Overcoming Information Aesthetics: In Defense of a Non-Quantitative Informational Understanding of Artworks
Rodrigo Hernández-Ramírez
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Informational Aesthetics—What Is the Relationship between Art Intelligence and Information?
John Holgate
Proceedings
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Artworks as informational systems
Rodrigo Hernández-Ramírez
2016
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Revaluing Renaissance Art
Sara James
Revaluing Renaissance Art, 2002
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From Artist to Audience: Italian Drawings and Prints from the 15th Through 18th Centuries
Sara Pattiz
2016
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Making Pictures Speak: Renaissance Art, Elizabethan Literature, Modern Scholarship
Leonard Barkan
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On How to Listen to High Renaissance Art
john onians
Art History, 1984
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[REVIEW, CAA Reviews, May 16 2013] Jill Burke, ed. Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome Visual Culture in Early Modernity. Burlington, VT: Ashgate, 2012. 402 pp.; 84 b/w ills. Cloth $124.95 (9781409425588)
Kim Butler Wingfield
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A Cross-sensory Approach to Renaissance Painting. Review of: François Quiviger, The Sensory World of Italian Renaissance Art (2012)
Mikael Bøgh Rasmussen
The Senses and Society, 2012
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Learning through Images in the Italian Renaissance: Illustrated Manuscripts and Education in Quattrocento Florence (Cambridge University Press, 2020), Chapter 1 (introduction)
Federico Botana
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Graphics in History: An Examination of Visuals in Counter-Reformation Art
Somanand Saraswati
Bioscience Biotechnology Research Communications
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Connoisseurs amended: an exercise in Digital Art History
K. Bender
Blog: Iconography in Art History http://kbender.blogspot.be/?view=magazine, 2017
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Art Appreciation and criticism : Supper at Emmaus, Michelangelo Merisi da Caravaggio, 1601
Leni Tjahjadi
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Italian Renaissance Art, by Stephen J. Campbell and Michael W. Cole. Interdisciplinary Humanities (Fall 2015)
Caitlin Luetger-Schlewitt
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REVIEW Michael Baxandall, Words for Pictures: Seven Papers on Renaissance Art and Criticism. The Art Bulletin 88 (2006).
Stephen J. Campbell
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Im/Materiality in Renaissance Arts
Lisa Pon
Arts, 2024
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REVIEW: Francis Ames-Lewis, The Intellectual Life of the Early Renaissance Artist. New Haven and London: Yale University Press, 2000; Robert Williams, Art, Theory, and Culture in Sixteenth-Century Italy: From Techne to Metatechne. Cambridge and New York: Cambridge University Press, 1997, in The Art Bulletin LXXXIII (2001), 150-153.
Stephen J. Campbell
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Innovations in information technology: insights from Italian Renaissance art
Janet L. Borgerson, Jonathan Schroeder
Schroeder, J.E. and Borgerson, J. L. (2002) “Innovations in Information Technology: Insights into Consumer Culture from Italian Renaissance Art,” Consumption, Markets, & Culture 5(2), 153-169. , 2002
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Visualizing Leonardo and Michelangelo through digital humanities, reconstruction and interaction design
Davide Turrini, Emanuela Ferretti
SCIRES IT, 2020
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Layers of Seeing and Seeing through Layers: The Work of Art in the Age of Digital Imagery
LOUISA W O O D RUBY
The Journal of Aesthetic Education, 2008
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Kim_Renaissance_Oxford Art Online
David Y Kim
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Emanuele Lugli, Review of Learning Through Images in the Italian Renaissance, Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies, 6.2, autumn 2021
Federico Botana
2021
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Renaissance Intellectual Culture, Antiquarianism, and Visual Sources
Julia A Siemon
The Silver Caesars: A Renaissance Mystery (New York: The Metropolitan Museum of Art), 2017
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Landscapes of Feeling, Arenas of Action: Information Visualization as Art Practice
Tom Corby
Leonardo, 2008
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The Aesthetics of Digital Art.pdf
Paul Crowther
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The Impact of Technological Advancements on Art -Parallels Between the Renaissance, the Discovery of Photography, and the Digital Revolution
Yane Bakreski
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Algorithms we live by. Art and aesthetic experience in the age of the digital
Emanuele Arielli
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Digital Tools and Technical Views: The Intersection of Digital Art History and Technical Art History in a Digital Archive on the Painting Technique of Caravaggio and His Followers, Visual Resources
Marco Cardinali
Visual Resources, 2019
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" The Digital and the Baroque: Confronting Hyper-Representation " ELO
Elise Takehana
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Alessandro Giovannelli, ed. , Aesthetics: The Key Thinkers . Reviewed by
Erin Bradfield
Philosophy in Review, 2014
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'(Un)richtige Aufnahme': Renaissance Sculpture and the Visual Historiography of Art History
Geraldine A Johnson
Geraldine A. Johnson, "'(Un)richtige Aufnahme': Renaissance Sculpture and the Visual Historiography of Art History," Art History, vol. 36, no. 1 (2013): 12-51, 2013
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Neo_Baroque_Aesthetics_and_Contemporary_Entertainment.pdf
Angela Ndalianis
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"The Digital Presence of the Ephemeral: Three Study Cases", 35th CIHA World Congress in History of Art, Florence, 1-6 Sept. 2019
Pamela Bianchi
35th CIHA World Congress in History of Art, Florence, Villa Vittoria, 1-6 Sept. 2019
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The Art of Commedia: A Study in the 'Commedia dell'arte', 1560-1620, with Special Reference to the Visual Records
Linda Carroll
The Modern Language Review, 2007
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11th École de Primtemps organized by the International Consortium on Art History, Norwich, University of West Anglia, May 20-24 , 2013
Alessandra Acocella
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