Namda - the traditional felted craft of Rajasthan (original) (raw)
Related papers
A DOCUMENTATON AND EXPLORATION OF MUKKE-KA-KAAM: THE METAL EMBROIDERY OF RAJASTHAN
Research reach, 2013
Rajasthan, a colourful state has a rich heritage of vivid types of embroideries and different communities are practicing it in their own style. The women folks of remote villages are unexposed to the modern civilization and are experts in preparing articles of such great aesthetic value. Hence there is a need for traditional embroideries to be popularized. An effort has been made to develop it in to an industrial craft in order to save the everlasting art and reminiscent beauty of the past. The present study aims in documenting the motifs of Mukke-Ka-Kaam embroidery of Barmer region of Rajasthan and to explore the tools and techniques used in executing this embroidery. This heritage is presently under extinction henceforth, an attempt is made to preserve this cultural heritage of art and craft.
Handicraft Community and Current practices for Rajasthan
NEUROQUANTOLOGY , 2022
In many places, handicrafts constitute a significant source of income for households. Domestic consumers are becoming more interested in and demanding sustainable and swadeshi items and preferring handicrafts created in India over mass-produced goods. India's handicraft artists are renowned for their unmatched sense of colour, superior design and shape, and flawless craftsmanship. One of India's major export industries, handicrafts suffer a number of challenges, including disorganised marketing and insufficient market knowledge. The sector is widely dispersed across the nation in both urban and rural locations, and it is quite labor-intensive. Rajasthan is well known for its rich cultural diversity, traditions, and vintage handicrafts throughout the entire world. Rajasthani attire is distinctive, and the headdress and traditional male attire are excellent indicators that someone is from Rajasthan. Jaipur's highly trained workers have displayed their talent by creating a variety of exquisite goods. Block printing, bandhani, sculptures, and stone carving are some of Jaipur's most notable crafts. On clothing, zari, tarkashi, zardozi, and gotapatti work is done. Silver, kundan, and meenakari are used in jewellery and gems. Blue ceramics, ivory carvings, patwa craft, tiny paintings, leather goods, shellac work, and other objects of art and craft are produced. This significant industry is now dealing with a number of issues in the fields of production, marketing, and advertising. Labourers really aren't provided enough opportunity, and market segments using the newest technology have begun to dominate the sector. The handmade goods sector engages in concept marketing rather than only product sales. Rajasthan's major source of income comes from tourism. Traditional hand block printing is renowned in Rajasthan. The local labours are not given proper scope and big markets having latest technologies have started taking over the industry. The handicrafts of Jaipur which were once the symbol of Jaipur's glorious tradition have now become full artificial and mechanized. The present study focuses on the problems being faced by the small scale handicraft industry and gives some suggestions for improvement.
INFLUENCE OF SOCIO-CULTURAL FACTORS ON CRAFT SKILLS OF PATTU WEAVERS OF BARMER, RAJASTHAN
IASET, 2020
Pattu weaving is a traditional craft practiced by Meghwal community in desert region of western Rajasthan mainly in Barmer, Jaisalmer, Bikaner districts. It is an integral part of their social and cultural living that well balances utility with decoration. It was earlier made from locally available wool that helped in protecting from extreme cold in winters and at the same time symbolized the colourful clothing traditions of local communities using it. Pattu weavers, as a part of larger ecosystem , have adapted to the changing socio-cultural environment and their craft skills have also evolved according to the social setting and the end-market. The same gets reflected in the design and quality of pattu they weave. This paper assesses the social and cultural factors that have significantly influenced the skills of pattu weavers of Barmer, thus resulting in design evolution of pattu.
An Insight Into of Traditional Textile Legacy of Rajasthan
International journal of scientific research, 2016
Rajasthan is among the culturally richest states in the country creating the most brilliant art works in Traditional Textiles. Rajasthan has many richest traditional textiles to its credit in form of printed and resist textiles. This work was an endeavor to expand in-depth knowledge of some of these traditional textiles by analyzing the artifacts in terms of origin, articles, fabric, colour, motifs and style of printing and literature support. The artifacts kept in the “Textile Art Museum”, Department of Clothing and Textiles, Faculty of Family and Community Sciences, The Maharaja Sayajirao University of Baroda were used for the study. This meticulous depiction will be of help to historians, textile designers, fashion designers, students and researchers.
10th International Shibori Symposium, 2017
Traditional Natural Aal Dye or the Red Madder extract is derived from the root of the Madder plant and is used for patterning of textiles around the World. This paper reviews the traditional Aal dyeing technique of the Bastar region of Chattisgarh in India and the pit loom, supplementary extra weft weaving technique of the Pata Sari woven by the Pankas, a weaver community of this region. It further reports how the design and motif inspiration from the nature and daily life of the tribal's are adapted and woven as flowers, stars, birds, animals, butterflies, crab, turtle, temple, pot, axe, and tree motifs in the textile piece. It further reports that there is a symbiotic relationship shared by the tribes, the nature and the weavers. This also reflects in the design elements of the hand woven textiles that are simple, raw and naive, yet aesthetically beautiful. Tribal rites and rituals demand for the textile pieces ensures sustainable earning for the Pankas. This beautiful interdependence and choice of using locally available resource and know how to create for consumption is an elementary connect of the craft and artisan towards a sustainable existence.
Introduction of Indian Textiles
All through the ages, all the world over, we find vivid examples of man's strong urge to express his creative and aesthetic instincts in visual form. As his home was the centre of his activities, and his way of life and thoughts sprang from within this protective shelter, man from earliest times appears to have begun at first to paint and draw simple pictures on the inside and outside walls of his dwelling to satisfy his inner creative artistic impulse--the love of the beautiful. The early instinct for decoration therefore seems closely bound up with structure-the abode of the human creature whatever mode or shape it took. Archaeological finds of great historical, artistic, and sociological interest have revealed drawings and designs of animals and birds on the walls of early primitive homes.
Indian Chintz-Craft Identification as an Exquisite Hand-Painted Traditional Textile
ShodhKosh: Journal of Visual and Performing Arts
The present social and environmental contexts are very importantly governed by the interplay of crafts, fashion, and sustainability. Their efficient combination contributes to employment generation and the creation of new economic avenues for the country. This is the key focus issue that research studies should attempt to achieve. There is a need to understand “craft”, with a perspective that exerts strength, glory, social and cultural connections. In present times, “Kalamkari” is an extremely popular Indian traditional textile craft in which, patterns are drawn with bamboo sticks called “kalam” on cotton fabric. This is a derivative of patterning the fabric with resist and mordant painting and then natural dyeing to pattern them. In relation to this painting tradition, the word “Chintz,” is a popular terminology from the seventeenth and eighteenth centuries in the world of textiles. The term according to the researcher is referred to a textile, as well as a technique, involving the...