Are you Afraid of the Cinema?': Du Cinéma and the Changing Question of Cinephilia and the Avant-Garde (1928-1930) (original) (raw)
Understanding Cinema: the Avant-gardes and the Construction of Film Discourse
Mirian Nogueira Tavares
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«Film d'intérêt passionnant, essai de cinéma pur, émotion purement visuelle. Programming scientific films in avant-garde club», XIII MAGIS International Film Studies Spring School – Cinema and Contemporary Visual Arts», Gorizia, 21 march 2015
Maria Ida Bernabei
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The Politics of Cinema; From Expressionism to the 'will to art’
stephen zepke
Paper given at 'Deleuze and the Contemporary Moving Image', KAVA (National Audiovisual Archive), Helsinki, Finland. 2 March 2013
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The 'Impower' of Cinema: an Analysis of L'Homme Atlantique
Arnau Vilaró i Moncasí
L'Atalante. Revista de estudios cinematográficos, 2017
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L'ATALANTE INTERNATIONAL FILM STUDIES JOURNAL Cinephile direCtors in modern times When the Cinema interrogates itself DIALOGUE Martin ScorSeSe Why do We need to return to filM claSSicS? Coordinator of the Vanishing Points Section: Original design and layout: Carlos Planes Cortell
Martin Boyd
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N. 23 / SEEING INWARD, LOOKING OUTWARD: FEMALE DESIRE IN FRANCOIST CINEMA / Carlos Losilla Alcalde
L'Atalante Revista de estudios cinematográficos
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From militant cinema to essay film. Letter to Jane by Jean-Luc Godard and Jean-Pierre Gorin / Del cinéma militant al ciné-essai. Letter to Jane de Jean-Luc Godard y Jean-Pierre Gorin. L'Atalante. Revista de estudios cinematográficos nº 22, pp.55-66 (2016)
Lourdes Monterrubio Ibáñez
2016
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Rea Walldén, ‘Beware! Construction! A Semiotic Methodology for Approaching Avant-Garde Cinema’, Punctum. International Journal of Semiotics, 3 (2), 2017, 111-135.
Rea Walldén
Punctum. International Journal of Semiotics, 2017
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Preface by Lúcia Nagib to book On Cinema by Glauber Rocha
Lucia Nagib
On Cinema, by Glauber Rocha, 2019
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Kirsten Strom
Modernism/modernity, 2018
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Cinema as Method: Re-vision in Ramón Gómez de la Serna's Film Script Cifras (1930)
Anna Torres-Cacoullos
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James Rowlins
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Nancy Blake
nd International Literature and Psychology Conference, …, 2005
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Call for Papers: Immagine. Note di storia del cinema 18 [ITA/ENG]
Immagine. Note di storia del cinema (AIRSC), Mireille Berton, Silvio Alovisio
Immagine. Note di Storia del Cinema
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The evidence of the avant-garde film
Karoly Kokai
Hungarian Studies, 2017
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For fear of stagnation : Cinema and the art of disquiet in Fondane's essays and poetry
Nadja Cohen
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The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film
Jonathan Walley
October, 2003
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Julia Alekseyeva
Burning Daylight, 2014
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Jonas Green
2020
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"Ses Fantômes (The Traces of Derrida's Cinema)," Discourse 37, nos. 1-2 (2015): 40-62.
Timothy Holland
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Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression. New Literary History: A Journal of Theory and Interpretation, vol. 47, no.1, Winter 2016. Johns Hopkins University Press
Daniel Yacavone
New Literary History: A Journal of Theory and Interpretation (Johns Hopkins UP), vol. 47, no.1, Winter 2016
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Punctum fluens. Comunicazione estetica e movimento tra cinema e arte nelle avanguardie storiche
Antonio Bisaccia
Quaderni d'Italianistica, 2003
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The Spectator's Position as a Thinking Space for the Contemporary Essay Film: Face aux fantômes (2009) and Jaurès (2012) Comparative Cinema 10(18) (2022) English and Spanish versions
Lourdes Monterrubio Ibáñez
Comparative Cinema, 2022
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Sergey Toymentsev
Scope: An Online Journal of Film and Television Studies, 2013
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Gábor Gelencsér
Theatron
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Heurtebise, J-Y. 2013. About the conditions of possibility of the philosophical analysis of films: A Kierkegaardian, Girardian, and Deleuzian reading of In the mood for love, Revista Portuguesa de Filosofia, n°69 (3-4): 451-470
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Justin Remes
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L'Atalante Revista de estudios cinematográficos
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LANDSCAPES OF DICTATORSHIP IN FILM: THREE AESTHETIC AND EMOTIONAL MODES, in Ditaduras Revisitadas, Eds. Denize Araujo, Eduardo Morettin e Vitor Reia-Baptista. Faro, Portugal: CIAC/Universidade do Algarve, 2016, pp.498-521. ISBN: 978-989-8859-01-3.
Graça P Correa
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The Cinema and the Displacement of Reverence
Harriet Warman
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Artaud’s “Pure Cinema”: The Manifestation of the Double in the Cinema of Cruelty.
Ishita Sareen
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The presence of the absent (Collegium paper/ Le Giornate del Cinema Muto, 2012)
Igor Andrade Pontes
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Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression
Daniel Yacavone
New Literary History, 2016
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'The Dialectics of Cruelty: Rethinking Artaudian Cinema', in Cinema Journal 55:3 (2016), pp.65-89.
Angelos Koutsourakis
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Writing about a Common Love for Cinema: Discourses of Modern Cinephilia as a trans-European Phenomenon
Fernando Ramos Arenas
2012
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