A Note on the Cover Art (original) (raw)
Related papers
Über Nature - Licht Luft Scheisse Volume 3, 2020
Licht Luft Scheisse Volume 3 Über Nature Edited by Sandra Bartoli, Kathrin Grotz, Silvan Linden, Florian Wüst, Patricia Rahemipour In the age of the Anthropocene, the concept of »nature« stands increasingly in opposition to the realization that we influence, alter, and destroy our environment in all spheres of animate and inanimate matter. Über Nature looks back on the homonymous exhibition of mainly artistic works that address our relationship to nature, the biosphere, and the non-human in the context of the Botanical Museum Berlin–and in this way, directly or indirectly deals also with the institution as a project of modernity. With contributions by: Böhler & Orendt, Book & Hedén, Joerg Franzbecker, Helen Mayer Harrison & Newton Harrison, Heidrun Hubenthal & Michael Wilkens, Katja Kaiser, Susanne Kriemann, Katarzyna Kukula, Kito Nedo, Kim Nekarda, Patricia Piccinini, New Territories_S/he, Gitte Villesen Concept and editing: Sandra Bartoli, Silvan Linden, Florian Wüst Übersetzungen / Translations: Ulrich Gutmair (EN-DE), David H. Haney (DE-EN), Dorota Eckardt (PL-DE) Proofreading and copy editing: Johanna Roth (DE), Mark Soo (EN) 200 pages, 113 b/w illustrations Graphic design: State adocs Hamburg ISBN: 978-3-943253-33-7
Species: a praxiographic study
Taxonomists, who describe new species, are acutely aware of how political, economic, and ecological forces bring new forms of life into being. Conducting ethnographic research among taxonomic specialists -experts who bring order to categories of animals, plants, fungi, and microbes -I found that they pay careful attention to the ebb and flow of agency in multispecies worlds. Emergent findings from genomics and information technologies are transforming existing categories and bringing new ones into being. This article argues that the concept of species remains a valuable sense-making tool despite recent attacks from cultural critics.
WOW! Windows on the Wild: A Biodiversity Primer
1994
Windows on the Wild is an environmental education program of the World Wildlife Fund. This issue of WOW! focuses on biodiversity. Topics include: an interview with one of the world's leading experts on biodiversity; the lighter side of biodiversity through comics and cartoons; a species-scape that compares the number of species on the planet; natural disasters; a tabloid look at the wild world of nature; habitat loss, population growth, and the loss of diversity; bears; wildlife photography; facts and figures on biodiversity; pink potatoes and other wild plants; how spending habits affect the earth; the Maya civilization; and student action to slow the loss of biodiversity. (JRH)
PAPER BOTANY: A CLOSER EXAMINATION OF BOTANICAL ILLUSTRATIONS
UTSA Department of Art and Art History, 2024
This thesis examines the botanical illustrations from facsimiles of volumes three, four, and five of the Trujillo del Peru, compiled by Spanish bishop Baltasar Jaime Martínez Compañón from 1782 to 1785. They are examined from an art historical and ethnobotanical perspective to expand on the significance of the volumes’ contents, particularly on matters of cultural erasure and huacas (an object, place, or other subject which represents manifestation of life force). To accomplish this, this research contextualizes these illustrations in the extensive history and cultural context of the Spanish Royal Botanical Expeditions and post-conquest Peru. This includes inconsistent enforcement of the Extirpation visitas and the iconoclasm of Andean cultural artefacts. Documentary artworks similar to the Trujillo del Peru, such as Guamán Poma’s El primer nueva corónica and Lequanda and Thiebaut’s Quadro de Historia Natural, Civil y Geográfica del Reyno del Perú form a small genre which the Trujillo del Peru can be inserted. The Trujillo del Peru’s watercolors are also compared with the concurrent botanical surveys of Ruiz-Pavón (1778-1788) and Mutis (1783-1808). I argue that the botanical volumes are historically and culturally significant as they demonstrate a profound Indigenous Andean knowledge of the natural world and, as such, an epistemological and philosophical departure from the base principles of scientific collections.
Molecular systematics is advancing rapidly, while the pool of taxonomic expertise dwindles: thus, the lag between recognising potential new species, and formally describing those species, will increase. Given the urgency of the biodiversity crisis, the existence of potential new undescribed species should be communicated as rapidly and widely as possible, thus highlighting the relevance and importance of systematics to other sciences, and to biodiversity managers, policy makers, and the general public. However, under the current botanical and zoological codes, scientists who reveal the existence of unrecognised taxa are vulnerable to having those candidate species rapidly named by unscrupulous individuals using unrefereed (and often self-published) works. This compelling argument for peer review in nomenclature has been largely overlooked in previous debates about the codes. The botanical and zoological codes need to be immediately updated to discourage such taxonomic piracy; this would encourage taxonomists to disseminate their vital biodiversity data as quickly and broadly as possible.
Endangered Species: Artists on the Front Line of Biodiversity
Endangered Species: Artists on the Front Line of Biodiversity, 2018
This exhibition catalog features 80 works in all media that span three centuries by 60 artists from around the world who convey the wonder and fragility of life on earth. It highlights the collaborative relationship between artists and natural scientists and how this partnership makes a vital contribution to the legacy of nature conservation. Through the artworks, readers can visualize the human actions that threaten biodiversity via E.O. Wilson's acronym HIPPO- habitat loss, invasive species, population growth, pollution, and overharvesting (all exacerbated by climate change). The book also provides an uplifting and inspiring component by featuring pioneering artists who revitalize habitats and reconnect people to the natural world.
Man And Nature (Exotic Flora & Fauna
Foreword I could not give a title to my clubbed stray poems recollected here for a purpose and for that some poems at the start of tell of the introductory things started poetically or assembled for the said reason thereof. Many a thing comes to the mind, Blake's tiger, Aurobindo's tiger and deer, Harindranath's mystic noon with the attendant, Kipling's Mogli ad Bagheera, Corbett's man-eaters, Yeats' desertion of circus animals, Bhatnagar's sand-dune imagery, Hazlitt's Indian jugglers, Huxley's bulls at Benares, Orwell's shooting of the elephant and so on. I could not attach the poems on atomic summer, acid rain, global warming and climate change. I should have attached to it my poem written on Nagasaki and Hiroshima.