'A Case of Mistaken Identity: Julia Domna as Concordia on RIC 380 and 381', Revue belge de Numismatique 160 (2014): 307-15. (original) (raw)

"Julia Domna and Her Divine Motherhood: A Re-Examination of the Evidence from Imperial Coins" in The Classical Journal 114.4 (2019) (Proof Copy)

The Classical Journal, 2019

The aim of this paper is to examine chronologically the imperial types advertising the maternity of Julia Domna. Several coins issued during the first years of Septimius Severus' reign celebrated the procreative capacities of the Augusta by either portraying her together with Caracalla and Geta or connecting her to representations of deities with children. Later types, however, seem to shift focus to a more universal concept of maternity by comparing Domna to deities such as Cybele, Vesta and Luna. This phenomenon became particularly evident during the reign of Caracalla, when her influence in public affairs reached its apex.

Roman Empresses' Coins from a Private Collection: A Descriptive Archaeological Study

Archaeological Discovery, 2023

This is the first study of a unique private collection of coins belonging to Roman empresses. The collection includes silver and bronze/copper coins bearing inscriptions, pictures, symbols, and monograms. These coins have significant artistic implications as they represent unique Roman styles and types, and some of them are rare. The time frame of the existence and usage of the study sample extends from the beginning of the first century A.D. to the beginning of the fourth century A.D., concurrent with the emergence of the Roman Empire and the height of its expansion and prosperity. The study also seeks to discuss the reasons these coins depicting the empresses were produced; for example, the marriage of Marcus Aurelius with the emperor's daughter, Faustina the Younger-the coins attesting the desire for the continuation of the dynasty and celebrating the beginning of a new Saeculum Aureum. The coinage also reflects the joint rule of Marcus Aurelius and Lucius Verus until 169 A.D., when Faustina II and Lucilla were depicted. Homonoia and the victory over Armenia were also depicted, and the decades are celebrated. We also discuss the possible reasons for the deterioration of bronze coinage in the second half of 2nd century A.D. and the reasons that led to a substantial increase in coinage in the name of Augusta at the end of Hadrian's reign.

CONESA NAVARRO, P. D. y SMYK, A. (2022), "Goddess Venus on Julia Domna's coins. The Political Use of the Coinage of an Augusta of the Severan Dynasty", Historia i Swiat, 11, 175-200

2022

In this paper we aim to study the monetary examples of Venus dedicated to Julia Domna. The goddess appears in the numismatic records with a series of epithets and although they were initially created with specific connotations, they evolved and were widely employed on the coins of imperial women. The social and political context encouraged some types to be produced more than others at certain times. This is precisely one of the most important aspects that will be reflected upon in this study. Beyond responding to virtues related to the conjugal or maternal sphere, the policy developed by Septimius Severus and continued by his son Caracalla may have been decisive in encouraging the creation of certain coin types in order to transmit a message that was convenient for the state apparatus.

‘Diva Paulina in Rome and in the East’, Revue Numismatique 173 (2016), pp. 283-302.

This paper reconsiders all the existing literary, epigraphic and numismatic evidence about Diva Caecilia Paulina, the wife of emperor Maximinus Thrax. Because this evidence is extremely poor and Paulina was almost entirely regarded by the ancient sources as a ‘Diva’, scholars have traditionally believed that she was already dead when Maximinus became emperor. However this assumption is almost entirely based on information gathered from Roman imperial sources. In fact the analysis of the very rare inscriptions and coins from the provinces suggests that Paulina may have been honoured as a still living Augusta in the East and that the traditional view about her cultural and social background can be challenged. Cette étude propose un réexamen de l’ensemble des sources (littéraires, épi- graphiques et numismatiques) disponibles à propos de Diva Caecilia Paulina, femme de l’empereur Maximin le Thrace. En raison de l’extrême rareté des sources la concernant et compte tenu du fait que les auteurs anciens l’évoquent quasi-exclusivement en tant de « Diva », les chercheurs ont généralement considéré que Paulina était déjà décédée au moment où Maximin prit le pouvoir. Toutefois, cette idée se fonde essentiellement sur l’étude des sources de nature impériale. Or, l’analyse de rares inscriptions et monnaies issues des provinces laisse penser qu’en Orient, Paulina a pu être honorée de son vivant en tant qu’Augusta, et permet de remettre en question les opinions traditionnelles quant au milieu culturel et social duquel elle est issue.

Iconography of persuasion : re-evaluating Empress Irene in her numismatic context

2019

Empress Irene (r. 780-802 CE) is a contentious figure in Byzantine history. On the one hand, she is well-known for the restoration of icon worship at the Council of Nicaea in 787; on the other hand, she is notorious for blinding her son, Constantine VI at Constantinople in 797. Most importantly, she became the first female emperor of Byzantium. The problem in understanding this figure is that the narratives about her have been built from biased, historical texts, such as that of Theophanes the Confessor writing in the early ninth century. This thesis seeks to shift the discussion from the literary to the material. Coins are an oftenneglected form of primary evidence in Byzantine studies. I argue that coins and their iconography have the ability to make important claims about power in the Byzantine world. The data for this thesis comes from the well-established collection at the American Numismatic society and from the Rachel and David Herman Collection of Byzantine Coins at the Univ...