The Passion of Charles Péguy: Literature, Modernity, and the Crisis of Historicism. Glenn H. Roe. Oxford: Oxford University Press, 2014. Pp. vi+245 (original) (raw)

Charles Peguy: Space, Time and 'le Monde Moderne' (with Bruno Latour)

'New Literary History', Vol.46, No.1 (2015), 2015

Although rarely appreciated, the literary and philosophical influence of the poet, essayist. and editor Charles Péguy (1873-1914) on the work of Bruno Latour has been considerable. In this essay, originally published in French in 2014 on the occasion of the centenary of Péguy’s death in the initial phases of the First World War, and translated for the first time here, Latour offers a reevaluation of his significance. Having analyzed Péguy as a reader of his own historical situation, Latour challenges the contemporary reader to Péguyist forms of textual engagement in the face of the spatio-temporal deflations of 'le monde moderne'. The essay includes a Forward drawing out some of the implications of Péguy’s thought for Latour’s own intellectual project.

Charles Péguy

Deleuze’s Philosophical Lineage II, 2019

Charles Péguy is referred to by Gilles Deleuze on twenty-one occasions, spread across ten books from Difference and Repetition (1968) to What is Philosophy? (1991). Although Deleuze’s usage of Péguy is somewhat narrow, he is employed at significant locations in the analysis of repetition and events, both of which are areas of capital importance to Deleuze’s broader philosophy. In this respect, while Deleuze is not a Péguyist and ignores many of Péguy’s main contributions to thought, Péguy nevertheless plays a vital role in the formation and explanation of Deleuze’s thinking.

The Routledge Companion to the French Revolution in World History

2015

Pascal Dupuy is maître de conférences at the University of Rouen. His research is focused on the history and historiography of the French Revolution and on European iconography at the end of the eighteenth century. Among his publications is Caricatures anglaises. Face à la Révolution et l'Empire, 1789-1815 (2008).

Les fantômes d'une mémoire meurtrie': Representing and Remembering la Bataille de Paris in Novels by Nacer Kettane, Mehdi Lallaoui and Tassadit Imache

Romance Studies, 2006

This article examines literary representations of la Bataille de Paris, a pacifist demonstration by JO,000 Algerians held on 17 October ig6i. This protest in favour of Algerian independence was brutally repressed by the riot police under the orders of Maurice Papon. Over forty years later, campaigners are still calling for official recognition of the massacre as a crime against humanity. The article analyses what historian Benjamin Stora has termed 'les fantSmes d'une memoire meurtrie' in the earliest representations of the protest by three prominent Beur writers, namely Nacer Kettane, Mehdi Lallaoui and Tassadit Imache. It explores the contrasting ways the works portray the massacre as a foundational event of both immigrant and French history. It argues that these narratives can be considered as 'decentred' as a result of their marginalization from mainstream French history, and that their focus on sonorous representations highlights their overriding concern with the transmission of oral testimony to the next generation. The article also examines the ways in which the works evoke the legacies of the Second World War. Finally, it will argue for the continued relevance of these narratives in the context of current debates regarding memories of France's colonial history.

Some Overseas Angles on the History of French Literature

Contemporary European History, 1999

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