Varda postcard (original) (raw)

The article explores the multifaceted role of postcards in the filmography of Agnès Varda, drawing on Jacques Derrida's concepts of communication and reproduction. It delves into the ways Varda incorporates postcards as both direct citations and narrative devices, focusing on how these elements create a dialogue between memory, photography, and time in her early film essays. By analyzing different films and their use of photographic imagery, the piece highlights Varda's unique approach to visual storytelling and her reflections on memory and perception.