original ) (raw )Review for the journal _American Music_ of _Ot Ayvza do Adamsa: amerikanskaya muzïka XX veka_ [From Ives to Adams: American Music of the 20th Century]. By Ol’ga Manulkina.
Simon Morrison
View PDFchevron_right
Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius
Andrew Stout
View PDFchevron_right
On the Task of the Music Historian
Sanna Pederson
repercussions, 1993
View PDFchevron_right
Music of the Twentieth-Century Avant-Garde: A Bio-Critical Sourcebook, and: Steve Reich: A Bio-Bibliography (review
Peter Laki
Notes, 2003
View PDFchevron_right
"An Anatomy of Modernism": Marion Rous and "What Next in Music?"
Benjamin P Skoronski
A Thesis Submitted to the Faculty of the Fred Fox School of Music in Partial Fulfillment of the Requirements for the Degree of Master of Music in the Graduate College of the University of Arizona, 2021
View PDFchevron_right
Propaganda and Reception in Nineteenth-Century Music Criticism: Maurice Schlesinger, Henri Herz, and the 'Gazette musicale'
Shaena Weitz
19th-Century Music, 2019
View PDFchevron_right
Re-Writing Composers' Lives: Critical Historiography and Musical Biography
Christopher Wiley
2008
View PDFchevron_right
Review: Musical Style and Social Meaning: Selected Essays by Derek B. Scott
Vic Gammon
Folk Music Journal, 2012
View PDFchevron_right
Neoclassical Music in America: Voices of Clarity and Restraint by R. James Tobin
arnold whittall
Notes, 2016
View PDFchevron_right
Dissonance and harmony: A study of the recognition of artistst in modernistic music in Brussels; 1919-1939
kristin vandenbuys
Finds and Results from the Swedish Cyprus Expedition: A Gender Perspective at the Medelhavsmuseet, 2009
View PDFchevron_right
Changing Ways Of Self-expression: The Legacy Of Romanticism In Twentieth-century American Art Music
Erkin Özer
Institute of Social Sciences, 2019
View PDFchevron_right
Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music. By Michael P. Steinberg
Peter J Tregear
Music & Letters, 2009
View PDFchevron_right
Additional preview from new book (December 2020): "CHARLES IVES: THE MAKING OF THE COMPOSER"
Antony Cooke
2020
View PDFchevron_right
" New Growth from New Soil": Henry Cowell's Application and Advocacy of Modern Musical Values
Stephanie N. Stallings
2004
View PDFchevron_right
‘Practices of Aesthetic Self-Cultivation: British composer-critics of the “doomed generation”’ Journal of the Royal Musical Association 138.1 (2013): 85-128
Sarah Collins
Journal of the Royal Musical Association 138.1 (May 2013)
View PDFchevron_right
Boundaries of the New: American Classical Music at the Turn of the Millennium
Andrea Moore
Twentieth-Century Music
View PDFchevron_right
The End of Early Music: A Period Performer's History of Music for the Twenty-First Century , by Bruce Haynes . Oxford and New York: Oxford University Press, 2007. xix, 284 pp
David Dolata
Journal of the American Musicological Society, 2010
View PDFchevron_right
Listening to Reason: Culture, Subjectivity, and Nineteenth‐Century Music
Jolanta T Pekacz
The American Historical Review, 2005
View PDFchevron_right
MONOgRAPHS ON COMPOSERS AS A MUSICOLOgICAL gENRE1
Melita Milin
2021
View PDFchevron_right
Of Canons and Context: Toward a Historiography of Twentieth Century Music (repercussions 2:1)
Christopher Williams
View PDFchevron_right
"An Anatomy of Modernism": Marion Rous and "What Next in Music?" — Rocky Mountain Music Scholars Conference, 2021
Benjamin P Skoronski
Rocky Mountain Music Scholars Conference, 2021
View PDFchevron_right
«Introduction», in Teresa Cascudo (ed.), Nineteenth-Century Music Criticism. Turnhout: Brepols, 2017, pp. ix-xxiv.
Teresa Cascudo
View PDFchevron_right
The composer as evaluator: reflections on evaluation and the creative process
Annelies Fryberger
HAL (Le Centre pour la Communication Scientifique Directe), 2015
View PDFchevron_right
Review: Modernist Moments – Arnold Whittall: Exploring Twentieth-Century Music (Musical Times, 2003)
Nigel Simeone
The Musical Times, 2003
View PDFchevron_right
The maieutic art of Paul Rosenfeld : music criticism and American sulcture, 1916-1946
Dominic Aquila
2001
View PDFchevron_right
"A Relic of an Age Still Capable of a Romantic Outlook": Musical Biography and The Master Musicians Series, 1899–1906
Christopher Wiley
Comparative Criticism, 2003
View PDFchevron_right
"Something Slightly Indecent": British Composers, the European Avant-garde, and National Stereotypes in the 1950s
Philip Rupprecht
Musical Quarterly, 2008
View PDFchevron_right
The Oxford History of Western Music: A Review Essay
Douglass Seaton
Notes, 2006
View PDFchevron_right
The Avant-Garde Music at the End of the 20th Century. The Beginners' Guide. Volume 1 (extracts).
Wydawnictwo Podwórku , Marcin Borchardt
The Avant-Garde Music at the End of the 20th Century. The Beginners' Guide. Volume 1., 2014
View PDFchevron_right
In Twentieth Century Music
Marguerite Boland
View PDFchevron_right
Changes in the Aesthetic Understanding of Music as a Result of Stylistic Fragmentation in the 20th Century and the Possibility of True Criticism of Music
Ian Mikyska
View PDFchevron_right
Composers and Performers
Junyeol Kim
Philosophia, 2020
View PDFchevron_right
Is the past the future? Twentieth-century historicism and the philosophy of music
Micah Walter
View PDFchevron_right
The Maieutic Art of Paul Rosenfeld : Music criticism and American Culture, 1916-1946
Dominic Aquila
2001
View PDFchevron_right
Sarah Collins, 'Never Out of Date and Never Modern: aesthetic democracy, radical music criticism and The Sackbut', Music and Letters 95.3 (2014): 404-28.
Sarah Collins
View PDFchevron_right