Networking Operatic Italy (Chicago: University of Chicago Press, 2021) (original) (raw)

Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century

Carlotta Sorba

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‘Review Article: A Passion for Italy’, Cambridge Opera Journal, 23/3 (2011), 191-200.

Francesca Vella

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Review of Francesca Vella, "Networking Operatic Italy" (2022)

Luca Battioni

Sound Stage Screen

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Costumes and Cosmopolitanism: Italian Opera in the North

Christine Jeanneret

Cambridge Opera Journal, 32 no 1, 2020

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Opera and Society in Italy and France from Monteverdi to Bourdieu

Naomi Andre

2007

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To Please the Public: Composers and Audiences in Nineteenth-Century Italy

Carlotta Sorba

Journal of Interdisciplinary History, 2006

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'(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks', Opera Quarterly, 34/1 (2018).pdf

Francesca Vella

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Opera History, the Travel Edition

Jonathan Hicks

Cambridge Opera Journal, 2021

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The business of opera in early modern Bologna: Financial and social affairs in Pirro Capacelli Albergati’s notebook for "Gli amici" (1699)

Huub van der Linden

MEFRIM (Les Mélanges de l'École française de Rome - Italie et Méditerranée modernes et contemporaines), 2018

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Opera and Italianità in Transnational and Global Perspective

Axel Körner, Paulo Kühl

Italian Opera in Global and Transnational Perspective Reimagining Italianità in the Long Nineteenth Century, 2022

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Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde

nick till

Transposition, 2019

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Theaters, market and canonic implications in the Italian opera system, 1820-1880

Carlotta Sorba

in Oxford Handbook of the Operatic Canon, ed. by C. Newark and W.Weber, 2020

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Achilles’ Mirror: Renaissance Italy behind Classical Topics on the Operatic Stage

Raffaele Mellace

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Women, Opera and the Public Stage in Eighteenth-Century Venice

Britta Kägler, Eva-Maria Schreiner

Kägler B, Schreiner E-M. Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 2022. Eighteenth Century Music. 2023;20(1):116-119, 2023

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The Reception of Neapolitan Opera and Southern Italian Nationalism

Francesco Bracci

Rivista Italiana di Musicologia, 2018

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Palazzetti N. (2023), "Opera Fandom in the Digital Age: A Case Study from the Teatro alla Scala", The Opera Quarterly

Nicolò Palazzetti

The Opera Quarterly, 2023

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Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765)

Kordula Knaus

Operatic Pasticcios in 18th-Century Europe, 2021

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Fanny Tacchinardi-Persiani, Carlo Balocchino and Italian Opera Business in Vienna, Paris and London (1837-1845)

Claudio Vellutini

Cambridge Opera Journal, Vol. 30/2-3, 2019

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Alexandra Wilson. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge: Cambridge University Press, 2007. pp. 334

Laura Wittman

Cambridge Opera Journal, 2008

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Making Opera in Migration: Giuseppe Sarti’s Danish Recipe for Italian Opera

Christine Jeanneret

Analecta Romana Istituti Danici, 43, 2018

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Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice (review)

Sandy Thorburn

Notes, 2007

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The origins of the entertainment industry: the operetta in late nineteenth-century Italy

Carlotta Sorba

Journal of Modern Italian Studies, 2006

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Opera as Social Status: The Private Teatro Sociale as a Reproduced Disposition to Mantua’s Cultural Habitus

Lia Lola Vlado Kotnik

Italian Sociological Review, 2017

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Opera across Borders: The construction of Italian and Turkish national identities

Raffaella Bianchi

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Opera across Borders: the Construction of Italian and Turkish National Identities by Raffaella Bianchi and Bezen Balamir Coskun

Bezen Coskun

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Ghosting Agrippina: Genealogies of Performance in Italian Baroque Opera

Carlo Lanfossi

The Journal of Musicology, 2019

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“«Se cantassi sovente con quell’impegno febbrile, presto morrei»: notes from Romilda Pantaleoni’s unpublished correspondence”, 1st Transnational Opera Studies Conference, Università di Bologna, 1.7.2105

Cristina Scuderi

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On opera and working-class culture, Review of Emilio Jona, et al, Le ciminiere non fanno più fumo: canti e memorie degli operai torinesi

Gavin Williams

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Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America

Charlotte Bentley

American Music, 2019

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Laughter between Two Revolutions: Opera Buffa in Italy, 1831-1848. By Francesco Izzo (review), Music & Letters, 95/4 (2014), 662-4.

Francesca Vella

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The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast

João Pedro Cachopo

The Opera Quarterly, 2018

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Italian opera and creole identities

Francesco Milella

Italian Opera in Global and Transnational Perspective Reimagining Italianità in the Long Nineteenth Century, 2022

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National theater and the age of revolution in Italy

Carlotta Sorba

Journal of Modern Italian Studies, 2012

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CALL FOR PAPERS tosc@bern.2017: 2nd Transnational Opera Studies Conference, Bern 5 - 7 july 2017

Vincenzina Caterina Ottomano

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Staging Crisis: Opera aperta and the 1959 Venice Biennale Commissions

Harriet Boyd-Bennett

The Opera Quarterly, 2014

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