Conversing tradition : Wagilak manikay 'song' and the Australian Art Orchestra's Crossing Roper Bar
Samuel Curkpatrick
2014
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Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay
Peter Toner
A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild, 2017
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When the echoes are gone : a Yolngu musical anthropology
Peter Toner
2001
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Shimmering Brilliance: A Yolngu Aesthetic of Creativity and Collaboration
Samuel Curkpatrick
2020
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Review of Landscapes of indigenous performance: Music, song and dance of the Torres Strait and Arnhem Land edited by Fiona Magowan and Karl Neuenfeldt.
Myfany Turpin
2007
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Recirculating songs: revitalising the singing practices of Indigenous Australia
Jim Wafer
2017
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Song-poetry of Central Australia: Sustaining Traditions
Myfany Turpin
Language Documentation & Description 10: 15-36, 2011
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Katelyn Barney (Hrsg.): Collaborative Ethnomusicology - New Approaches to Music Research between Indigenous and Non-Indigenous Australians
André Rottgeri
Journal of World Popular Music, 2016
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Habits of improvisation in Yolŋu song and contemporary Australian jazz
Caroline Schneider, Rob Burke, Samuel Curkpatrick
Performance Research A Journal of the Performing Arts Volume 28, 2023 - Issue 6: On Habit, 2024
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MUSIC FOR ALL SEASONS: TIMELESS VALUE OF APALA AND SAKARA INDIGENOUS MUSIC
Fadipe A Israel, PhD
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Text and music in traditional Arandic songs of Central Australia
Myfany Turpin
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Ethnographic sound collections and Australian Aboriginal Heritage: Kaytetye song traditions remembered
Jason M Gibson
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The line in the sand: Negotiating the flow of composition, collaboration and local community engagement in new Maori-Christian popular music in South West Sydney
Shannon Said
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Arriving, Digging, Performing, Returning: An Exercise in Rich Interpretation of a Djanba Song Text in the Sound Archive of the Wadeye Knowledge Centre, Northern Territory of Australia.
Joe Blythe
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Maintaining song traditions and languages together at Warruwi (western Arnhem Land
Ruth Singer, Reuben Brown, Jenny Manmurulu
Recirculating songs: revitalising the singing practices of Indigenous Australia, 2017
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An Aboriginal Women’s Song from Arrwek, Central Australia
Myfany Turpin, Calista Yeo
Musicology Australia, 2018
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Disturbances and Dislocations: Understanding Teaching and Learning Experiences in Australian Aboriginal Music
Elizabeth Mackinlay
The Australian Journal of Indigenous Education
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Wanji-wanji: The Past and Future of an Aboriginal Travelling Song
Myfany Turpin
Musicology Australia, 2022
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The language of central Australian Aboriginal songs
Myfany Turpin
In Claire Bowern, Bethwyn Evans and Luisa Miceli (eds). Morphology and Language History. In honour of Harold Koch. Amsterdam/Philadelphia: John Benajamins, pp167–183., 2008
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Sounds of Articulating Identity. Tradition and Transition in the Music of Palau, Micronesia
Birgit Abels
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Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle
Fiona Magowan
The Australian Journal of Anthropology, 2000
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Returning Recordings of Songs That Persist: The Anmatyerr Traditions of Anmanty and Akiw
Jason M Gibson
Archival Returns: Central Australia and Beyond, 2019
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Sounding Sámi Sentiments - Musical Practices in the Production of Ethnicity
Paal Fagerheim
Studia Musicologica Norvegica, 2014
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Waringin: Recording a Composition with Gamelan Salukat, a Crossroads of Music and Culture
Oscar Smith
Nota Bene: Canadian Undergraduate Journal of Musicology, 2020
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When the Waters Will Be One: Hereditary performance traditions and the Yolŋu re-invention of post-Barunga intercultural discourses
Aaron Corn
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The Performative Art of Iyabo Awero's Indigenous Music "Baluu"
Oluwatosin J Ibitoye
SARARI: BAYERO JOURNAL OF THEATRE AND PERFORMING ARTS, 2020
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Indigenous Cosmopolitanisms of Music in Sámi Theatre
Klisala Harrison
Etnomusikologian vuosikirja, 2021
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A dynamic culture: ritual and musical creation in the Baka context
Daou Véronique JOIRIS
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How musical is mosquito, and other lessons we can learn from Sámi acoustemologies for the study of music beyond humans
Nicola Renzi
Inaugural Symposium of the ICTMD Study-Group-in-the-Making Multispecies Sound and Movement Studies, 2024
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Answering Questions, Questioning Answers: Understanding Tradisi and Moderen in the Intellectual Process of Balinese New Music Creations
Wayan Sudirana
2020
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Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley
Sally Treloyn
2017
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Indigenous Creativity, Innovative Tradition: New Constructions of Ainu Performance Practice and Performative Space
Justin R. Hunter
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Dinaka/kiba: A descriptive analysis of a Northern Sotho song-dance performative compound
Geoff Mapaya
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Performing Newness and Nowness: Repertoire and improvisation in the Western Australian New Music Archive
Adam Trainer
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Karen indigenous music and dance learning in an Australian non-formal context: A case study in maintenance and transmission
peter htoo
2010
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