A Caroline Portrait in Philadelphia (original) (raw)
Related papers
The Office for King Charles the Martyr in the Book of Common Prayer, 1662–1685
The Journal of Ecclesiastical History, 2002
This article investigates the development of the use of texts and images in commemorating the regicide of Charles I , from private commemoration among Royalists during the Republic, to its official institution after the Restoration. The article will argue that the Office gave official sanction to an image of the virtuous suffering king which had been in existence even before his execution. The Office also presented a particular view of the king's moral character, the causes of the Civil War and the Restoration which was to become the accepted account expounded in commemorative sermons for the next 150 years. Drawing on Old Testament themes, the Office also aimed to point a political moral used by successive governments, namely that attacks on the established order incurred divine punishment.
The Representation of Martyrdoms During the Early Counter-Reformation in Antwerp
The Burlington Magazine, 1976
N O one who has passed through those rooms in the Antwerp Gallery which contain the works of the generation before Rubens can fail to have been impressed by a group of vivid and often gruesomely depicted martyrdoms. They are, notably (and for the time being I give the current Gallery attributions) : The Marbrdom of Saints Crispin and Crispinian, by Hieronymus Francken (Fig.2 ;centre panel of an altar-piece), The ChariQ and Marordam of Saints Cosmas and Damian (Fig.3; wings of an altar-piece) ,Diocletiancondemns St Sebastian to Death and St Sebastian beaten with Rods (Figs.8 and 9; reverse of the wings of an altar-piece), and Two Scenes from the Ilfartyrdom of St George (Fig. 10; wings of an altar-piece), all by Ambrosius Francken. As far as I know, the taste for martyrdoms in Antwerp at the closing of the sixteenth century has not yet been specifically discussed nor has the context in which they were produced received much attention. These are the matters I wish to deal with here, p...
Delineavit et Sculpsit, 2010
The "Study of a Head tilted back", which is the subject of the present article, appeared in 2005 in a London auction as attributed to Thomas Willeboirts Bosschaert (Bergen op Zoom, 1613/1614 – Antwerp, 1654). It had previously been assigned by H. Colsoul to Lucas Franchoys (Malines, 1616 -1681). Colsoul related the physiognomy and expression of the figure to The Triumph of Christ in the Doornik cathedral, a signed and dated work by Franchoys of 1657. There are certain similarities between that painting and the present sheet, but they are less significant than the exact correspondence between the drawing and a painting by Peter Thijs (Antwerp, 1624-1677). The present drawing can thus be considered a preparatory study for the principal figure in one of his earliest and most celebrated paintings: The Martyrdom of Saint Benedict with Saint Felix of Cantalice in the Musées Royaux des Beaux-Arts de Belgique, Brussels.
Reimagining the Family of King Charles I in Nineteenth-Century British Painting
The Historical Journal, 2021
The nineteenth century represents a formative period for the development of historical consciousness in Britain, with texts and, increasingly, images shaping perceptions of the past. This article examines how Stuart history was interpreted and experienced, through a series of historical genre paintings of King Charles I and his family. It explores how Anthony van Dyck's depiction of politicized domesticity in royal portraiture was revised and reworked in these later images. Reimagining Stuart family life, they extended processes of remembering, enlisting audiences in an active, participatory engagement with the past. Probing temporal, visual, and verbal alignments and connections, the article contributes further dimensions to the understanding of historical representation. It argues that these paintings stirred the viewer's intellectual, emotional, and associative responses to encourage a sense of proximity. Establishing an episodic narrative, they initiated processes of rec...