In the eighteenth century the landscape garden (original) (raw)
Related papers
The English Landscape Garden: A Walk through its Identity
2015
The most famous garden style in England is the English Landscape Garden model. This type of garden is the result of vast experimentation, both in theory and practice. While the evolution of this garden has already been studied, the contributions made for the construction of its concept are diverse, as other ideas and styles also emerge from it. Consequently, the following question can be raised: to what extent the ideas and styles that appeared throughout the seventeenth and eighteenth centuries during the evolution of the English Landscape Garden, which is truly English, can also be considered as part of the identity of the English Landscape Garden.
Landscapes, 2016
View related articles View Crossmark data labour-hungryelement were the architectronic earthworks, crisp, subtle and large-scale terraces, ramps, banks and an amphitheatre. Many aspects of the story are object lessons in the potential dynamism of designed landscapes, not least the coming and going of garden buildings and statues, their renaming and moving, in the 1740s perhaps to introduce an overall iconographic scheme akin to Stowe's. Studley was a work constantly evolving, and more by trial and error than by grand design. A salutary lesson for all students of designed landscapes.
The English Garden and National Identity: The Competing Styles of Garden Design, 1870-1914
2002
1. Janus-faced England 2. Re-presenting the countryside: William Robinson and the wild garden 3. Domesticating the nation: the cottage garden 4. Ordering the landscape: the Art Workers Guild and the formal garden 5. The battle of the styles and the recounting of English garden history 6. Gertrude Jekyll: transforming the local into the national 7. Jekyll and Lutyens: resolving the debate.
Visions of Nature in the Eighteenth-Century English Landscape Garden
2018
Relationships with what is called “nature” are often fundamental to the understanding of our experiences of the world, and therefore of our politics, our knowledges, and our everyday lives. The historical examination of these relationships and their meanings for certain people can therefore be a critically important archeo- logical means for exploring the origins of how we today think about these relationships. The English land- scape garden, intimately imbued with “natural” meanings and experiences, offers one site for such an exam- ination. It was the product of a set of philosophies and theories—aesthetic, epistemological, ontological, and political—that were foundational to the experience of the eighteenth-century gentleman, and therefore to the history of ideas in the Western world.
Garden Design in the Mid-Seventeenth Century
Architectural History, 2001
Garden writers of the mid-seventeenth century provided copious advice on the best situations for prospect, soil and shelter from wind, but not on design. So who devised the layout of the gardens?
2017
William Shenstone was a polymath. He wrote letters, essays, composed poetry, painted watercolours , played musical instruments and indulged in architectural design, but above all he created a landscape garden at The Leasowes Farm in the West Midlands that became a celebrated place to visit during the eighteenth and nineteenth centuries. Shenstone worked during the early days of the English landscape garden movement, and while others created grounds with political and/or historical themes he fashioned a garden in a 'naturesque' style: allowing the trees, shrubs and flowering plants to grow as they would in a natural environment. Although he altered watercourses, and constructed waterfalls, cascades and pools they were made to look as if they were natural features. In landscape-gardening (a term he coined) he created a version, called a ferme ornée that was untypical of the many forms of landscape-garden (another term he coined) that were being created. This thesis is the first detailed study of The Leasowes and as well as re-evaluating previous writings it adds new material to our knowledge of Shenstone's landscape garden and its influence in Britain and overseas. Though people have written about Shenstone's garden in the past, few have explored it from a multidisciplinary perspective which combines archival and literary sources with evidence from an exploration of archival and literary material with landscape studies and archaeology. The study is Contents Synopsis ……………………………………………………………………………. 3