IX. Yüzyıl Abbâsî Dönemi Hanedan Üyesi Mûsikîşinasların Kitâbü'l-Egânî'deki Anlatımları (original) (raw)

The Expressions of the Musicians of the 9th Century Abbasid Period House in the Kitâb al-Agânî The art of music, which has an inherent reality since the first years of Islam, has shown its presence in all areas of life. In the preiod of the Caliphs of Rashid' reign, the boundaries of the Islamic State expanded, new cultures were met with and scientific activities increased in the social life. While the art of music was performed primitively with the first caliphs, it started to evolve towards professionalism with the aforementioned developments. The Music emerged as a branch of art during the Umayyad period, attracted attention by state officials and became a protected. However, with the extensive cultural activities of the Abbasid state, the art of music was included in the classification of sciences and the rules of this art were determined and the theory started to be formed. Music-lover was accepted as a occupation, and music performers were encouraged to develop their art without worrying about living. The art of music, which developed significantly during the Abbasid period, was also attracted by the caliphs of the state and their children. Even though some legal and political obstacles had an effect on the members of the dynasty, their skills in this art did not prevent them from operating in this art. In the context of Kitâb al-Agânî, which is considered one of the most important works from the 9th century to the present day, and using the historical musicology method, in this paper, which will include rumors about the musical life, performance and composition of the first period members of the Abbasid dynasty, twelve music-lovers / composers will be the subject of the house. Also, which is also based on the source scanning method, in this paper, the lyrics, rhythms of their composition and other information about the book will be given.