original ) (raw )BETWEEN IMAGINATION AND REALITY: THE APOCALYPTIC WARFARE IN LATE MEDIEVAL MANUSCRIPTS
Ivelin Ivanov
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There Was War in Heaven, and the Beast Was Cast Out: Apocalyptic Scenes in the Composition of the Last Judgement
Jehona Spahiu Janchevska
INTERNATIONAL SCIENTIFIC CONFERENCE 75 YEAR JUBILEE OF THE INSTITUTE OF ART HISTORY AND ARCHAEOLOGY. 12th – 14th October 2022 Dojran, Macedonia. Book of Proceedings (eds. Antonio Jakimovski & Elizabeta Dimitrova), 2024
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Image, Memory, and Allusion in the Textual History of the Apocalypse: GA 2028 and Visual Exegesis.
Garrick Allen
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Apocalyptic Motifs from the Early Christian Literature and Art. The Book of Revelation and its Contribution to the Formation of an Apocalyptic Art.
Laszlo Attila Hubbes
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Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia
Anthony O'Hear
2015
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“Visualizing the Visionary: John in his Apocalypse.” Looking Beyond: Visions, Dreams and Insights in Medieval Art and Thought. Ed. Colum P. Hourihane. Index of Christian Art series. Pennsylvania State University Press, 2010. Pp. 148-76.
Richard K Emmerson
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"Framing the Apocalypse: The Performance of John's Life in the Trinity Apocalypse," VISUALIZING MEDIEVAL PERFORMANCE: PERSPECTIVES, HISTORIES, CONTEXTS, ed. Elina Gertsman (Ashgate, 2008), 33-56.
Richard K Emmerson
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ADAPTATION AND ASSEMBLAGE: THE FOURTEENTH-CENTURY ANTICHRIST COMPILATION AS A COURTLY MANUAL FOR SALVATION
Karlyn Griffith
Viator, 2017
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Circulation, Popularity and Function of Ilustrated Apocalypses from Late Antiquity to High Medieval Europe
Peter K. Klein
Medieval Europe in Motio: La circulación de manuscritos iluminados en la Península Ibérica, 2018
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Angels and Demons: Visualising the Battle for the Soul between Angels and Demons in Late Medieval Art
Krisztina Ilko
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COLOUR, PAINT AND GOLD: THE MATERIALITY OF ENGLISH MANUSCRIPT ILLUMINATION IN THE TWELFTH CENTURY – Illustrations
Harry Stirrup
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BETWEEN HEAVEN AND HELL Imagining the Apocalypse in Northern Renaissance Art
Josephine Boult
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Figures des vingt quatre vieillards de l’Apocalypse dans l’art copte: Étude comparative
SHERIN SADEK EL GENDI
Environment & Religion in Ancient & Coptic Egypt: Sensing the Cosmos through the Eyes of the Divine, Athens 1-3 February 2017, = Archaeopress Egyptology Series 30, Oxford, 2020
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Review of Richard K. Emmerson Apocalypse Illuminated The Visual
Renana Bartal
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"Visualizing the Apocalypse in Late Medieval England: The York Minster Great East Window," in Cross, Crown & Community Religion, Government and Culture irt Early Modern England 1400-1800, ed. David J. B. Trim & Peter J. Balderstone (Bern: Peter Lang, 2004), pp. 39-75.
Richard K Emmerson
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The Stuttgart Panels of the Apocalypse: Iconography and Function (unpublished paper delivered at the conference 'Miniatures and music at the Court of Naples', Leuven, 1-2 November, 2010)
Victor M . Schmidt
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"Early Jewish Backgrounds of the War-Scenes in the Book of Revelation”, in T. Nicklas-J. Verheyden-A. Merkt (eds.), Ancient Christian Interpretations of “Violent Texts” in the Apocalypse (Novum Testamentum et Orbis Antiquus / Studien zur Umwelt des N.T. 92), Vandenhoeck & Ruprecht, Göttingen 2011, pp. 9-27
Luca Arcari
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Encounters with Monsters at the End of Time: Some Early Medieval Visualizations of Apocalyptic Eschatology
Suzanne Lewis
2010
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"Tradition and Innovation in the Life of John in Sculptural Cycle at Reims Cathedral." Tributes in Honor of Richard K. Emmerson: Crossing Medieval Disciplines. Eds. Deirdre Carter, Elina Gertsman, and Karlyn Griffith, Turnhout: Brepols, 2021.
Jennifer M Feltman
2021
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Bending Heaven Down to Earth: The Medieval Icon
Arianne Conty
Religion and the Arts, 2015
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The iconography of the devil: St Vigean's, Eassie and the Book of Kells
Cormac Bourke
Innes Review 58.1 (2007), 95-100, 2007
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Fighting for Salvation in Romanesque Art and Thought
Elizabeth A Pugliano
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Revising the Revelation: Early Modern Appropriations of Medieval Apocalypticism
Thomas Lawrence Long
Brill Companion to Medieval Apocalypticism
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"Byzantine, Syriac, Armenian and Latin – a note on an artistic dialogue in Eastern Mediterranean medieval illustrated manuscripts”,
Maja Kominko
Eastern Christian Art, 2011
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Apocalyptic Verses: Mnemonic Techniques in the Versifications of the Book of Revelation in the Late Middle Ages (s. XIV–XV), Ars & Humanitas. Revija za umetnost in humanistiko / Journal of Arts and Humanities (Spomin / Memory) 12 /2 (2018), 235-251.
Greti Dinkova-Bruun
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Satan's Secret Identity: The Sources of the details that went into artistic representations of the Devil
Melinda Benfield
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Iconography analysis of the representations of the Last Judgement in late m
弋茜 丁
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Illuminating Queste: A Comparison of 14th-century French Manuscript Miniatures of the Vulgate Legend
Katherine A . Rush (née Sedovic)
Vox Medii Aevi, 2020
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TALES FROM IMAGINARY ARCHIVES: painterly, biblical and otherwise
Eliza Dimitrova
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Illustration as Commentary in Late Medieval Images of Antichrist’s Birth
Renate Blumenfeld-Kosinski
Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte, 1989
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Up in Arms: Images of Knights and the Divine Chariot in Esoteric Ashkenazi Manuscripts of the Middle Ages
Sara Offenberg
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Antichrist as the Embodiment of the Insipiens in Thirteenth-Century French Psalters
Ahuva Belkin
Florilegium, 1991
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Review: Andrew Guffey, The Book of Revelation and the Visual Culture of Asia Minor: A Concurrence of Images
Robyn J . Whitaker
Journal of Theological Studies, 2022
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THE ADVERSARY AND ITS WEAPON. THE LATE MEDIEVAL DEPICTIONS OF THE ANTI-CHRISTIAN
Catalin Hriban
Cercetări Istorice, 2017
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The Bible Moralisee, the Golden Legend and the Salvator Mundi: observations on the Icongraphy of the Westminster Retable
Michael A . Michael
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