The Lamps from the Sanctuary of Hermes and Aphrodite at Syme Viannou, Crete (original) (raw)
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PAPHOS AGORA PROJECT (PAP) volume 1 INTERDISCIPLINARY RESEARCH OF THE JAGIELLONIAN UNIVERSITY IN NEA PAPHOS UNESCO WORLD HERITAGE SITE (2011–2015) — FIRST RESULTS, 2020
This paper reports the results of a project concerning the 76 Greek and Roman oil lamps in Canterbury Museum, all of which were identified according to established typologies. The lamps range in date from the fifth century BCE to the fourth century CE and represent common Greek, Etruscan and Roman lamp types, as well as provincial types from Judaea, Cyprus, Egypt, North Africa and Britain. The collection includes 73 terracotta and three bronze lamps, of which four (two terracotta and two bronze) are modern reproductions. The first part of the paper puts these lamps into context by describing the diverse functions of lamps in the ancient Mediterranean world, such as provision of light in domestic and commercial contexts, use in religious ceremonies and tombs, and use as votive objects and funerary offerings. The second part describes the formation of the collection, and the final part traces the development of lamps and lamp-making in Graeco-Roman antiquity with reference to examples from the collection. A brief catalogue of previously unpublished lamps is also provided.
Roman and Early Byzantine lamps from the island of Naxos in the Cyclades
BAR International Series 2616 (I), 2014
This study aims at delivering an overview of the Roman and Late-Antique lamps from the island of Naxos in the Cyclades. All lamps come from three distinct excavation contexts, namely from the sanctuaries at Hyria and Sangri (Gyroulas) and from rescue excavations in the town of Naxos: none dates later than the Early Byzantine period. The majority among them are imported from different areas in the Mediterranean, while a few are locally made by the use of moulds that have been associated with them. These last are naturally the most intriguing as they give away hints on the local taste, preferences, influences and the aptitude of the native lamp-makers. Hopefully, as similar material gets published from more islands in the Cyclades, it will help build a much needed corpus of the lamps that the island workshops shaped at that time.
Late Roman Lamps Discovered in Istros, on the Acropolis Centre-South Sector (2013-2020 Campaigns)
Peuce, S.N. XIX, 2021
In this study, we present a part of the lychnological material discovered during the archaeological excavation carried out between 2013 and 2020 on the Acropolis Centre-South Sector in Istros (Constanța County). The entire lot includes almost 190 pieces that, from a chronological point of view, belong to the Greek (Archaic, Classical and Hellenistic), Early Roman and Late Roman period. We selected for discussion in this paper only the Late Roman material, which is the most numerous (130 lamps, of which 107 typologically determined) and more representative for the archaeological complex under investigation. The lamps belong to many types, some of them newly attested in Istros, and are both imported products and pieces manufactured at a regional, maybe even local, scale.
A BOAT-SHAPED LAMP FROM NEA PAPHOS AND THE DIVINE PROTECTORS OF NAVIGATION IN CYPRUS
Une lampe en forme de bateau, à becs multiples, a été mise au jour il y une vingtaine d'années dans la Maison d'Orphée à Paphos. Cette découverte a été brièvement mentionnée et illustrée à l'époque de sa découverte, mais l'importance iconographique et symbolique de l'objet n'avait pas encore été mise en évidence. L'article présente un commentaire de la lampe et de son décor qui comporte plusieurs images divines, dominées par celle de Sérapis trônant (mentionné dans une inscription sur le fond). Il examine et analyse également les autres exemples de l'iconographie de ces divinités à Chypre, dans le contexte plus large des décors de lampes, spécialement celles en forme de bateau. On constate ainsi que les divinités représentées étaient toutes protectrices des voyages et de la navigation, ce qui, associé à la forme des lampes, donne une indication sur la fonction et l'usage de ces objets exceptionnels. Boat-shaped poluv lucna were unknown in Cyprus until 1986, when the fine example (Figs. 1-3) forming the subject of this paper came to light during the excavation of the area known as the House of Orpheus in Nea Paphos. 1 The lamp is decorated with deities of the Egyptian pantheon, and is one of several Egyptian or Egyptianising objects brought to light in this building complex. 2 The lamp was found in numerous fragments in a deep fill of a general 2 nd /3 rd cent. AD date, a little above the beaten earth floor of a small room near the SE limit of the excavation. The reconstructed lamp is 37.7cm long, 10.5cm wide and 13.8cm high (at the deck). The clay is of light brown colour with small grey and some larger white inclusions. The outside is covered with a thin orange/red slip that occasionally turns to brown. The
Select Lamps from the Fountain of the Lamps, Ancient Corinth, Greece
Lychnological Acts 3, 2012
Abstract: a sampling of intact lamps from the Fountain of the Lamps can be used to illustrate some basic characteristics of the majority of the lamps. Shared features including a diversity of fabric, as well as the appearance of joining ridges, handle webbing and impressed evidence of mechanical copying. these products can be categorized easily in the Broneer typology. the shape and characteristics of some unusual imported lamps raise questions for further investigation....
Light from the east. Hellenistic relief lamps of eastern Mediterranean provenance in Dalmatia
During the Hellenistic period various local and imported ceramic objects were in motion throughout Dalmatia. Among these, a small but culturally and artistically interesting group are Hellenistic oil-lamps decorated with figural, floral and geometric motifs in relief, presumably manufactured in different eastern Mediterranean workshops. For some examples, the suggested provenance is Pergamon and Ephesos in Asia Minor, while others were produced in unknown workshops under the influence of Egyptian lamps. These objects were documented in four eastern Adriatic sites in Dalmatia, Vis, Hvar, Zadar and Nin, integrated into everyday cultural practices of the local communities. Their presence offers some new perspectives on the distribution patterns of the eastern Mediterranean lamps, as a direct reflection of an upsurge in mobility across the Mediterranean during the 2nd and 1st c. BCE.