Wong Kar-wai's Ambivalent Vision (original) (raw)

Hong Kong University Press, 2015

The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance - Chapter 1

Round table discussion: The affects of the abstract image in film and video art

Bridget Crone

MIRAJ, Moving Image …, 2012

The Sensuous Cinema of Wong Kar-Wai: Film Poetics and the Aesthetic of Disturbance - Chapter 4 - Plotting

Hong Kong University Press, 2015

Color Design in the Cinema of Wong Kar-wai

Shohini Chaudhuri

A Companion to Wong Kar-wai, 2016

“The Active Eye” (Revisited): Toward a Phenomenology of Cinematic Movement"

Vivian Sobchack

Studia Phaenomenologica, 2016

04.INTRODUCTION_Visual Viscerality in the Experience of Contemporary Cinema_Rachel Rits-Volloch.pdf

The Sensuous Cinema of Wong Kar-Wai: Film Poetics and the Aesthetic of Disturbance - Chapter 5 - Popular Genre and In the Mood for Love

Hong Kong University Press, 2015

Perception, Painting, (Motion) Picture: Film Analysis of Never Look Away (Werk ohne Autor, D 2018)

Tristan Lay

German as a Foreign Language, 2021

Motion Pictures: Politics of Perception

Bettina Papenburg

Discourse: Journal for Theoretical Studies in Media and Culture, 35.2 (Spring, 2013)

09.BIBLIOGRAPHY__Visual Viscerality in the Experience of Contemporary Cinema_Rachel Rits-Volloch.pdf

Motion Perception in Movies and Painting: Towards a New Kinetic Art

michael betancourt

CTheory, 2002

Experimenting Film and the Sublime Experience

László tarnay

Ming Wong, Cinematic Realism and the “Real”: manipulating Reality as a Strategy for Autonomous Image Making.

Kalinca Costa Söderlund

Watching Paint, Motion Picture

Jeannine Tang

Soft Turnings, 2021

"From Painting to Film: Abstract Cinema and Synaesthesia", in From Sensation to Synaesthesia in Film and New Media, ed. by R. Catanese, F. Scotto Lavina and V. Valente, Cambridge Scholars Publishing, 2018, pp. 205-215.

Marie Rebecchi

2019

The Aesthetics of Flow and Cut in the Way of Film: Towards Transnational Transfers of East Asian Concepts to Western Film Theory

Simon Frisch

Arts, 2019

The Sensuous Cinema of Wong Kar Wai: Film Poetics and the Aesthetic of Disturbance - Chapter 6 - Appropriations, Reflections, and Future Directions

Hong Kong University Press, 2015

What am I looking at? Phenomenological approaches to the moving image in the age of digital media (Shirin Neshat's TURBULENT)

Jenny Chamarette

Film/Media Theory and Aesthetics

Ranjani Mazumdar

"Blind Representation": On the Epic Naiveté of the Cinema

Michael D'Arcy

Postmodern Culture, 2015

06.IRREVERSIBLE__Visual Viscerality in the Experience of Contemporary Cinema_Rachel Rits-Volloch

To See the Cinema: Human – Sight – Reality

Alina Temliakova

2019

Motion-Painting: Lav Diaz and the Fine Art of Slow Cinema

Nadin Mai

Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame

Gabriele Jutz

Cinematic Intermediality: Theory and Practice, 2021

The Time-Image and the Unknown in Wong Kar-wai's Film Art

Dorothee Hou

The Fascination with Unknown Time, 2017

Framing forces: Models of cinema expressed by films that frame painting

Simon Payne

Journal of Contemporary Painting, 2015

Abstracting the Eye

Lauren Wolanski

Positions and Perspectives on Artistic Research in Film

Gesa Marten

International Journal of Film and Media Arts, 2022

Making Images Move: Handmade Cinema and the Other Arts

Sam Littman

Historical Journal of Film, Radio and Television, 2020

The World as a Media Maze: Sensual and Structural Gateways of Intermediality in the Cinematic Image

Ágnes Pethő

WILMINK -Architectures for Cinematic Looking 1 "Architectures for cinematic looking: embodiment and the moving image at the Manifesta Biennal"

Melanie Wilmink

Conference Paper - Spiral Film Symposium, 2018

Modes of Action at the Movies, or Re-Thinking Film Style from the Embodied Perspective

Michele Guerra

Film form: Essays in film theory

Benjamin Waugh

1969

08.CONCLUSION__Visual Viscerality in the Experience of Contemporary Cinema_Rachel Rits-Volloch