearly European in origin.
Plasma Petroglyphs (Plasmaglyphs), Earthworks, and the Megafauna Extinction
The author presents an exciting new hypothesis for megafauna extinction based upon historical, mythical, geological, astronomic, and atmospheric evidence. While not conclusive, it is highly compelling and demands further investigation. Examples of cross cultural motifs in the form of glyphs, mounds, and earthworks are provided with mythic comparisons and contrasts. Counter arguments are provided throughout as well as strong debunking of prior archaeological biases rooted in Victorian, antiquated pseudoscience. Assumptions in the two models presented for plasma-arc-discharge mechanism are clearly listed, as well as known facts. Citations enable cross reference while the work focuses not on diffusion anthropology, but realistic atmospheric/astronomical plasmoid petroglyph formations recorded in rock
Once you see examples of lightning and arc-discharge machining formations, they are quite easy to spot. Their stratification is vastly different from folding, over/underthrust, and other tectonics. Usually, and almost always, they stand out in stark contrast. Subjectively, the regions where they are, such as Devil’s tower, Grand Canyon, certain knobs, mounds, earthworks, etc… all have an odd energetic” sense to them, that is usually attributed to awe or amazement. But, the author maintains, this is a physiological response to an energy-signature, the presence of previous charge deposit or exchange.
Throughout this article, the author has maintained that thunderbolts were the main operative vector of megafauna extinction and the curtailing of civilization in the northern hemisphere. However, technically speaking it was a combination of cold, food loss due to fallout/winter, herbivore decline, and war that followed these hard times which compounded the bad situation. It was a time of limitation and fear. Certainly many species may have gone extinct very quickly, due to Step Potential quickly wiping out their herds (such as Mammoths and Mastodons). But many more had their populations so reduced that hunting or lack of breeding and food options did what the cold and rising waters could not. Remember: the Younger Dryas facts are not under question. Only the mechanisms. The author has disproven the comet or comet/swarm as the primary vector via actual vector analysis and erosion evidence. But, how the electrical events distributed and continued to propagate terror and destruction is not at all clear.. The only thing known is that there were massive water level changes, probably mega tsunamis and land mass eliminations , and that the moon has a very uncertain, wobbly path to this day.
The author recognized in a video about the Gresky paper, "Modified human crania from Göbekli Tepe provide evidence for a new form of Neolithic skull cult," the asymmetric Awen glyph, which is actually the LaGrangian arrangement of the solar system post Shamash breakdown (proposed cause of the Younger Dryas Event). The correlation, the author thought, could not be coincidental. This initial study was conducted to see if the % differences were within reason. Though with Kentucky it is up to 41.2%, it is much lower with Alligator Mound (3.2% or more), and Eagle Mound is best, 0.91%. The ratio adherence of the central pole length (A) to the difference between left and right vertices (D) is rather close between the proposed skullmap (skull 3) and Eagle Mound: 8.7 vs 8.62, using basic trig ratios to give a rough length to A. The author proposes in this paper the next steps to confirming these studies, using tighter surveys and calipers on physical specimens, as well as access to the rock art of Kentucky. Finally, he speculates upon the possible meaning of these skullmaps in their utility, as well as orientation issues as the Earth revolved around the "Yggdrasil" or "tree of life"-the EDIN-in the sky.
Some 'Astronomical' Hieroglyphs and their Cosmographic and Calligraphic Significance
In the course of time the ancient Egyptian Hieroglyphic Writing was substantially trans for med, as is the case for every other scripture, due to various socio–cultural and linguistic reasons. Even tually new signs came into use or were devised, based on more ancient archetypes, whose very con ception was an outcome of the imme diate ambience of the Egyptians. Some of them fea ture a clear cosmovisional meaning and their symbo lism is related to either astro nomical or cos mo graphic notions. As each hieroglyph (phono grams, but mainly semo grams and taxo grams) was the carrier of some appropriate semantics, similar was also the ca se for these 'cos mo vi sio nal' hieroglyphs. In this article an attempt is made to study their evolution and signifi cance, starting from a certain group of signs (namely C199C204, C296C297 & C314) (cf. Gri mal et al., 1 1993: 1C6; Grimal et al., 2 2000: 1C4, 1C5, 2C8). The example of these hiero glyphs [especially of that depicting Nūt with a scarab (xprr), perso ni fication of the newly born morning Sun, and/or a divine baby/youth (Hwn nTry) between her and the earth, car rying also a certain solar sym bo lism (cf. BM 552, VIII, pl. xxvii)], are examined and their astro no mical and cosmo gra phic se mantics are studied. Although these were signs mainly used at a later period, they do incorporate several notions that date since many centuries earlier. Some remarks on their aesthe tic appearance and their sub se quent calli graphic function are also gi ven. We con clude that these signs, their form and their meaning being always deeply interlaced, present us with vivid paradigms of how im por tant astro no mi cal and cos mo vi sional no tions (that are also discussed here) can be com mu nicated through the vehicle of rebus and sym bolic writing, although in a pre– scientific level.