The Dilemma of Religious Space (original) (raw)
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Sacred precincts : the religious architecture of non-Muslim communities across the Islamic world
2015
CONTENTS List of Figures Acknowledgements Preface: Non-Muslim Sacred Sites in the Muslim World Mohammad Gharipour Introduction PART 1: IDENTITY 1. Churches Attracting Mosques: The Architecture of Mosques in Early Islamic Syria Mattia Guidetti 2. To Condone or To Contest? Ethnic Identity and Religious Architecture in The Gambia Steven Thomson 3. Jigo: The Essence of the Non-Tangible Architecture of Hausa Traditional Religion A.A. Muhammad-Oumar 4. Muslims Viewed as 'Non-Muslims': The Alevi Precincts of Anatolia Angela Andersen 5. Identity and Style: Armenian-Ottoman Churches in the Nineteenth Century Alyson Wharton 6. Apportioning Sacred Space in a Moroccan City: The Case of Tangier, 1860-1912 Susan Gilson Miller 7. Politics of Place in the Middle East and World Heritage Status for Jerusalem Elvan Cobb PART 2: DESIGN 8. Devotional and Artistic Responses to Contested Space in Old Cairo: The Case of Al-Mu'allaqah Erin Maglaque 9. Sacred Geometries: The Dynamics of 'Isla...
THE ROLE AND IMPACT OF RELIGION ON THE ARCHITECTURE OF MOSQUES AND CHURCHES
Art has been included customary and possible dimensions to speak by man with holiness, before when was related to the veil of human's egotism. In this age, since the dimension was not sourced from right and truth for man and good names of providence did not come to seek the veil of idolatrous, symbols and motifs appear the occult meanings and themselves are showy of theological facts. The art can appear as religion, because from our sight of principle of knowledgeable, art and religion are intertwined naturally. Every ingenious demonstrate the mysteries that don't appear except with brightness of intellectuality, and it is for having a share of the divine realm, which is the agency cause of manifesting artistic works. The ingenious should attract to the truth to create the making clear beautiful faces by assisting God diffusion. Ingenious lives in the shadow of the verbal knowledge tree. In this sense, if we look closely, we can find very similarities between religious and artistic knowledge: knowledge of art is as immediate and direct as religious knowledge. In the knowledge of art, the reason was not discussed as well acquired knowledge. Therefore, in this study, we investigate the religious influence on architecture, especially on the architecture of religious buildings such as churches and mosques. CAMI VE KILISELERIN MIMARISINE ROLÜ VE DIN ETKISI ÖZ Sanat insanın bencilliğin peçe ile ilişkili iken önce, kutsallık ile adam tarafından konuşmak için alışılmış ve olası boyutları dahil edilmiştir. Bu çağda, boyut insan ve ihtiyat iyi isimler için sağ ve gerçeği kaynaklı değildi çünkü putperest peçe aramaya gelmedi, semboller ve motifler gizli anlamları ortaya çıkar ve kendilerini teolojik gerçekler gösterişli bulunmaktadır. bilgili, sanat ve din ilkesi bizim gözden doğal iç içe, çünkü sanat, din olarak görünebilir. Her marifetli zihinsellik parlaklığında dışında görünmüyor sırlarını göstermek ve sanatsal eserlerini tezahür ajansı nedenidir ilahi aleme, bir paya sahip içindir. ustaca Tanrı difüzyon yardımcı olarak yapma açık, güzel yüzler oluşturmak için gerçeğe çekmek gerekir. sözlü bilgi ağacının gölgesinde Dahice yaşıyor. yakından bakarsanız bu anlamda, dini ve sanatsal bilgi arasındaki çok benzerlikler bulabilirsiniz: sanat bilgisi dini bilgi gibi acil ve doğrudan. sanat bilgisi olarak nedeni de elde edilen bilgiyi ele değildi. Bu nedenle, bu çalışmada, özellikle kilise ve cami gibi dini yapıların mimarisine, mimarlık dini etkileri araştırıldı. INTRODUCTION Since the beginning of human history, art has always been synonymous with religious subjects and expressions and concepts, which gradually predominance of mundane concepts on the human life, the fields were proportionally branched from it. In fact, just as blasphemy and polytheism prevail over
2017
This dissertation talks about architecture for community and how religion plays an important role. It briefly talks about the interrelation between religion and architecture and it helps in creating an identity for the community.
International Journal of Middle East Studies, 2014
In this paper we focus on the Republican Mosque in Derinkuyu, Turkey, a Greek Orthodox church built in 1859 and transformed into a mosque in 1949 that still exhibits many obviously Christian structural features not found in most such converted churches. We utilize the concept of religioscape, defined as the distribution in spaces through time of the physical manifestations of specific religious traditions and of the populations that build them, to analyze the historical transformations of the building, and show that this incongruity marks a specific stage in the long-term competitive sharing of space by the two religiously defined communities concerned. This shared but contested space is larger than that of the building or even the town of Derinkuyu. We argue that syncretism without sharing correlates with a lack of need to show dominance symbolically, since the community that had lost the sacred building had been displaced as a group, and was no longer present to be impressed or intimidated.
Critical Evaluation of Architectural Rudiments from the Perspective of Religion
International Journal of Scientific Research in Engineering and Management (IJSREM), 2023
History and literature denote the importance of symbols which represent Religion and architecture. As per cultural evolution, different symbols evolved in aesthetic form making them tangible. This paper focuses on religion that binds them together at a certain point and how it has its own values and elements in the shape that society and its people have given it. The role played by religion in architecture can be stretched back thousands of years ago. Religion arises as a necessity to understand various aspects of society and surrounding social activities, that reflect in complementing the scientific understanding of religious architecture and symbols. Religious architecture is the historic record of the way people express their faith. These old structures are the heritage of the country. The elements like religious symbolism come up with various beliefs, rituals, and scriptures from ancient times. These elements merged with the architectural style to form religious structures. Since the ancient era religion has been a major source of inspiration in architectural construction and architecture has concretized religion, thus spaces they shape support and reflect spiritual practices and religious beliefs. Indeed, the motive of each structure remains the same, varying its symbolism in each religion. The aim of this paper is to understand how all religious structures are connected to each other in various aspects.
Architecture of mosques and Islamic centers in Non-Muslim context
Faculty of Engineering, Alexandria University. Production and hosting by Elsevier B.V., 2017
Islam is the fastest growing religion in the world. The Muslim population increases as Islam spreads around the world, which leads to increasing demand for Islamic buildings such as mosques and Islamic centers. Mosques play an important role in Islam and Muslim life. In several countries, in particular, the Western mosques are seen as a newcomer whose building type is both unique and foreign to local people who are unaccustomed to the visual expression of Islam in the West. The mosque is one of the most visual expressions of global Muslim religious identity in non-Muslim context. The significant numbers of countries have a lot of different architecture styles of their Islamic buildings. Each mosque has its own individual touch. The most important factors behind this variation in form and styles can be divided into nature impacts as (local materials and environment), followed by man-made impacts by (Muslim immigrants, colonialism, funding, and laws, culture, and traditions). The study aims to examine each factor and their influences on the architecture of mosques and Islamic centers in non-Muslim context through analysis and a comparison of a number of examples. Ó 2017 Faculty of Engineering, Alexandria University. Production and hosting by Elsevier B.V. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/).
Architecture, Faith and Culture Antagonism or Harmony?
Journal of Civil Engineering and Architecture
The relationship between architecture and faith has always been of great wealth. Faith as a way of life and social memory exercises a decisive influence on the shape of the construction environment. Yet this relationship is rarely analyzed. On a general level, one reason for this deficiency is probably due to the spread of the ideology of modernity. Given that modernity is implicitly secular, it does not prompt to understand faith in its relationship with other phenomena. It is the same for architecture. We believe on the contrary that the construction environment and the cultural aspect must interact and complement each other. When this is not true or only partially true, this results in user dissatisfaction, and refusal to engage and participate in the process of changing that environment. Many authors have tried to show explicitly the influence of Islamic thought on the social organization and the housing as well as the link between housing and identity, but its implications have not always been understood and transmitted concretely. One thing is certain: the ideological-symbolic-metaphoric sphere is the essence of architecture, as are the program requirements: functionality, distributivity, health of the environment and technology of construction. In this contribution we will address the thorny issue of cultural and religious influences on the choice of the morphology of the habitat and its components, and we will try to highlight the interaction between architecture, faith and culture through analysis of a Mediterranean type "House with Patio" as a particular architectural style, which has been enriched through the centuries by different cultures. Although the course of this typology in each of these cultures and at different times has not been the same, this has only strengthened the mission and spirit of the "Patio" until the appropriation of this model by the Arab-Muslim peoples who were able to incorporate the Islamic perception in this space.
Religions, 2019
Religious transformations in modern societies are not merely a discursive or demographic phenomenon, they also relate to religious architecture in urban space and affect the built environment at its core. Many churches, for instance, are in the process of reuse, closure, or even demolition. At the same time, there has been an increase in the construction of new mosques and a reorientation in synagogue architecture in Germany for the last twenty-five years. The three religious traditions-Judaism, Christianity, and Islam-undergo remarkable transformations with regard to the design and style of their places of worship. Often, however, these new designs are not easily 'readable' to visitors and believers alike. In addition, the role of contemporary religious architecture in its relation to urban space is changing. Which meanings do religious buildings convey, how are they positioned, and how do they structure urban space? In collaboration of the study of religions and architectural history, we approach these questions by means of studying the transformations of contemporary religious architecture in Germany in a comparative manner. We survey Jewish, Christian, and Muslim places of worship, that is, new constructions, reused, and demolished buildings in Germany since 1990. The selected buildings are studied in detail regarding their meaning and positioning in urban space. This article presents findings from an ongoing research project and opens new perspectives in the study of urban religion.
SOME NON-CHRISTIAN RELIGIOUS ROOTS OF 20TH CENTURY ARCHITECTURE
| This paper investigates the impact on twentieth-century architecture of some religious teachings related to major non-Christian religions, such as Buddhism, Islam and Judaism. It analyses both the direct impact of these religions, when western interpretations of their religious teachings influenced modernism at a theoretical level, and the indirect impact when religious teachings influenced modernism via historic non-Western architecture, such as Buddhist or Islamic buildings. Twentieth-century theoreticians and architects frequently emphasise rationality, that is to say the functional and technical priorities of modernism. I would suggest that modernism was far less rational than is commonly thought and that it was influenced by different non-Western religions, particularly in its early period. This is by no means a comprehensive survey of all the religious influences that may have left their mark on twentieth-century architecture. I concentrate only on the most marked. This paper considers the religious impact on two main innovations of modernism: firstly, the flat and undecorated façade and the avoidance of traditional façade-discourse (sculpture and decoration), and secondly, the promotion of space as the main object of architecture. The paper attempts a brief analysis of the influence of Islam in reducing/denying the role of material and adopting a spatial approach to architecture; the influence of Buddhism on non-communicating minimalist surfaces and emptiness, the priority of space; and the effect of Judaism in conceptualising space-time, as reinterpreted by Albert Einstein.
2016
Places of worship, as symbolic spaces, have played a key role in all religions. In this respect, they differ from other buildings with different functions. However, the presence of places of worship belonging to different religions in the same city or town has been based on identity differentiations. Given the rapidly growing virtual communications in today›s world, it has become even more important to pay serious attention to identity differentiations concerning places of worship. The present study aimed to make a typology of Synagogues, Churches and Mosques in IsfahanPersian capital during Safavid era. The implication of a comparative comparison among the mentioned places of worship, in terms of symbolic and spiritual concepts, can help contemporary architects and designers to build such buildings. Therefore, the symbolic differentiations, especially those concerning mosques, can be taken into consideration to design and build mosques. The main questions of this study include: wha...