The Inheritance: Ethel Barrymore Theatre, New York, NY (original) (raw)
2021, PAJ: A Journal of Performance and Art
I had purchased my ticket to Matthew Lopez’s The Inheritance (Part One) the night before, but cautiously. The show was scheduled to end its Broadway run soon and Covid-19 was looking ever more unpredictable. For both reasons, I wagered the March 10 matinee was probably going to be my last chance to see the production. Italy had just gone into national lockdown on March 9. Neither I nor any of my loved ones had begun stockpiling masks or hand sanitizer yet. Still, when deciding whether to traverse Manhattan by cab or subway that day, I opted to walk, just to minimize risk where I could.
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