"Les Filles d’Avignon de Théodore Aubanel et la ‘somme de destructions’de Picasso" (original) (raw)

COLEEN_HAREWOOD_(Amended) Picassos_Les_Demoiselles_dAvignon.docx

Coleen Harewood

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Suzanne Preston Blier, Picasso's Demoiselles. The Untold Origins of a Modern Masterpiece (book review)

Maite Mendez-Baiges

African Studies Quarterly, 2021

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How Innovative Was Picasso’s Demoiselles d’Avignon?

Arnold Cusmariu

Academia Letters, 2021

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Review of Suzanne Preston Blier’s Picasso’s Demoiselles

Thomas F R E D E R I C K FOLLAND

H-France , 2021

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Picasso's Les Demoiselles d'Avignon (1907

Coleen Harewood

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Picasso’s Demoiselles: The Untold Origins of a Modern Masterpiece by Suzanne Preston Blier. Reviewed by Helena Cantone

Helena Cantone

Durham, NC: Duke University Press, 􏰀􏰁􏰂􏰃􏰄 , 2019

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Prostitution and Art: Picasso's Les Demoiselles d'Avignon and the Vicissitudes of Authenticity (unpublished full version)

Sławomir Masłoń

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“Picasso’s Lithograph(s) ‘The Bull (s)’ and the History of Art in Reverse,” Art without History, 75th Annual Meeting, College Art Association of America, February 12-14, 1987

Irving Lavin

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Violon. Céret by Pablo Picasso: The case of a lost painting. A methodological approach

Eleonora M . Stella

Journal of Cultural Heritage, 2019

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Review of "Picasso: Blue and Rose" at Musée d'Orsay, Paris. Artforum, vol. 57, no. 5, January 2019, pp. 180-181, 214

Daniel Marcus

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Review of T. J. Clark, Picasso and Truth: From Cubism to Guernica.

Sonia Arribas

The European Legacy, 2017

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"Picasso and Primitive Art. Paris, Kansas City and Montreal." The Burlington Magazine CLIX (November 2017): 944-45.

Joshua I Cohen

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Picasso and the Vital Order

Kevin Chua

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Prostitution and Art: Picasso's Les Demoiselles d'Avignon and the Vicissitudes of Authenticity (published abridged version)

Sławomir Masłoń

Er(r)go. Theory-Literature-Culture, 2020

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Approaches to Picasso's Vollard Suite and a Dionysian view of Art

Herlo van Rensburg

South African Journal of Art and Architectural History, 1991

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"Multiplicity in Picasso's Ceramics"

Salvador Haro González

Ceramics. Art and Perception, 2010

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"Picasso Sculpture: A Documentary Chronology, 1902-1973" in Picasso Sculpture

Luise Mahler

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PICASSO, CUBISM, AND ART HISTORIOGRAPHY NOTES (2024)

Alex Gagnon

2024

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“Picasso’s Bull(s): Art History in Reverse”

Irving Lavin

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Exploring the Creation of Picasso'sGuernica: Composition Studies, Chance, Metaphors, and Expertise

Charlotte Doyle

Creativity Research Journal, 2008

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Picasso and Spanish Modernity.pdf

Eugenio Carmona

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5 Object Entries. In Manet to Picasso: Masterpieces from the Philadelphia Museum of Art

Mark A Castro

Manet to Picasso: Masterpieces from the Philadelphia Museum of Art, 2010

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"Picasso's Ceramics: the Weight of Tradition" and "Technical Processes in Picasso's Ceramics"

Salvador Haro González

Picasso Ceramics (Exhibition catalogue). Louisiana Museum. Danmark, 2018

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Picasso Interpretation Prints I : Lithographs Catalogue raisonné

Miguel Orozco

2023

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Picasso's Sculptures

Anna Tahinci

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A Study of Picasso's Painting Materials and Techniques in Six of His Early Portraits

clarimma sessa

Journal of the American Institute for Conservation, 2016

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6 AFRICA AND PARIS: THE ART OF PICASSO AND HIS CIRCLE

Suzanne Blier, Suzanne Blier

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The influence of previous centuries on Picasso's works

Ewa Kaminska

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Articolo Picasso

Eleonora M . Stella

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INK AND IRON : REVISITING PICASSO'S METAL MONUMENTS TO APOLLINAIRE

Peter Read

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Picasso Lithographs. Catalogue Raisonné. Vol. 1 Original Lithographs

Miguel Orozco

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A fresh look: technical analysis and treatment of Picasso's Science and Charity at the Museu Picasso

reyes jimenez

SN Applied Sciences, 2021

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Gender complexity in Picasso’s “Les Demoiselles d'Avignon”: The precedent of the “Sleeping Hermaphroditus” sculpture

Karen L Schiff

Boletín de Arte, 2024

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2018. "Modernism in Three Dimensions: Picasso's Sculpture vis-à-vis Ancient Greek and Roman Art."

Clemente Marconi

Picasso: The Sculpture, eds. Anna Colliva and Diana Widmaier-Picasso, 52–65. Officina Libraria: Milan.

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Picasso and the pathology of cubism

Brandon Taylor

The Arts in Psychotherapy, 1981

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