“Overexposures: Notes on Suicide and Photography” (original) (raw)

The paper explores the relationship between suicide and photography, particularly during the early 19th century when both concepts began to intersect. It argues that the understanding of suicide is inevitably shaped by societal perceptions and representations of the act. Using references from theorists like Walter Benjamin and Baudelaire, the study examines how modernity redefines the image of suicide, moving away from historical notions towards a more individualistic representation. This transformation influences how individuals anticipate the impact of their death on their self-image and societal narratives, reflecting broader cultural shifts in perceptions of mortality and identity.