The Rhetorics of Violence in Jalila Baccar and Fadhel Jaïbi’s Violence(s) (original) (raw)

Staging Violence in Sarah Kane’s Blasted & Ali Abdulnebi Al Ziadi’s Fourth Generation: A Comparative Study

INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES

Violence occurs as a daily human action all over the world; it may cause so many kinds of damage to individuals as well as to society: physical, psychological, or both. Many literary authors of different genres have tried their best to portray violence by showing its negative effects, especially playwrights because they have the chance to show people the dangers of violence through performance on stage to warn them against such negatively affected action. It has been a human action since the beginning of human life on this planet when the first crime happened on earth when Cane killed his brother Abel. In our modern world, people are witnessing daily violent actions as a result of destructive wars that turned the humans into brutal beings. This paper deals with violence as it occurred as a result of the atrocities of wars in two different societies during the same period of the 1990s: A European country (probably Bosnia or Britain), as reflected in Sarah Kane’s Blasted (1995), and I...

Narratives of Violence

Biblioteca di Rassegna iberistica

This book is an invitation to read a selection of narratives of violence with the purpose of fostering global imaginaries based on respect, recognition, and empathy, especially towards those who are most vulnerable. It offers critical readings of nine works of various genres, originally written in different languages, by Caterina Albert (Catalonia), Mrīrīda n’ait ‘Atiq (Morocco), Eva Koch (Denmark), Pius Alibek (Iraq-Catalonia), Janina Hescheles (Poland), Leila Abdelrazaq (Palestine), María Galindo and Sonia Sánchez (Argentina), Arundhati Roy (India), and Juan Pablo Villalobos (Mexico).

Introduction: Narrative Violence: Africa and the Middle East

Comparative Studies of South Asia, Africa and the Middle East, 2008

N a r r a t i v e v i o l e N c e : a f r i c a a N d t h e M i d d l e e a s t 1 C o m p a r a t i v e S t u d i e s o f S o u t h A s i a , A f r i c a a n d t h e M i d d l e E a s t V o l . 2 8 , N o . 1 , 2 0 0 8 d o i 1 0 .1 2 1 5 / 1 0 8 9 2 0 1 x -2 0 0 7 -0 5 1 © 2 0 0 8 b y D u k e U n i v e r s i t y P r e s s

'The very worst things': violence and vulnerability in Djamila Sahraoui's Yema (2012

This article explores the connections between vulnerability, gender and terrorist violence in relation to Algerian filmmaker Djamila Sahraoui's Yema (2012). The film is situated in relation to Sahraoui's oeuvre, and within wider debates around the changing nature of political violence and its representation in Maghrebi and Hollywood cinema. This comparison underlines Yema's innovatory formal and thematic focus on slow narrative time, sparse aesthetics and fragile, intimate images. The article then examines the concept of vulnerability in relation to terrorism, in particular linking Sahraoui's choice of formal techniques to the film's thematic staging of various modes of physical and psychical vulnerability. The allegorical and mythological motifs used in Yema are considered in relation to the gendering of the figures of victim and agent in the film. Through a feminist reconfiguration of the myth of Medea, the article suggests that in the film's dramatisation of a mother who inflicts suffering, larger questions are raised about personal and political responses to the feelings of exposure that terrorist violence engenders.

Issa-Afar re-membering, re-presentation and dramaturgy of violence

International journal of sociology and anthropology, 2015

This paper presents the phenomenology of Issa-Afar protracted violence in Ethiopia from hitherto unexplored vintage points of remembering (subjective memory), representation (narrative construction and reconstruction of remembering), and dramaturgy (the discursive and performative utility) of violence. Issa-Afar violent conflict is one of the most protracted violent conflicts in the Horn of Africa that unabatedly perpetuated at least since the turn of 20th century to date. Situated at the crossroads of the most insecure, fragile and geo-strategically significant region of the Horn characterized by Regional Security Complex, and the environmentally and historically marginalized pastoral territories of Ethiopia, Issa-Afar protracted violent conflict is checkered with local, national, regional and global interplay of forces; the complex overlap of identity, politics, geography and history have set the context and dynamics of perpetual violence. The study strongly contends that the unattended continuity of memories of violence, the remembering, representation and dramaturgy involved have contributed to the self-perpetuation of violence; and strongly recommends to re-tune state and none state efforts to address the invisible and visible, consequential and inconsequential utilities of Issa-Afar conflict in a synchronic orientation. The paper has purely qualitative research design and exploratory analytical approach which is based on the collection and analyses of huge qualitative data from triangulated data collection tools covering eight decades. Primary data sources were gathered from Afar, Issa, Oromo and federal organ informants; secondary archives of the three successive governments accessed are from Afar, Somali, Harari and Dire Dawa administrative organs, as well as Central (Federal) government archives at Addis Ababa. Theories of protracted violent conflict (from peace studies), dramaturgy of violence (from sociology) and memory and representation of violence (from Hierological history and anthropology) are triangulated under the umbrella of Constructive Conflict Transformation; theories are embedded in the main body as triangulated frame of analyses. The paper is organized into four parts; part one provides prefatory note; part two describes the prognosis of the conflict; part three analyses memories, narrations and representation of violence based on critical reflections on popular beliefs, official evidences and historical documents and informant narrations; part four presents the complex impact of remembering and representation in molding the dramaturgical shift of recent Issa-Afar violence; the last part makes brief remarks as conclusion and recommendation.

Shooting, Not Crying: Reckoning with Violence in Prisoners of War, Homeland and Fauda

2023

Israeli television series have received remarkable international acclaim in recent years. In this article I examine the political implications of this success in terms of the West’s suspicious and hostile imagining of Islam, and the way in which the Jew – and the Israeli as the embodiment of a new Jew – performs the role of a liminal figure of mediation. I seek to unravel these tensions while arguing that during the last decade – a period defined by Prime Minister Benjamin Netanyahu’s rule – Israeli cultural representation experienced a significant paradigmatic shift exemplified in its unflinching confrontation with the violent reality of Jewish sovereign existence in the Middle East. In relinquishing the conventions of psychological-drama in its representations of the crises of conscience and moral dilemmas plaguing the warrior, Israeli culture rejected one of the symbols of its self-perception, that of “shooting and crying,” in favor of a blunter confrontation with its own violence. In this article I suggest an approach to reading classic literary texts (by S. Yizhar and Yehuda Amichai) and current televisual representations of political conflict and warfare that focuses particularly on the way these texts justify violence: either by portraying the warrior as a victim, or as an outcast possessing special sensitivities, or lastly, as the one who finally acts out the traumatic violence between Arabs and Jews by shooting, and this time, by shooting and killing.

The Meanings of Violence: From Critical Theory to Biopolitics (New York: Routledge, 2019)

Violence has long been noted to be a fundamental aspect of the human condition. Traditionally, however, philosophical discussions have tended to approach it through the lens of warfare and/or limit it to physical forms. This changed in the twentieth century as the nature and meaning of ‘violence’ itself became a conceptual problem. Guided by the contention that Walter Benjamin’s famous 1921 ‘Critique of Violence’ essay inaugurated this turn to an explicit questioning of violence, this collection brings together an international array of scholars to engage with how subsequent thinkers—Agamben, Arendt, Benjamin, Butler, Castoriadis, Derrida, Fanon, Gramsci, Merleau-Ponty, Sartre, and Schmitt—grappled with the meaning and place of violence. The aim is not to reduce these multiple responses to a singular one, but to highlight the heterogeneous ways in which the concept has been inquired into and the manifold meanings of it that have resulted. To this end, each chapter focuses on a different approach or thinker within twentieth and twenty-first century European philosophy, with many of them tackling the issue through the mediation of other topics and disciplines, including biopolitics, epistemology, ethics, culture, law, politics, and psychoanalysis. As such, the volume will be an invaluable resource for those interested in Critical Theory, Cultural Studies, History of Ideas, Philosophy, Politics, Political Theory, Psychology, and Sociology. Table of Contents The Meanings of Violence: Introduction Gavin Rae and Emma Ingala Part I: Political Myth and Social Transformation 1. Walter Benjamin and the General Strike: Non-Violence and the Archeon James Martel (San Francisco State University, USA) 2. Violence, Divine or Otherwise: Myth and Violence in the Benjamin-Schmitt Constellation Hjalmar Falk (University of Gothenburg, Sweden) 3. Violence and Civilization: Gramsci, Machiavelli, and Sorel Robert P. Jackson (Manchester Metropolitan University, England) 4. The Violence of Oblivion: Hannah Arendt and the Tragic Loss of Revolutionary Politics Liesbeth Schoonheim (KU Leuven, Belgium,) Part II: Sociality and Meaning 5. The World and the Embodied Subject: Humanism, Terror, and Violence Stephen A. Noble (Universite de Paris X (Paris—Nanterre), France) 6. Dialectics got the Upper Hand: Fanon, Violence, and the Quest[ion] of Liberation Nigel C. Gibson (Emerson College, USA) 7. Sartre’s Later Work: Towards a Notion of Institutional Violence Marieke Mueller (King’s College London, England) 8. The Original Polemos: Phenomenology and Violence in Jacques Derrida Valeria Campos-Salvaterra (Universidad Catolica de Valparaiso, Chile) Part III: From Subjectivity to Biopolitics 9. Taming the Little Screaming Monster: Castoriadis, Violence, and the Creation of the Individual Gavin Rae (Universidad Carlos III de Madrid, Spain) 10. Judith Butler: From a Formative Violence to an Ethics of Non-Violence Emma Ingala (Universidad Complutense de Madrid, Spain) 11. Biopolitics and Resistance: The Meaning of Violence in the Work of Giorgio Agamben German Primera (University of Brighton, England).

Performing Gender and Violence in Contemporary Transnational Contexts

Italian Americana

I diritti di riproduzione, memorizzazione e archiviazione elettronica, pubblicazione con qualsiasi mezzo analogico o digitale (comprese le copie fotostatiche, i supporti digitali e l'inserimento in banche dati) e i diritti di traduzione e di adattamento totale o parziale sono riservati per tutti i paesi. Le fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume/fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall'art. 68, commi 4 e 5, della legge 22 aprile 1941 n. 633. Le riproduzioni effettuate per finalità di carattere professionale, economico o commerciale o comunque per uso diverso da quello personale possono essere effettuate a seguito di specifica autorizzazione rilasciata da: