We are the things that were and shall be again: Repetition compulsion and the attraction of horror films (original) (raw)

Abstract

This integrative review examines the similar themes in literature on psychological trauma and the horror film genre. The current study utilizes a guiding theory based on the psychoanalytic notion of repetition compulsion, to attempt further explanation of the attraction of the horror genre. In an attempt to find evidence supporting this theory, studies on both psychological trauma and horror films were reviewed and integrated. Correlations such as the similar narratives between horror films and psychological trauma, traumatic histories of well-known horror authors and directors, and research on horror fan preferences are all highlighted. Finally, suggestions for further research are provided.

Key takeaways

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  1. The study integrates psychoanalytic theory with horror film analysis, focusing on repetition compulsion.
  2. Freud's repetition compulsion suggests individuals seek traumatic experiences to master past traumas, reflected in horror film preferences.
  3. Research highlights correlations between psychological trauma, horror narratives, and the traumatic histories of horror creators.
  4. Horror fans exhibit varied motivations, with some using films for vicarious mastery over fear and trauma.
  5. Future research should explore trauma's role in horror fandom, potentially linking PTSD symptoms to viewing preferences.

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FAQs

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What explains the attraction to horror films according to psychoanalytic theory?add

The paper reveals that Freudian concepts, particularly repetition compulsion, underpin the allure of horror, suggesting viewers may seek to master previously traumatic experiences through horror narratives.

How does psychological trauma relate to horror film narratives?add

The study finds parallels between traumatic events and typical horror narratives, both characterized by unexpected disruptions and overwhelming fear, enabling viewers to confront past traumas vicariously.

What are the key differences in motivations for watching horror among viewers?add

Research categorizes horror audiences into types: Gore watchers seek thrill from violence, Thrill watchers enjoy suspense, while Problem watchers use horror to cope with negative emotions.

When did psychoanalytic interpretations of horror decline in relevance?add

Psychoanalytic theories fell out of favor in the 1980s as behaviorally oriented psychological approaches gained dominance, sidelining rigorous empirical research on horror.

What is the significance of the ‘final girl’ trope in horror films?add

The ‘final girl’ represents a transformative character, embodying empowerment by overcoming fear and asserting control, which resonates with themes of mastery over trauma.