Are you Afraid of the Cinema?': Du Cinéma and the Changing Question of Cinephilia and the Avant-Garde (1928-1930) (original) (raw)

Understanding Cinema: the Avant-gardes and the Construction of Film Discourse

Mirian Nogueira Tavares

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«Film d'intérêt passionnant, essai de cinéma pur, émotion purement visuelle. Programming scientific films in avant-garde club», XIII MAGIS International Film Studies Spring School – Cinema and Contemporary Visual Arts», Gorizia, 21 march 2015

Maria Ida Bernabei

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The Politics of Cinema; From Expressionism to the 'will to art’

stephen zepke

Paper given at 'Deleuze and the Contemporary Moving Image', KAVA (National Audiovisual Archive), Helsinki, Finland. 2 March 2013

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The 'Impower' of Cinema: an Analysis of L'Homme Atlantique

Arnau Vilaró i Moncasí

L'Atalante. Revista de estudios cinematográficos, 2017

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L'ATALANTE INTERNATIONAL FILM STUDIES JOURNAL Cinephile direCtors in modern times When the Cinema interrogates itself DIALOGUE Martin ScorSeSe Why do We need to return to filM claSSicS? Coordinator of the Vanishing Points Section: Original design and layout: Carlos Planes Cortell

Martin Boyd

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N. 23 / SEEING INWARD, LOOKING OUTWARD: FEMALE DESIRE IN FRANCOIST CINEMA / Carlos Losilla Alcalde

L'Atalante Revista de estudios cinematográficos

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From militant cinema to essay film. Letter to Jane by Jean-Luc Godard and Jean-Pierre Gorin / Del cinéma militant al ciné-essai. Letter to Jane de Jean-Luc Godard y Jean-Pierre Gorin. L'Atalante. Revista de estudios cinematográficos nº 22, pp.55-66 (2016)

Lourdes Monterrubio Ibáñez

2016

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Rea Walldén, ‘Beware! Construction! A Semiotic Methodology for Approaching Avant-Garde Cinema’, Punctum. International Journal of Semiotics, 3 (2), 2017, 111-135.

Rea Walldén

Punctum. International Journal of Semiotics, 2017

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Preface by Lúcia Nagib to book On Cinema by Glauber Rocha

Lucia Nagib

On Cinema, by Glauber Rocha, 2019

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The Parisian Avant-Garde in the Age of Cinema, 1900–1923 by Jennifer Wild

Kirsten Strom

Modernism/modernity, 2018

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Cinema as Method: Re-vision in Ramón Gómez de la Serna's Film Script Cifras (1930)

Anna Torres-Cacoullos

Modernism/modernity, 2023

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Deadly Deviations, Subversive Cinema: The Influence of Hollywood Film Noir on the French New Wave (Ph.D Dissertation)

James Rowlins

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Che vuoi? Enjoying the perverse symptom in the cinema of Pedro Almodóvar

Nancy Blake

nd International Literature and Psychology Conference, …, 2005

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Call for Papers: Immagine. Note di storia del cinema 18 [ITA/ENG]

Immagine. Note di storia del cinema (AIRSC), Mireille Berton, Silvio Alovisio

Immagine. Note di Storia del Cinema

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The evidence of the avant-garde film

Karoly Kokai

Hungarian Studies, 2017

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For fear of stagnation : Cinema and the art of disquiet in Fondane's essays and poetry

Nadja Cohen

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The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film

Jonathan Walley

October, 2003

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Lethal Film: The Cine-phile/Cine-fetish of "Infinite Jest"

Julia Alekseyeva

Burning Daylight, 2014

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Losing oneself: the enigmatic other and the will to know in François Ozon's cinema

Jonas Green

2020

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"Ses Fantômes (The Traces of Derrida's Cinema)," Discourse 37, nos. 1-2 (2015): 40-62.

Timothy Holland

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Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression. New Literary History: A Journal of Theory and Interpretation, vol. 47, no.1, Winter 2016. Johns Hopkins University Press

Daniel Yacavone

New Literary History: A Journal of Theory and Interpretation (Johns Hopkins UP), vol. 47, no.1, Winter 2016

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Punctum fluens. Comunicazione estetica e movimento tra cinema e arte nelle avanguardie storiche

Antonio Bisaccia

Quaderni d'Italianistica, 2003

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The Spectator's Position as a Thinking Space for the Contemporary Essay Film: Face aux fantômes (2009) and Jaurès (2012) Comparative Cinema 10(18) (2022) English and Spanish versions

Lourdes Monterrubio Ibáñez

Comparative Cinema, 2022

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Review Essay: Deleuze and Cinema: The Film Concepts by Felicity Colman, Deleuze and World Cinemas by David Martin-Jones, New Takes in Film-Philosophy by Greg Tuck and Havi Carel

Sergey Toymentsev

Scope: An Online Journal of Film and Television Studies, 2013

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The MA (Today) and Tomorrow : Film Theory and Practice in the Classical and Neo-avant-garde

Gábor Gelencsér

Theatron

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Heurtebise, J-Y. 2013. About the conditions of possibility of the philosophical analysis of films: A Kierkegaardian, Girardian, and Deleuzian reading of In the mood for love, Revista Portuguesa de Filosofia, n°69 (3-4): 451-470

Jean-Yves Heurtebise

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Midnight in Andalusia: Mainstream Cinema and the Avant-Garde

Justin Remes

The Palgrave Handbook of Experimental Cinema, 2024

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N. 18 / WRITING CINEMA: CINEPHILIC PASSION IN THE WORK OF VÍCTOR ERICE / Santos Zunzunegui

L'Atalante Revista de estudios cinematográficos

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LANDSCAPES OF DICTATORSHIP IN FILM: THREE AESTHETIC AND EMOTIONAL MODES, in Ditaduras Revisitadas, Eds. Denize Araujo, Eduardo Morettin e Vitor Reia-Baptista. Faro, Portugal: CIAC/Universidade do Algarve, 2016, pp.498-521. ISBN: 978-989-8859-01-3.

Graça P Correa

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The Cinema and the Displacement of Reverence

Harriet Warman

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Artaud’s “Pure Cinema”: The Manifestation of the Double in the Cinema of Cruelty.

Ishita Sareen

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The presence of the absent (Collegium paper/ Le Giornate del Cinema Muto, 2012)

Igor Andrade Pontes

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Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression

Daniel Yacavone

New Literary History, 2016

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'The Dialectics of Cruelty: Rethinking Artaudian Cinema', in Cinema Journal 55:3 (2016), pp.65-89.

Angelos Koutsourakis

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Writing about a Common Love for Cinema: Discourses of Modern Cinephilia as a trans-European Phenomenon

Fernando Ramos Arenas

2012

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