A Lead Mask from the Liberian Dan: The Poro Expansion Ritual
neil carey
2017
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Zing–Foumban–Paris: Tracing a Mumuye Mask from Nigeria to France
Alexandre Girard-Muscagorry
Journal for Art Market Studies, 2020
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An historical account of a rite depicted in a painting from the cave at Melikane, Lesotho
Pieter Jolly
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Masks on the Move Defying Genres, Styles, and Traditions in the Cameroonian Grassfields
silvia forni
African Arts 49, 2016
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The Role of Masks in the Eastern Pende Mukanda
Zoë Strother
2020
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Blood, sweat and plaster casts: Reviewing the history, composition, and scientific value of the Raymond A. Dart Collection of African Life and Death Masks
Tobias Houlton
HOMO, 2017
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For spirits and kings: African art from the Paul and Ruth Tishman Collection
susan vogel
1981
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Configurations of the African Mask: Forms, Functions and the Transcendental
Esekong Andrew
Cross Cultural Communication, 2014
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The Language and Philosophy of African Mask: Masking Masking Bagr Neophytes (Vanvankpeli) as Revelation of the Dead Ancestors
Alexis Tengan
Conference: Arts Council of the African Studies Association: 17th Triennial Symposium on African ArtAt: University of Ghana, Legon Campus, Institute of African Studies, 2017
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THE 'MIRANDA' AND THE 'CULTURAL ARCHIVE': From Mun (Mursi) lip-plates, to body painting and back again
Kate Fayers-Kerr
Paideuma, 2012
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Through the skin: exploring pastoralist marks and their meanings to understand parts of East African rock art
Thembi Russell
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Sharing symbols: a correspondence in the ritual dress ...
Pieter Jolly
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Smith, Ben W. and Sven Ouzman. 2004. Taking stock: identifying Khoekhoen herder rock art in southern Africa. Current Anthropology 45(3):499-526.
Sven Ouzman
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Beauty and the Beast: A Study in Contrasts. [Igbo, Ibibio, Cross River masks from Nigeria]. 1976. 4 Nov.-31 Dec.Exhibition Catalogue. New York: Tribal Arts Gallery.
Suzanne Blier
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Behind the inscrutable wonder: the dramaturgy of the mask performance in traditional African society
Chinyere Okafor
Research in African Literatures, 1991
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Review of: Whitelaw, Gavin & Hollmann, Jeremy (editors). 2009. Papers in Honour of Tim Maggs and Tom Huffman. Southern African Humanities 21.
Leon Jacobson
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Maska afrykańska w świecie sztuki europejskiej. Od transcendencji do wymiaru ekonomicznego | The African mask in the world of European art. From transcendence to the economic dimension
Katarzyna Podyma
Maska afrykańska - między sacrum a profanum | African Mask - between the sacred and the profane, 2012
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Baule: African Art Western Eyes
susan vogel
African Arts, 1997
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Leading role of male hunters in Central Saharan prehistoric rituals.
Jitka Soukopova
2016
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Nok. African Sculpture in Archaeological Context. By Peter Breunig (ed.). Africa Magna Verlag, Frankfurt a. M. 2014, 303 pp. ISBN 9783937248462. € 49.80 (Softcover)
Philip Allsworth-Jones
Journal of African Archaeology, 2014
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2011. "Religion and Ritual in World Prehistory: Sub-Saharan Africa". (In), Insoll, T. (ed.). Oxford Handbook of the Archaeology of Ritual and Religion. Oxford: Oxford University Press, pp. 425-441
Timothy Insoll
(In), Insoll, T. (ed.). Oxford Handbook of the Archaeology of Ritual and Religion. Oxford: Oxford University Press, pp. 425-441, 2011
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Smith, B.W. & Ouzman, S. 2004. Taking Stock: identifying Khoekhoen herder rock art in southern Africa. Current Anthropology 45 (4): 499-526.
Benjamin Smith
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Exploring Origins: The Technical Analysis of Two Yoruba Masquerade Costumes at the National Museum of African Art
Odile Madden
2016
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Abelam Masks: New Perspectives. Tribal Art 96:42-49
Richard Scaglion
Tribal Art, 2020
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Trajectories of a Mask Performance: The Case of the Senegalese Kumpo (Itinéraires des spectacles de masques. À propos des masques Kumpo sénégalais)
Ferdinand de Jong
1999
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Deconstructing African Tribal Art and Society Demystifying Its Domination and Disentanglement with European Art
Anasuya Adhikari
International Journal of Research Publication and Reviews, 2022
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“Nearly Naked?” Indigenous expressions of identity in a colonial world – Tradition and change in the San dress of Southern Africa.
Vibeke Maria Viestad
Conference Proceedings of the 13th Congress of the PanAfrican Archaeological Association for Prehistory and Related Studies PAA and the 20th Meeting of the Society of Africanist Archaeologists Safa. Université Cheikh Anta Diop, Senegal. , 2015
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Smith, B.W. & Van Schalkwyk, J.A. 2002. The White Camel of the Makgabeng. Journal of African History 43 (2): 235-254.
Benjamin Smith
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Kahan Leonard, Donna Page and Imperato Pascal, eds. Surfaces: Color, Substances, and Ritual Applications on African Sculpture. Bloomington: Indiana University Press, 2009. 536 pp. 122 Color Photographs. Bibliography. Index. $75.00. Cloth
Mary Jo Arnoldi
African Studies Review, 2010
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Taking Stock: Identifying Khoekhoen Herder Rock Art in Southern Africa
Ben Smith
Current Anthropology, 2004
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Burgkmair's Peoples of Africa and India (1508) & the Origins of Ethnography in Print
Stephanie Leitch
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The Cutting Edge: West Central African 19th Century Throwing Knives in the National Museum of Ethnology, Leiden by A.M. Schmidt and P. Westerdijk . Leiden: National Museum of Ethnology and C. Zwartenkot Art Books, 2006. 112 pp., 12 b/w and 83 color illustrations, drawings, map, bibliography. €30
Bill Dewey
African Arts, 2008
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The transformation of men into Masquerades and Indian Madras into Masquerade cloth in Buguma, Nigeria
Joanne B. Eicher
IN Contact, crossover, and continuity, proceedings of …, 1994
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Alexis Bekyane Tengan (2022), About Sacred and Religious Art in Africa: An Ethnographic Study on a Private Collection. Accra: Woeli Publishing. Pp. xxii + 183. isbn: 978-9988-9202-2-7 hardback. (exclusive of the preface and introductory parts).
Dominicus Makukula
Book Review, 2023
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Women and prehistoric rituals in the Round head rock art of the Sahara
Jitka Soukopova
2019
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