Uchronie: Revisiting Analogue Computing to Expand the Language of A/V Synthesis (original) (raw)
Abstract
Compared to acoustic instruments, the evolution of the synthesizer has been rapid but fragmented. With reference to the theory of Chion, Uchronie explores the audiovisual possibilities of borrowing from general-purpose analogue computers. These were briefly explored in the 1960s, but have since been neglected in favour of more conventional musical processes and associated language.
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