original ) (raw )Framing the Eiffel Tower: From postcards to Postmodernism by Sonya Stephens
Richard de Koster
View PDFchevron_right
Santos-Dumont's Blimp Passes the Eiffel Tower
Blair Stein
Technology and Culture, 2013
View PDFchevron_right
Le Corbusier and the Salon d´Automne of Paris. Architecture and representation
JOSE RAMON ALONSO PEREIRA
Cuadernos de Proyectos Arquitectónicos, 2018
View PDFchevron_right
Between Barthes's myth and Benjamin's commodity: images of the Eiffel Tower
Adam Wieclawski
2018
View PDFchevron_right
“To Climb Still Higher”: The Eiffel Tower, the Galerie des Machines, the Exposition Universelle of 1889 and their Impact on French Self-Identity in the Third Republic
Jennifer Gersch
View PDFchevron_right
Prague Meets Paris: The Reception and Representation of the Eiffelka
Martha Kuhlman
Modernism/Modernity, 2007
View PDFchevron_right
"The Exhibition in Paris in 1937: Art and the Struggle for French Identity"
Kate Kangaslahti
Nation, style, modernism, 2006
View PDFchevron_right
Aesthetic modernisation and international comparisons: learning about drawing instruction at the Paris Exposition Universelle of 1900
Joakim Landahl
History of Education Journal of the History of Education Society, 2018
View PDFchevron_right
"An Unhappy Rivalry: Art and Industry at the 1855 Exposition Universelle in Paris,” in Meet Me at the Fair: A World’s Fair Reader, edited by Celia Pearce and Laura Hollengreen (Pittsburgh: Carnegie-Mellon ETC University Press, 2014).
Katie Hornstein
View PDFchevron_right
Framing the Eiffel Tower: From Postcards to Postmodernism
Sonya Stephens
Framing French Culture, 2015
View PDFchevron_right
THE WORLD EXHIBITIONS AND THE DISPLAY OF SCIENCE, TECHNOLOGY AND CULTURE: MOVING BOUNDARIES
Maria Helena Souto , Christiane Demeulenaere-douyere , Ana Cardoso de Matos
View PDFchevron_right
National Internationalism: Reactions to Austrian and Hungarian Decorative Arts at the 1900 Paris Exposition Universelle
Rebecca Houze
"National Internationalism: Reactions to Austrian and Hungarian Decorative Arts at the 1900 Paris Exposition Universelle," Studies in the Decorative Arts, vo. 12, no. 2 (Fall-Winter 2004-2005), pp. 55-97.
View PDFchevron_right
Eiffel’s Apartment and the Architecture of Dreams
Gina Greene
View PDFchevron_right
"World Fairs and (Inter)national Exhibitions" in: In: Joep Leerssen ed., Encyclopedia of Romantic Nationalism in Europe, (2017)
Eric Storm
View PDFchevron_right
Towering Invisibilities: A Cultural-Theoretical Reading of the Eiffel Tower and the One World Trade Center
Kristin Veel
Qualitative Inquiry, 2018
View PDFchevron_right
French revolutionary festivals, Modern Architecture, and The Carnivalesque
Gustavo Leclerc
View PDFchevron_right
THE 19 TH CENTURY WORLD EXHIBITIONS AND THEIR PHOTOgRAPHIC MEMORIES. BETWEEN HISTORICISM, EXOTICISM AND INNOVATION IN ARCHITECTURE
Jan Ala
View PDFchevron_right
P. Galifi, C. Ghez, Decostructing Gustave Caillebotte’s Le Pont de l’Europe (1876), in Gustave Caillebotte : impressionist in modern Paris, catalogo della mostra, Ishibashi, Fondazione Museo dell'Arte Bridgestone, 10 Ottobre-29 dicembre 2013, Tokyo 2013, pp. 230-241.
Pietro Galifi della Bagliva , Claude Ghez
View PDFchevron_right
The 1925 Paris exposition des arts décoratifs et industriels modernes and le pavillon de l'esprit nouveau: Le Corbusier's Manifesto for modern man
Lynn Palermo
2014
View PDFchevron_right
EXHIBITION STAND OF ARCHITECTURE IN A GLOBAL DESIGN ENVIRONMENT: ICONIC BUILDINGS
sengul yalçınkaya
View PDFchevron_right
The Eiffel Tower as Poetical Chronotope of the Historical Avant-garde
Dalila Colucci
NeMLA Annual Meeting. Toronto, Ontario, May 1, 2015
View PDFchevron_right
Visualizing Portugal: Pedro Cid’s Pavilion at the 1958 Brussels World Fair through Photography
Antonio S. Río Vázquez , Silvia Blanco Agüeira
View PDFchevron_right
Palais Stoclet (eng)
Brunella Angeli
View PDFchevron_right
NATION ON DISPLAY: BRITISH EXPO PAVILIONS IN-BETWEEN ART AND ARCHITECTURE
zelal Öztoprak
Rethinking Art and Architecture: A Challenging Interdisciplinary Ground, 2016
View PDFchevron_right
The Eiffel Towers in Dunedin: Stereo Photography and Modernity at the New Zealand and South Seas Exhibition (1889-1890)
Erika Wolf
View PDFchevron_right
Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle
Anne Dymond
View PDFchevron_right
Medieval Towers, or a Pre-History of the Louvre
Sarah-Grace Heller
View PDFchevron_right
Industry, Craft, Modern Architecture, and Regional Identity at the Paris 1925 and 1937 International Expositions
Peter Clericuzio
Journal of Modern Craft, 2020
View PDFchevron_right
« Eiffel Tower Dreaming: Lena Nyadbi », Creative-I, Art and Nature issue, September 2013, p. 28-36.
Stéphane LAURENT
View PDFchevron_right
Art Nouveau, 1890-1914
Isabelle Gournay
Journal of the Society of Architectural Historians, 2001
View PDFchevron_right
Charitonidou, Marianna. 2021. "Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s" Arts 10, no. 1: 14. https://doi.org/10.3390/arts10010014
Marianna Charitonidou
View PDFchevron_right
‘Frederician Rococo at the Service of the German Empire: The 1900 Paris World’s Fair and the Decorative Arts’
Tobias Locker
View PDFchevron_right
Fragments of the Past: the Petit Palais, the Exposition universelle, and the ghosts of French Imperialism
Sara Pappas
Dix-Neuf, Journal of the Society of Dix-Neuviémistes, 2020
View PDFchevron_right
Designing a Unified City: The 1915 Panama-Pacific International Exposition and Its Aesthetic Ideals
Carlotta Falzone Robinson
View PDFchevron_right
Staging a Modern Nation: The Art and Architecture of the Peruvian Pavilion at The 1939/40 New York World’s Fair
Alida Jekabson
View PDFchevron_right