original ) (raw )“Made in Yugoslavia”: Struggles with Self-Management in the New Art Practice’
Marko Ilic
ARTMargins, Vol. 8, No. 1., 2019
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The New Art Practice in Yugoslavia and its Aftermath
Zoran Eric
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Awakenings: The New Art Practice in late 1960s Socialist Yugoslavia
Lejla Zjakić
2022
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New Collectives: Art Networks and Cultural Policies in Post-Yugoslav Spaces
Sezgin Boynik
Retracing Images: Visual Culture after Yugoslavia, eds. Daniel Suber & Slobodan Karamanic, Brill, Boston & Leiden, pp. 81-105, 2012
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A Decade of Freedom, Hope and Lost Illusions. Yugoslav Society in the 1960s as a Framework for New Tendenciesca
Ljiljana Kolešnik
2010
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The Artist Is Working: Iveković, Stilinović and Trbuljak on the Work of Being an Artist in Socialist Yugoslavia
Deirdre M Smith
2020
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‘Art and Revolution’ – The Student Cultural Center in Belgrade as a Place between Affirmation and Critique, in: Mythmaking Eastern Europe:Art in Response, ed. by Mateusz Kapustka, in: kunsttexte.de/ostblick, Nr. 3, 2014 (13 pages), www.kunst-texte.de/ostblick.
Seraina Renz
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A brief narrative of selected art events in Serbia, 1948-2001
Branislav Dimitrijevic
East Art Map, edited by Irwin; Afterall, Saint Martins College of Art and Design, University of the Arts London, 2006, pp. 287-297, 2006
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Branislava Anđelković / Branislav Dimitrijević THE FINAL DECADE: ART, SOCIETY, TRAUMA AND NORMALITY •From: On Normality – Art in Serbia, 1989-2001, (w B. Andjelković and D. Sretenović), Museum of Contemporary Art, Beograd, 2005.
Branislav Dimitrijevic
Branislava Anđelković / Branislav Dimitrijević THE FINAL DECADE: ART, SOCIETY, TRAUMA AND NORMALITY • O Normalnosti – Umetnost u Srbiji, 1989-2001, (w B. Andjelković and D. Sretenović), Museum of Contemporary Art, Beograd, 2005. , 2005
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NATIONAL ART AT THE DEPARTMENT OF ART HISTORY OF THE UNIVERSITY OF ZAGREB FROM ITS FOUNDATION TO THE 1970S IN THE CONTEXT OF STATE AND POLITICAL CHANGES
Jasmina Nestic
Art and the State in Modern Central Europe (18th – 21st Century), 2024
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REGAINING THE PAST. YUGOSLAV LEGACY IN THE PERIOD OF TRANSITION The Case of Formal and Alternative Institutions of Art and Culture in Serbia at the End of the 20th and the Beginning of the 21st Century
Tijana Vuković
2021
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As a Wall Came Down… New Boundaries, New Narratives (Yugoslavism and the Yugoslav Artistic Space, Discontinuity and Fragmentation in the Core Narrative of Cultural
Tijana Vuković
COLLOQUIA HUMANISTICA, 2018
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Institutional Critique and Slovenian New Media Art
Eszter M Polonyi
Re:SOURCE, Conference Proceedings of the 10th Annual Conference on the Histories of Media Art, Science, and Technology, 2023
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Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the Ethno-National
Arielle Myers
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The Magic of Artworlds (Three Scenes from Belgrade)
Ana Vujanović
Performance Research , 2015
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Repackaging heroes: Emerging identities of (post-)Yugoslav music
Zdravko Blazekovic , Tatjana Markovic
Best of isaScience. 2013-2016: An Interdisciplinary Collection of Essays on Music and Arts, 2017
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Internationalisation of the Art System in Slovenia (1945–1963)
Asta Vrečko
Art and Politics in Europe in the Modern Period, 2016
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Narratives in the Visual Field: Legacy of 1968 in Belgrade and the Art of Performance
Aleksandra V Jovanović
Belgrade English Language and Literature Studies, 2019
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‘The Miracle of Miracles’: Sarajevo and the Last Episode of the Yugoslav Contemporary Art Scene
Marko Ilic
Kuma International, Sarajevo, ‘Contemporary Art in Bosnia and Herzegovina’ Summer School, 2018
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Shifting Geographies: Mutability of Croatia's Artistic Geography in the 1990's
Sanja Sekelj
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COMMUNITY TESTIMONIES ON ALTERNATIVE CULTURAL AND ART PRACTICES FROM LATE SOCIALIST YUGOSLAVIA PERIOD
Aleksandar Pantic
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Constructions of Balkan as the Other in Contemporary Art Practices
Maja Ćirić
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Aesthetic Marxism: Yugoslavia and after
Lev Kreft
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Editors’ Afterword, in: Artistic Heritage of the Serbian People in Kosovo and Metohija. History, Identity, Vulnerability, Protection, Eds. D. Vojvodić, M. Marković, Belgrade 2017, 507-512.
Dragan Vojvodic , Miodrag Marković
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Scars: Reflections on Art and Society in Central-East Europe in the 1990s [Book of Abstracts]. Zagreb: Institute for Contemporary Art, 2021.
Sanja Sekelj
2021
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NSK: From Kapital to Capital - Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia
Zdenka Badovinac
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Ivana Bago
2014
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As a Wall Came Down…. New Boundaries, New Narratives (Yugoslavism and Yugoslav Artistic Space, Discontinuity and Fragmentation in the Core Narrative of the Cultural Institutions in Transition-Period Serbia)
Tijana Vuković
Colloquia Humanistica
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Uneasy Transformation. The Critical Potential of Art in Sarajevo
Réka Deim
Artportal, 2019
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'BETWEEN EAST AND WEST': SOCIALIST MODERNISM AS THE OFFICIAL PARADIGM OF SERBIAN ART MUSIC IN THE SOCIALIST FEDERAL REPUBLIC OF YUGOSLAVIA
Jelena Janković-Beguš
Musicologist, International Journal of Music Studies , 2017
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Discourse of Eastern European Art in Slovenia
Petja Grafenauer
Manifesta Journal
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Italian Art in Yugoslavia from 1961 to 1967: An Overlooked Chronicle.
Giovanni Rubino
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The Annual Umjetnost i mi: Jadranka Damjanov’s Contribution to the Beginnings of Visual Arts Education in Croatia
Josipa Alviž
Život umjetnosti
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Review Of "Retracing Images: Visual Culture After Yugoslavia" Edited By D. Šuber and S. Karamanić
Sibelan Forrester
2013
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Between New Sensibility and Transgression: Slovenian Alternative Artistic Practices -OHO and NSK
Misko Suvakovic
Primerjalna književnost , 2019
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