The early development of the synthesizer and its impact on contemporary popular music: A research sketch (original) (raw)
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Science, Technology, & Human Values, 2005
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2018
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Conduits of Creation - The Role of the Synthesizer in Brian Eno’s Discreet Music (1977).
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Conduits of Creation - The Role of the Synthesizer in Brian Eno’s Discreet Music (1977)., 2019
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Electronic and Experimental Music, 2012
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Making Old Machines Speak: Images of Technology in Recent Music*
Joseph Auner
2000
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Mateo P
2018
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Stephen Miles
2015
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Mattia Merlini
Musical Retrofuturism Symposium, 2022
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The Evolution of Electronic Music
Thom Holmes
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Norma Beecroft. 2015. Conversations with Post World War II Pioneers of Electronic Music. Self-published with assistance from the Canadian Music Centre. E-book
Alexa Woloshyn
Intersections: Canadian Journal of Music, 2016
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Mary Keiser
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«A meeting of music and the new possibilities of technology». The beginnings of the Studio di Fonologia Musicale di Milano della Rai
Angela Ida De Benedictis
in "The Studio di Fonologia. A Musical Journey 1954-1983. Update 2008-2012, ed. by M.M. Novati and J. Dack, Ricordi, Milano, 2012
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Critical Essay-"Music to Moog By": Gendering in Early Analog Synthesizing in the United States
D. Travers Scott
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Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde by Jennifer Iverson
paul schreiber
Fontes Artis Musicae, 2020
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Julin Lee
Journal of the American Musical Instrument Society, 2022
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Voicing the Technological Body. Some Musicological Reflections on Combinations of Voice and Technology in Popular Music
Florian Heesch
2016
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Thomas W. Patteson, Instruments for New Music: Sound, Technology, and Modernism. Oakland: University of California Press, 2016. Pp. xii + 236. ISBN 978-0-520-28802-7 £32.95 (paperback).Andrew J. Nelson, The Sound of Innovation: Stanford and the Computer Music Revolution. Cambridge, MA: MIT Press,...
Tim Boon
The British Journal for the History of Science
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Getting Out of the Black Box: analogising the use of computers in electronic music and sound art
Francois Mouillot
Organised Sound, 2015
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Charrieras, D., Mouillot, F. (2015) “Analogizing the computer in music making practices”, Organised Sound / Volume 20 / Special Issue 02 / August 2015, pp 191-199. Cambridge University Press
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Pauline Oliveros
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Imagination and Exploitation: Some History of Digital Technology in My Music-Making (2004)
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2019
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Paul Theberge. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press, 1997. xx, 293 pp
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1997
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The Emergence of Interactive Music: The Vision and Presence of Joel Chadabe
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Leonardo, 2022
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