Gender and Cross-dressing in the Seventeenth Century: Margaret Cavendish Reads Shakespeare (original) (raw)

Gender and Performativity: Shakespeare’s Cross-dressing Women.docx

The idea of cross-dressing is quite popular in contemporary culture, with both male and female characters adopting the guise of the opposite gender. The idea of donning a disguise to change one's assigned gender role and the ensuing character hijinks that occur are used quite frequently to develop characters and plots. We see the technique littered through literature in varying degrees of effectiveness with Shakespeare using the idea of cross-dressing to great effect in his comedies. Whether male or female, Shakespearean characters have always undergone a lot of scrutiny and analysis, and the idea of cross-dressing by characters blurs the lines between what can be considered inherently a male or female characteristic. Characters such as Portia in The Merchant of Venice, Viola in Twelfth Night or Rosalind in As You Like It donned the garbs of their male counterparts. This decision to switch genders by these characters and the consequent follow-through are what determines and moves the plot forward for all three plays. This paper explores that decision to subvert the gender boundary and seek agency. It does not look at patriarchy but rather tries to explore the idea of assigned gender roles and performativity in Shakespeare's arguably strongest female characters.

The Elizabethan Era and Shakespeare’s Women Characters in the Public Arena

The Criterion, 2019

This study manages the situation of women in the public arena in Elizabethan Era and how these are delineated in the composition of William Shakespeare. The English writer is viewed as one of the best dramatist ever who manages the positions in which women play in his dramatization and how they impact their individual stories.Shakespeare and also the members of the Elizabethan era would be dismayed at the freedoms women expertise nowadays. What we tend to see throughout Shakespeare's plays is associate insight into the feminine character as perceived by Elizabethan culture. Shakespeare's feminine characters mirror the Elizabethan era's image of women; they were to be virtuous and tractable and people that weren't were delineated as undesirable and even evil. Shakespeare's ability for creating all types of characters is one noteworthy angle that represents this elevated affirmation. The outstanding playwright made many different female characters who are so human and genuine that the audience can see parts of their own identitiesregardless.

From Casting to Casting Away Gender: Cross-Gendering in Modern Shakespeare Performance

2016

The Elizabethan practice of cross-dressing added much to the reading of the plays. From the display of the male sexual desires to protection of women in the public sphere, all issues were closely looked at. However, the 20th century investigated the cross-dressing motif in many theatrical and film performances with a slight change. Several directors cast women in the role of famous Shakespeare male protagonists. This paper shall explore this move and see how it adds or changes meaning in the reading of the plays, in theatre performances and films. The year 1660 marked an important juncture in the English theatre. Not only was monarchy restored in England but Charles II also allowed women to enter the stage. Thus, women replaced the young adolescent males who cross-dressed in order to portray the women characters in Shakespeare's plays. Although, the cross-dressing motif might seem strange to some, this practice can be traced back to Ancient Greeks who did not allow women to ente...

Feminism and Gender Equality in the plays of Shakespeare

Shakespeare's courageous women include an extensive variety of portrayals and types. Inside the exhibition of female characters, Shakespeare's female characters show incredible knowledge, essentialness, and a solid feeling of individual autonomy. These characteristics have driven a few faultfinders to look at Shakespeare as a victor of womankind and a pioneer who left pointedly from level, stereotyped portrayals of females basic to his counterparts and prior producers. Contrastingly, different reporters take note of that even Shakespeare's most positively depicted females have characters that are tempered by negative characteristics. William Shakespeare lived amid the Elizabethan period and composed every one of his works dependent on the general public of that time. The Elizabethan period was a period when females were depicted to be weaker than males. Amid that time it was said that "women are to be seen, and not heard." In this paper an endeavour has been taken to investigate

Phenomenal Presence of Women in Shakespeare - Pervasive and Vigorous: A Critical Appraisal of Shakespeare's Plays

Vidyasagar University, 2019

It is a most significant matter and aspect of Shakespeare's artistic genius in presenting his women character, that I'm now going to deliberate and contemplate through my paper and thereby bring out a social picture of Shakespeare's time: it's patriarchy, women's condition and their social importance. In our way of discussing women character in Shakespeare's plays, we have to cast a view upon social condition of women, Queen Elizabeth's influence, its stage plays and many others. In this very paper I am going to project three different types of woman and try to determine them socially during Queen Elizabeth's reign. Amongst the other huge number of women character, few important characters are categorized and discussed briefly. And mostly Shakespeare's intelligence and skill in fitting them in a right place and in a right manner is also a central theme of my paper. The various characters with their fluency, their obstacles, their dealings with men and above all Shakespeare's managing of them is purposefully presented on my discussion. In a word, Shakespeare's view upon his female characters, weather it is glorious, jovial or timid investigated argumentatively.

CLOTHES MAKE THE (WO)MAN: SHAKESPEARE'S EXPLORATION OF GENDER THROUGH THE CROSSDRESSING HEROINE

This paper takes a look at Shakespeare's use of the crossdressing heroine over the course of his published works in an attempt to determine his constantly transforming view of gender, in particular, the role of women. Taking into consideration the visual nature of both plays and society during the Renaissance, the limitations of medical science, and the complexities of a crossdressing woman played by a man, Shakespeare's works show a clear evolution from thinking of women as lesser men to seeing the two genders as indistinct from one another without societal regulations.

Gender Identity and Gender Performativity in Shakespeare’s Selected Plays: Macbeth, Hamlet and Merry Wives of Windsor

Advances in Language and Literary Studies

The main argument of this article is focused on three plays by William Shakespeare, Macbeth, Hamlet and Merry Wives of Windsor. There are several points in these plays which deal with woman and their rights. This article deals with Shakespeare’s plays in relation to feminism, which pays more attention to the rights of women and their true identity. In all societies women are defined in terms of their relations to men as the center of power to which women have limited or no access. Judith Butler's performativity is significance on understandings of gender identity. Butler believes that gender is produced in society; also it can be changed in society. Feminism should aim to create a society in which, one's sexual anatomy is irrelevant to who one is, and what one does. Shakespeare’s view of a woman is shown through his representation of female characters in his plays specifically in Macbeth, Hamlet and Merry Wives of Windsor.