original ) (raw )Subverting the racist lens: Frederick Douglass, humanity and the power of the photographic image (Co-authored w. Lawson)
Maria Brincker , Bill E. Lawson
Pictures & Power - Imaging and Imagining Frederick Douglass 1818-2018 Edited by Celeste-Marie Bernier and Bill E. Lawson, 2017
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Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America
Jack Trammell
Communications on Stochastic Analysis, 2019
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The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852. Martha J. Cutter
marcus wood
MELUS, 2019
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“Memory, Illustration and Black Periodicals: Recasting the Disappearing Act of the Fugitive Slave in the ‘New Negro’ Woman”
Teresa Zackodnik
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Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century
Jasmine Cobb
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Exposing Slavery: Photography, Human Bondage, and the Birth of Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America Modern Visual Politics in America
JK Trammell
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How Has Capitalism and the Visual Legacy of Slavery Impacted Identity & Representation of African Americans through the Twentieth Century
Ben O'Leary
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On the Sleeve of the Visual: Race as Face Value
Alessandra Raengo
2013
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Book Review: The Repeating Body: Slavery’s Visual Resonance in the Contemporary by Kimberly Juanita Brown
Sabine Broeck
Feminist Review
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BOUND TO APPEAR ART, SLAVERY, AND THE SITE OF BLACKNESS IN MULTICULTURAL AMERICA
Kim Bobier
Nka: Journal of Contemporary African Art , 2014
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Misrecognized: Looking at Images of Black Suffering and Death
Courtney R Baker
2008
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Review: Race and Vision in the Nineteenth-Century United States ed. by Shirley Samuels
Ashley Rattner
African American Review, 2022
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The Moment of Racial Sight: A History
Shakti Jaising
The Cambridge Journal of Postcolonial Literary Inquiry
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Lynching, Visuality, and the Un/Making of Blackness
Leigh Raiford
Journal of Contemporary African Art, 2006
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The visual records and visual legacies of slavery
Dale W. Tomich
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Picturing Racial Pain: Corporeality and Personhood in Abolitionist Photographs and Lynching Postcards
Markus J . Diepold
Embodying Vision, Envisioning Embodiment Conference, Department of Germanic Literatures and Languages, University of Michigan, 2019
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Degrees of Exposure: Frederick Douglass, Daguerreotypes, and Representations of Freedom
Julia Faisst
PhiN. Philologie im Netz. Beiheft/Supplement 5/2012: Audiences, Networks, Performances: Studies in U.S.-American Media History. Eds. Antje Kley and Peter Schneck. 71-100.
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What is My Body Worth? The Exploitation of the Body of Color
J. Andrée de León Urcuyo
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A Time and a Place: Rethinking Race in American Art History
Tanya Sheehan
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Portraits of a People: Picturing African Americans in the Nineteenth Century, and: Young America: Childhood in 19th-Century Art and Culture, and: My Likeness Taken: Daguerreian Portraits in America (review)
Jack Larkin
Journal of the Early Republic, 2007
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Blind Memory: Visual Representations of Slavery 1780-1865 (review)
marcus wood
Callaloo, 2002
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The Black Aesthetic Unbound The Ohio State University Press • Columbus The Black Aesthetic Unbound Theorizing the Dilemma of Eighteenth-Preface vii
Raoul Agbavon
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Humane Insight: Looking at Images of African American Suffering and Death
Mary Niall Mitchell
Journal of American History
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“Gender, Sex, and Power: Images of Enslaved Women Bodies.” In Sex, Power, and Slavery, edited by Elizabeth Elbourne and Gwyn Campbell, 469–499. Columbus: Ohio University Press, 2014
Ana Lucia Araujo
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The Politics of Race and Beauty: A Study of Alternative Aesthetics in Adichie’s Americanah
nagendra Bhandari
Prithvi Journal of Research and Innovation
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How Silhouettes Became “Black”: The Visual Rhetoric of the Harlem Renaissance
Frank Mehring
Circulation, 2017
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Portraits and Exhibitions of “Pious Negroes” and “White Negroes” in the Eighteenth Century. Science, Arts and Entertainment revolving around the Other. (Conference at the University of East Anglia, Norwich, England, 2015)
Paola Martínez Pestana
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Blackface Abolition and the New Slave Narrative
Laura T Murphy
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Slavery and the Post-black Imagination
Ilka Saal
University of Washington Press, 2020
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The Black Aesthetic Unbound
April C . E . Langley
2021
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Black Bodies, White Gazes: The Continuing Significance of Race (review)
Melvin Rogers
2010
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"Retreat From Racial Essentialism: Reading the Photographer as Text"
Kate Sampsell
Reviews in American History
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Making Images, Restoring Personhood: Frederick Douglass, Emmett Till, and the Re-Framing of African American Trauma
Markus J . Diepold
Interactions, 2020
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Introduction to "On the Sleeve of the Visual: Race as Face Value
Alessandra Raengo
2013
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Review of Abigail Ward, Caryl Phillips, David Dabydeen, and Fred D’Aguiar: Representations of Slavery
Benedicte Ledent
Moving Worlds : A Journal of Transcultural Writings, 16.2 (2016), pp. 114-116. , 2016
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