เจ้าดารารัศมี: ดนตรีราชสำนักของพระราชชายาเจ้าดารารัศมี (original) (raw)
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Ph.D. Thesis (Sanskrit Studies), Silpakorn University, 2019
The objective of this thesis is to provide the transliteration and the translation of the chapter relating to the concepts of the planets, Daśās and the physiognomy of Bṛhatpārāśara-horāśāstra from Sanskrit into Thai, and to explore and compare these concepts as stated in Bṛhatpārāśara-horāśāstra with Thai Brahmajāti popular edition. The result of this study reveals that it is possible that Brahmajāti could be influenced by Indian thoughts due to the fact that the astrological concepts resemble Bṛhatpārāśara-horāśāstra, especially the concepts of the planets and Daśās. As for the concepts of the planets, their names in Brahmajāti have derived from Pali and Sanskrit which share the same etymology with the planets’ names in Bṛhatpārāśara-horāśāstra in terms of the meaning of the origin, the character and the position. Nevertheless, it is worth noted that according to Brahmajāti, the planets are created by lord Īśvara. The characters and the relationships of the planets in Bṛhatpārāśara-horāśāstra and Brahmajāti illustrates some differences. Still, the essential dignities of the planets such as rulership, exaltation and debilitation are similar. Concerning the conpets of Daśā, Brahmajāti calls out Daśā as “Thaksa” and Mahathaksa is also similar to the Aṣṭottarīdaśā in Bṛhatpārāśara-horāśāstra including the total age of 108 years, the age of the planets and the calculation of the span of the planet’s Daśā and the planet’s Antardaśā. Only the calculation of the first planet’s Daśā is different. In fact, Bṛhatpārāśara-horāśāstra is more concerned by the period of the moon in natal nakṣatra whereas Brahmajāti is concerned by the native’s lord of birthday. Bṛhatpārāśara-horāśāstra and Brahmajāti both calculate the span of the planets in Daśā system by cross-multiplication. However, the prediction in Bṛhatpārāśara-horāśāstra considers the planets’ essential dignities. It is interesting to indicate that most of the predictive texts are different. For the concept of the physiognomy, the predictions based on the effects of the characteristic features of various body parts as well as the effects of marks in Bṛhatpārāśara-horāśāstra apply specifically to women even though the last śloka of chapter 81 and some predictive texts in chapter 82 indicate that this can also be applied to men. However, the physiognomy in Brahmajāti predictions are applied to both women and men. The auspicious-inauspicious effects of the physiognomy of both scriptures are similar whereas the predictive texts are mostly different.
2019
This article aims to study the history of and to analyze “March Number 1”. The sources used in the study were books; old documents, such as manuscripts from archives in Thailand and other countries; websites and interviews on musicology methods. The study results are: March Number 1 was composed by German composer Friedrich Wilhelm Kucken for children to sing with the lyrics of a German poem. The music was arranged for a military band in 1855-1860 and diffused around the world. In Thailand, the researcher found a recording dating from the reign of King Rama V of “Phleng Yermạn, ”as “March Number 1” was first known in Thai, performed by the Royal Thai Army Third Infantry Division Band conducted by Jacob Veit. After the reign of King Rama V, the Thai military reorganized its band music and “Phleng Yermạn” was designated “March Number 1”. When civilian brass bands appeared in Thailand, “March Number 1” became part of their repertoire and has continued to be performed ever since. The an...
หน้าจั่ว ว่าด้วยประวัติศาสตร์สถาปัตยกรรมและสถาปัตยกรรมไทย, 2013
The aim of this article is to study the story of Khum Luang/ Wieng Khaew, the palace of King of Chiang Mai, from Siam chronicles, which were written after the annexation of Chaing Mai by Siam in the era of King Chulalongkorn. Besides the chronicles, other sources like archival documents, memoirs and oral history should also be studied alongside with the concept of internal colonialism. The main thai-chronicle of lanna-history, the Yonok Historical Annual, written by Phraya Prachakitkorrajak (Cham-Bunnag), aimed to tell the story of building the Siam-state with Bangkok as a center. As one stage of establishing the Thai-state, the Yonok Historical Annual talks about the renovation of Chiang Mai, the center of Lanna, that took place after the short occupation of the Burmeses. The chronicle states that, King Kawila drove back the people to the city and ordered the establishing of the city pillar. In telling these, the chronicle doesn't mention Khum Luang/Wiang Khaew, which refer to a palace of the King of Chiang Mai and thus the governmentcenter of Lanna. Controversially, both royal houses were mentioned in several memoirs of foreigners in Lanna and in oral history as a place as big importance, which decorated in western styles in the time of colonialism. Moreover, the Siam archival documents show that, after the annexation of Lanna, Khum Luang and Wiang Khaew were rebuilt into places with positive meaning-such as, town hall and school-and negative meaning-such as, a prison. Rebuilding the palace into a prison means a degradation of a palace. Furthermore, it also shows the influence of Siamese government in Bangkok over the colonized Lanna, since the Siamese government could do what it saw fit.
สตริงออร์เคสตราและฟลูต : ความสัมพันธ์ทางการทูตครบรอบ 60 ปี ระหว่างประเทศไทยและเกาหลีใต้
Rangsit Music Journal, 2020
Musical composition “String Orchestra and Flute” composed to celebrate the Korea-Thailand sixtieth anniversary of the diplomatic relations. The composition conveys different cultural aspects of the two countries. Compositional materials are based on Thai rhythmic pattern, Thai melody—Kangkaw Kin Kluay—and Korean musical modes, especially P’yŏngjo, Kyemyŏnjo, and Oeumgae (Five Notes System). The main motive is a collection of E, F, and A or set of (015) derived from 60th anniversary. This neotonal composition comprised motivic development, variation in fragmentation, and quartal/quintal chord.
หอยทะเลฝาเดียวของไทย (Marine gastropods of Thailand)
2014
Marine Gastropods of Thailand Andaman Coastal Research Station for Development (ACRSD) Andaman Coastal Research Station for Development (ACRSD) หอยเป๋ าฮื ้ อ Donkey's ear abalone Haliotis ovina หอยงอบดาว Limpet Patelloida saccharina หอยหมวกจี น Rayed wheel limpet Cellana testudinaria หอยก้ นแหลม Top shell Monodonta labio หอยนมสาว Top shell Trochus sp. หอยนมสาว Top shell Trochus maculatus หอยนมสาว Top shell Trochus sp. หอยทั บทิ ม Button top Umbonium vestiarium หอยตาวั วน ้ าลึ ก Tapestry turban shell Turbo petholatus หอยตาวั ว Turban shell Turbo sp. ฝาปิ ดเปลื อกของหอยตาวั ว Operculum of Turbinidae หอยน ้ าพริ ก Nerite Nerita belteata หอยน ้ าพริ ก Nerite Nerita albicilla หอยน ้ าพริ ก Nerite Nerita polita หอยน ้ าพริ ก Nerite Nerita polita หอยน ้ าพริ ก Nerite Nerita polita หอยน ้ าพริ ก Nerite Nerita polita Vittina coromandeliana Vittina sp. Vittina sp. หอยจุ ๊ บแจง Horn snail Cerithidea quadrata หอยเจดี ย์ Turritella snail Turritella duplicata หอยขี ้ กา Telescope snail Telescopium telescopium หอยมวนพลู Screw shell Terebra sp. หอยหู Ear cassidula Cassidula cf. aurisfelis หอยปากเบี ้ ยวลาย Banded mangrove helmet snail Cassidula nucleus หอยนน Judas ear cassidula Ellobium aurisjudae หอยงอบ Calyptraea sp.
Journal of Sinology (Mae Fah Luang University), 2021
This article aims to study the translation strategies adopted by HRH Princess Maha Chakri Sirindhorn in her translation of contemporary Chinese literature. The scope of the study is limited to sixteen such works in prose form. For this article, food names found in the studied texts are divided into three categories: foods, desserts, and beverages. Using Vinay and Derbelnet’s translation strategies as a framework, this study analyzes how HRH Maha Chakri Sirindhorn translated food names from Chinese into Thai. The study found six strategies adopted by HRH Princess Maha Chakri Sirindhorn for the translation of food names, including, in order of frequency, literal translation, adaptation, équivalence, borrowing, borrowing and literal translation combined, and equivalence and adaptation combined. These strategies constituted 69.07, 15.46, 12.37, 2.06, 1.03 and 1.03 percent of the translations respectively. As for the translation of dessert names, there were altogether four strategies, including, in order of frequency, literal translation, borrowing, adaptation, and borrowing and equivalence combined, which constituted 68, 20, 8 and 4 percent respectively. For beverage names, four strategies were used, including, in order of frequency, literal translation, borrowing, borrowing and literal translation combined, and adaptation, which constituted 63.16, 15.79, 15.79 and 5.26 percent respectively. In conclusion, when translating food names from Chinese into Thai, HRH Princess Maha Chakri Sinrindhorn preferred literal translation over other strategies. However, when that could not be achieved, Her Royal Highness would opt for other strategies including equivalence, adaptation, and borrowing, with the aim of making the translations read smoothly while staying faithful to the original.
การบูรณาการพุทธธรรมเพื่อพัฒนาสังคมไทย : แนวความคิดของสมเด็จพระพุทธโฆษาจารย์ (ป.อ.ปยุตฺโต)
2018
The purpose of this article is to study the thought of Somdet Phra Buddhaghosacariya (P.A.Payutto) on the integration of Buddhadhamma for development of Thai society by analyzing his works. The result of this study found that Somdet Phra Buddhaghosacariya sees that Thai society is bent on following western society and the way of life of Thai citizens in the present day is in the age of globalization, which has set the stage for a new environment that will empower individual and social as never before. At the same time, it becomes the global paradox or an