Future Wood: Innovation in Building Design and Manufacturing (original) (raw)
Related papers
From design to production: Three complex structures materialised in wood
… Conference Generative Art, 2005
This paper explains some concepts used by the designtoproduction group at the Chair of CAAD to materialise complex form by example of three recent projects that were realised in collaboration with different partners: First, a platform for the exhibition Inventioneering Architecture in ...
Contemporary Architecture between Research and Practice Experimentations in Digital Wood
Design - ALGORITHMIC AND PARAMETRIC 1 - Volume 1 - eCAADe 37 / SIGraDi 23, 2019
This paper is a take on contemporary works in wood designed with parametric softwares and seen from an academic and professional point of view. The knowledge about digital wood developed through Digital Fabrication Laboratories has proved to be effective but with certain limitations when used for real constructions. In fact, translating the freedom of building temporary architectures-which is usually one of the``learn by doing'' activities of design studio or workshops-into wood architecture that respect all the constraints of real construction is a challenge. This paper shows several experiences where innovative ideas developed through research have been applied to temporary pavilions and real constructions in Japan, Italy and France.
Materializing design: the implications of rapid prototyping in digital design
Rapid prototyping (RP) today is absorbed into practice and is being recognized as a significant technology for design. This paper attempts to formulate key aspects of the design methodological framework that are coalescing with RP's capability to build artifacts as part of the creative design process. In doing so, it attempts to formulate questions and issues of RP as a design medium that supports the full spectrum of digital design as a paperless process. These issues have been the resultant of early experimental and hands-on involvement with RP technologies in research and educational environments. In this paper, a DDF method (Digital Design Fabrication) is introduced. The DDF method is a two-stage process of working that integrates generative computing and RP into one process. Together they support a process to generate diverse candidate artifacts as solutions to design problems. Through a presentation of issues, procedural observations, and research findings, a range of potential applications of the DDF model are defined and presented. It demonstrates a process of design situated between conceptual design and real-world construction. P hysical modeling is one way through which designers realize mental concepts (Cuff, 1992). As a design representational medium , the model making process can lead to new forms beyond the original concept. Physical model making is not new to the profession of architecture. For hundreds of years model making has served as an intermediary between complex design ideas and the construction workers. When designing the Vatican, Michelangelo used physical models as an intermediary to describe construction techniques and the form of internal spaces to both clients and stonemasons (Millon, 1994). Palladio in the 16 th century also used intermediate models of wood as full-scale mockups to explain buildings to masons (Burns, 1991). Today,
Three Experiments in Wood and Computational Design
Technology|Architecture + Design, 2017
This article focuses on the relationships among material-oriented design, digital technologies, and environmentally-responsible construction. It argues that computational design methods and digital manufacturing have the capacity to open new opportunities for design and lead to more sustainable practices. Through an analysis of three experiments in design and construction, the research seeks solutions that use the inherent material properties and behavior of wood to replace toxic chemicals, metal connectors, and energy-intensive processes. Offering an alternative to design processes that begin with theory and representation, this paper proposes a different approach, beginning with experiments in materiality. This approach involves methods based on rational reasoning rather than intuition.
Innovation in Timber Architectural Structures and Digital Fabrication: A Cartography
Fab10 Barcelona, 2014
Authored with Antonio J. Lara Bocanegra and Ismael Domínguez de la Blanca. After a relative decline during Modernism, the use of large-scale timber structures is becoming a growing trend at the beginning of the 21st Century. Different vectors converge to make this happen. The most relevant of these vectors being the increasing technification and diversification of wood products as construction materials, such as micro-laminated and cross-laminated panels, the contemporary demands around sustainability, and the development of digital tools to design, simulate and fabricate innovative and efficient architectural structures that take advantage of timber properties. The present paper analyses the complex panorama of recent works approaching them from the point of view of resistant structure and form generation.
ArchiDoct, 2018
It is a well documented fact that the effects information age are felt across the whole spectrum of the architectural field, from theory to construction. Among the trends that have emerged one can cite the increased interest in digital fabrication methods, or in other words the creation of design prototypes using numerically controlled tools. The implications of this phenomenon are numerous, ranging from practical considerations regarding the expedience of the new methodologies to theoretical ones, such as to how does prototyping affect the architectural model and by extension the design process in general. This paper, which is part of a Doctoral research on the impact of digital media on architectural education will attempt to explore some salient issues of prototyping in architectural design, focusing on the educational aspect. Certain implication of these issues as well as proposed frameworks for contextualizing them will also be briefly discussed.
2013
The emerging innovation of digital technology has significantly influenced the design practices in the field of architecture today. Innovative form finding techniques, through computationally driven processes that lead to innovation of the design practices; wherein, computer-based project plays a vital role in developing forms and spaces with functionality. The evolution of digital tools such as the non-parametric, parametric and building performance and simulation tools play a significant rule in design form finding technique. In achieving forms and space, it requires new tools and innovative procedures to determine the best result as the design development progress. Introducing the new computational process such as, generative design, Boolean operation, fractal geometry, space grammar, typology, fluidity and pliant. Will venture special forms that all the more ignite the infinite optimism and creativity in anticipating quality object a design built environment. The aimed of this study is to lay-down the foundational design frameworks in achieving parametrically design form-finding technique in away lead to a functional, unique, interesting form and sustainable design built environment. This research is a case study, a project base on how digital design tools and process embodied in the form finding design approach in achieving functional design. The utilization of this digital design tools and adaptation of the new innovative design process will be subjected to a correlative and semantic deferential analyses to determine how each tool function and relate to a specified, innovative design process. A descriptive qualitative method in analyzing data presented. The result will be analyzed to establish a framework for digital innovation. Case Study of achieving new spaces and forms in architecture. According to Poletto (2006), this shift has opened up a new interpretation of technology 120 This article can be downloaded from http://www.ijerst.com/currentissue.php Int. J. Engg. Res. & Sci. & Tech. 2013 Ramon N Vios Jr. and Runddy D Ramilo, 2013 that is able to overcome both the extremes of modernist exaltation with efficiency and a parallel postmodern rejection. It opens new territories of formal exploration in architecture and radically reconfigured the relationship between design and production creating a direct digital connection between what can be imagined and designed, and what can be built through 'file-to-factory' processes of Computer Numerically Controlled (CNC) fabrication (Kolarevic, 2003). This transformation provides the designers opportunity to express oneself, to be radical, and to distinguish from the past to a new generative, computational form of articulated design practices. The experience does not stop in the conceptualization but continues to the production or manufacturing processes using those acquired new forms into more prevailing tools in computational design process, computer generated, algorithmic design has gain momentum with the advent of the technological improvement. This development aids architects to achieve complex forms. Runddy Ramilo said that "complex forms and difficult spatial programming that is often a hindrance to architects in the early stage of design will become embodied in a computer system and will be very essential to design process in the future." Branko
Design Cognition Shift from Craftsman to Digital Maker
CAADRIA, 2015
The process of design and fabrication involves a complex cognitive activity, in which the human brain is part of a larger cognitive system that encompasses brain, body, tool, material and environment. In this system the cognition resides in the interaction of all these elements one with another in different stages of a design and making activity. This paper investigates the intermediary role of digital fabrication machines in changing the discourse of design cognition in relation to the action of making, inquiring into the diverging path from traditional craftwork. This research is shaped around the concept of transparent machine tools for an interactive participation in the process of design-making, shaping a human-machine interaction to unify the design and fabrication process.
New materiality: ideation, representation and digital fabrication
Digital fabrication has become the true counterpoint to computer aided design in architecture. Thanks to new C.A.D./C.A.M. technologies architectural design can now manufacture complex buildings that only a decade ago could have been almost impossible to develop. This convergence between C.A.D./C.A.M. technologies is producing a trend from construction to manufacturing. Arbitrariness of architectural form should not be confused with arbitrariness of architectural design, the latter being contradictory with the very essence of design. Conventional or digital architecture must achieve design consistency and must rely on architecture’s basic principle, that of necessity. New materiality is a term being coined in relation to digital fabrication and the way it should address materiality in architecture. Innovation in the use of conventional materials, the ways in which they may be manufactured or tiled, as well as the emergence of new materials may outline what new materiality is about. Keywords. digital fabrication; new materiality; ideation; representation; open form.